Guðbergur Davíðsson

참여 작품

The Last Fishing Trip
Co-Producer
Six friends on their annual fishing trip realize leaving wives, work and worries at home is really hard work. What was supposed to be a cozy fishing trip, turns out to be a downward spiral to Hell. Let's go fishing.
New Hands - Within Reach
Producer
Gudmundur Felix lost both arms in a horrible work accident in 1998, when he climbed a high voltage mast for repair work. His biggest wish is to hug his daughters and Felix is set on getting an arms transplant. He swims against the current for 20 years to make this happen. The waiting is endless and the health care system is not in favor of revolutionary methods needed for a transplant of this magnitude. In the end a miracle is within arms reach, thanks to cutting edge progress in modern medicine.
New Hands - Within Reach
Director of Photography
Gudmundur Felix lost both arms in a horrible work accident in 1998, when he climbed a high voltage mast for repair work. His biggest wish is to hug his daughters and Felix is set on getting an arms transplant. He swims against the current for 20 years to make this happen. The waiting is endless and the health care system is not in favor of revolutionary methods needed for a transplant of this magnitude. In the end a miracle is within arms reach, thanks to cutting edge progress in modern medicine.
Producer
In the aftermath of the Second World War, relations between the former allied eastern and western powers deteriorated fast. Suddenly, the small island nation found itself in the midst of the ensuing “cold-war”, which it used to its full benefit to catapult into the modern world. A founding member of the NATO alliance, Iceland provided an important base for forward operations in protection of NATO’s northern flank and Scandinavia and the approaches to North America by U.S. and allied forces.
Director of Photography
In the aftermath of the Second World War, relations between the former allied eastern and western powers deteriorated fast. Suddenly, the small island nation found itself in the midst of the ensuing “cold-war”, which it used to its full benefit to catapult into the modern world. A founding member of the NATO alliance, Iceland provided an important base for forward operations in protection of NATO’s northern flank and Scandinavia and the approaches to North America by U.S. and allied forces.
Screenplay
In the aftermath of the Second World War, relations between the former allied eastern and western powers deteriorated fast. Suddenly, the small island nation found itself in the midst of the ensuing “cold-war”, which it used to its full benefit to catapult into the modern world. A founding member of the NATO alliance, Iceland provided an important base for forward operations in protection of NATO’s northern flank and Scandinavia and the approaches to North America by U.S. and allied forces.
Director
In the aftermath of the Second World War, relations between the former allied eastern and western powers deteriorated fast. Suddenly, the small island nation found itself in the midst of the ensuing “cold-war”, which it used to its full benefit to catapult into the modern world. A founding member of the NATO alliance, Iceland provided an important base for forward operations in protection of NATO’s northern flank and Scandinavia and the approaches to North America by U.S. and allied forces.
Form and Function: The History and Handicraft of Icelandic National Costumes
Director of Photography
This film explores the five different Icelandic national costumes, including their meaning for people in earlier times and the influence they continue to have on contemporary Icelandic artists and designers.
Poor Iceland
Producer
When the Icelandic banks collapsed in the autum of 2008, taking most of the economy down with them, Ari Alexander took his camera and started to film what was happening in this tiny but relatively stable and affluent society. He filmed the ever-larger protests that in the end led to the downfall of the government. He took interviews with people shocked and confused by what was going on around them. He went to conferences and seminars where scholars tired to work out what had happened and what should happen next. He followed the endless debates and negotiations around the Icesave-accounts set up by Icelandic banks abroad. Every day brought fresh news of the complicated and often illegal deals made by financiers and bankers in the years leading up to the collapse.
ROCK ISLANDICA
Co-Producer
Icelandic Pop music is a World known brand today. Before that happened, scores of Icelandic musicians had tried their luck abroad with little success. Today Icelandic bands and artists are household names along with the pristine Nature of Iceland. How did that happen and who are the main players? In this documentary series, we follow the evolution of Icelandic popular music from around 800 AD until today.
The Arctic Fox
Producer
After a long and cold winter a vixen gives life to fox cubs and the adventure begins. The cubs, that are born blind, are weaned from their mother only 10 weeks old and the lessons of life begin. Twelve weeks old the cubs leave the den, by then mostly managing on their own. They find a spouse and mark their territory. One year old they are bringing up a new generation of cubs with their first litter. The circle is closed.
The Arctic Fox
Director of Photography
After a long and cold winter a vixen gives life to fox cubs and the adventure begins. The cubs, that are born blind, are weaned from their mother only 10 weeks old and the lessons of life begin. Twelve weeks old the cubs leave the den, by then mostly managing on their own. They find a spouse and mark their territory. One year old they are bringing up a new generation of cubs with their first litter. The circle is closed.
The Arctic Fox
Screenplay
After a long and cold winter a vixen gives life to fox cubs and the adventure begins. The cubs, that are born blind, are weaned from their mother only 10 weeks old and the lessons of life begin. Twelve weeks old the cubs leave the den, by then mostly managing on their own. They find a spouse and mark their territory. One year old they are bringing up a new generation of cubs with their first litter. The circle is closed.
The Arctic Fox
Director
After a long and cold winter a vixen gives life to fox cubs and the adventure begins. The cubs, that are born blind, are weaned from their mother only 10 weeks old and the lessons of life begin. Twelve weeks old the cubs leave the den, by then mostly managing on their own. They find a spouse and mark their territory. One year old they are bringing up a new generation of cubs with their first litter. The circle is closed.
The Arctic Fox: Still Surviving
Cinematography
A beautiful filmed short documentary about the life cycle of the arctic fox. A treat for nature and animal lovers alike.
The Arctic Fox: Still Surviving
Script
A beautiful filmed short documentary about the life cycle of the arctic fox. A treat for nature and animal lovers alike.
The Arctic Fox: Still Surviving
Director
A beautiful filmed short documentary about the life cycle of the arctic fox. A treat for nature and animal lovers alike.
The Arctic Fox: Still Surviving
Producer
A beautiful filmed short documentary about the life cycle of the arctic fox. A treat for nature and animal lovers alike.
Canvas and Curtains
Camera Operator
Canvas and Curtains is a documentary about the icelandic artist and scenographer, Steinthor Sigurdsson. This biography narrates Steinthors story from his childhood years in his native town Stykkisholmur, until present time. Steinthor recently celebrated his 80th birthday and has in the past few years continued his work as exhibition planner and designer. In this film we follow his present time work, designing the Icelandic Seal Center in Hvammstangi and the Volcano Museum in Stykkisholmur. Steinthor goes to visit an old friend in Stockholm. The trip brings back memories from their school years at Stockholms art academy and in Spain in the fifties.
Canvas and Curtains
Co-Producer
Canvas and Curtains is a documentary about the icelandic artist and scenographer, Steinthor Sigurdsson. This biography narrates Steinthors story from his childhood years in his native town Stykkisholmur, until present time. Steinthor recently celebrated his 80th birthday and has in the past few years continued his work as exhibition planner and designer. In this film we follow his present time work, designing the Icelandic Seal Center in Hvammstangi and the Volcano Museum in Stykkisholmur. Steinthor goes to visit an old friend in Stockholm. The trip brings back memories from their school years at Stockholms art academy and in Spain in the fifties.
Lady of the Mountain
Producer
The summer of 2004 two engineer from Seyðisfjörður found a three-blade broach and an oval broach high up in the mountains of East Fjords in Iceland. Archaeologists arrived on the scene under the direction of Sigurd Bergsteinsson. They discover remains of a Viking woman, some jewelry and over 500 pearls. Who was this woman? What was she doing in the mountains, all by herself? The finding was unique, never before have so many artifacts from a Viking woman been found in an open country. The film is produced in collaboration with the National Museum of Iceland and The Archaeological Heritage Agency of Iceland.
Lady of the Mountain
Director of Photography
The summer of 2004 two engineer from Seyðisfjörður found a three-blade broach and an oval broach high up in the mountains of East Fjords in Iceland. Archaeologists arrived on the scene under the direction of Sigurd Bergsteinsson. They discover remains of a Viking woman, some jewelry and over 500 pearls. Who was this woman? What was she doing in the mountains, all by herself? The finding was unique, never before have so many artifacts from a Viking woman been found in an open country. The film is produced in collaboration with the National Museum of Iceland and The Archaeological Heritage Agency of Iceland.
Lady of the Mountain
Screenplay
The summer of 2004 two engineer from Seyðisfjörður found a three-blade broach and an oval broach high up in the mountains of East Fjords in Iceland. Archaeologists arrived on the scene under the direction of Sigurd Bergsteinsson. They discover remains of a Viking woman, some jewelry and over 500 pearls. Who was this woman? What was she doing in the mountains, all by herself? The finding was unique, never before have so many artifacts from a Viking woman been found in an open country. The film is produced in collaboration with the National Museum of Iceland and The Archaeological Heritage Agency of Iceland.
Lady of the Mountain
Director
The summer of 2004 two engineer from Seyðisfjörður found a three-blade broach and an oval broach high up in the mountains of East Fjords in Iceland. Archaeologists arrived on the scene under the direction of Sigurd Bergsteinsson. They discover remains of a Viking woman, some jewelry and over 500 pearls. Who was this woman? What was she doing in the mountains, all by herself? The finding was unique, never before have so many artifacts from a Viking woman been found in an open country. The film is produced in collaboration with the National Museum of Iceland and The Archaeological Heritage Agency of Iceland.
Balance
Producer
Balance is a documentary about Bryndís Pétursdóttir, geopathic stress, electromagnetic waves and the effects on these invisible and untouchable phenomena on the well-being of people. Bryndís senses those waves and makes them harmless with the Balance cube she invented. We meet people she assists and hear explanations and counter-arguments from specialists who research those waves.
Balance
Director of Photography
Balance is a documentary about Bryndís Pétursdóttir, geopathic stress, electromagnetic waves and the effects on these invisible and untouchable phenomena on the well-being of people. Bryndís senses those waves and makes them harmless with the Balance cube she invented. We meet people she assists and hear explanations and counter-arguments from specialists who research those waves.
Balance
Director
Balance is a documentary about Bryndís Pétursdóttir, geopathic stress, electromagnetic waves and the effects on these invisible and untouchable phenomena on the well-being of people. Bryndís senses those waves and makes them harmless with the Balance cube she invented. We meet people she assists and hear explanations and counter-arguments from specialists who research those waves.
The Iron Cross at Mýrar Cemetery
Producer
This is a documentary about a teacher from Reykjavik in search of her roots and interested in the preservation of old tales and history. Our story opens in the remote Mýrar cemetery in the West Fjords. The narrator is standing by her forefathers´ grave, which is overgrown and neglected and she senses her dead ancestors call out and implore her to do something. Beautiful irons cross lies on the grave of a young boy who died in the middle of the nineteenth century. Her curiosity aroused, the narrator discovers the story behind the iron cross memorial by talking to the archaeologist, Gunnar Bollason. She then goes on to discover similar iron crosses in cemeteries elsewhere in the southwest of the country. We visit the town of Þingeyri and watch as the broken iron cross from the family grave is repaired by the skilled craftsmanship of Kristján Gunnarsson at his engineering workshop, a workplace with an unbroken tradition going all the way back to 1913.
The Iron Cross at Mýrar Cemetery
Director of Photography
This is a documentary about a teacher from Reykjavik in search of her roots and interested in the preservation of old tales and history. Our story opens in the remote Mýrar cemetery in the West Fjords. The narrator is standing by her forefathers´ grave, which is overgrown and neglected and she senses her dead ancestors call out and implore her to do something. Beautiful irons cross lies on the grave of a young boy who died in the middle of the nineteenth century. Her curiosity aroused, the narrator discovers the story behind the iron cross memorial by talking to the archaeologist, Gunnar Bollason. She then goes on to discover similar iron crosses in cemeteries elsewhere in the southwest of the country. We visit the town of Þingeyri and watch as the broken iron cross from the family grave is repaired by the skilled craftsmanship of Kristján Gunnarsson at his engineering workshop, a workplace with an unbroken tradition going all the way back to 1913.
The Iron Cross at Mýrar Cemetery
Screenplay
This is a documentary about a teacher from Reykjavik in search of her roots and interested in the preservation of old tales and history. Our story opens in the remote Mýrar cemetery in the West Fjords. The narrator is standing by her forefathers´ grave, which is overgrown and neglected and she senses her dead ancestors call out and implore her to do something. Beautiful irons cross lies on the grave of a young boy who died in the middle of the nineteenth century. Her curiosity aroused, the narrator discovers the story behind the iron cross memorial by talking to the archaeologist, Gunnar Bollason. She then goes on to discover similar iron crosses in cemeteries elsewhere in the southwest of the country. We visit the town of Þingeyri and watch as the broken iron cross from the family grave is repaired by the skilled craftsmanship of Kristján Gunnarsson at his engineering workshop, a workplace with an unbroken tradition going all the way back to 1913.
The Iron Cross at Mýrar Cemetery
Director
This is a documentary about a teacher from Reykjavik in search of her roots and interested in the preservation of old tales and history. Our story opens in the remote Mýrar cemetery in the West Fjords. The narrator is standing by her forefathers´ grave, which is overgrown and neglected and she senses her dead ancestors call out and implore her to do something. Beautiful irons cross lies on the grave of a young boy who died in the middle of the nineteenth century. Her curiosity aroused, the narrator discovers the story behind the iron cross memorial by talking to the archaeologist, Gunnar Bollason. She then goes on to discover similar iron crosses in cemeteries elsewhere in the southwest of the country. We visit the town of Þingeyri and watch as the broken iron cross from the family grave is repaired by the skilled craftsmanship of Kristján Gunnarsson at his engineering workshop, a workplace with an unbroken tradition going all the way back to 1913.
Gott silfur gulli betra
Director of Photography
The film deals with the Icelandic national handball teams´ preparation for, and success at, the 2008 Beijing Olympics.
Galdrakarlinn á Súganda
Producer
No description found
Galdrakarlinn á Súganda
Director of Photography
No description found
Galdrakarlinn á Súganda
Director
No description found
Only a Birth
Camera Operator
No description found
Only a Birth
Producer
No description found
Lalli Johns
Camera Operator
A documentary about the life of a "famous" bum in Iceland.
Með vængi á heilanum
Director
In this documentary we get to know the Icelandic writer Einar Már Guðmundsson who won the Nordic price for literature in 1995. Einar Már Guðmundsson is one of the best known writers in Iceland and his works have been translated into english and the other Nordic languages. Besides his books of prose and poetry he has also written film manuscripts and in the documentary we see, among interviews with the writer himself and commentators on him and his work, clips from the films.
Fourteen Years in China
Producer
Ólafsson was a poor country boy from Iceland, born in 1895, who at 18 years of age received the call that changed his life. Suddenly he was obsessed with the idea of becoming a missionary in China. In spite of all the obstacles in his way he made it first to Norway, where he got into a missionary school, and then to the land of his dreams, China, through America, Canada and Japan. In China he met his Norwegian wife, who was aslo a missionary, and four of their children were born there. Ólafsson fled with his family to Hong Kong and then to Europe after the city of Shanghai had surrendered to the Japanese in 1937. The documentary is mostly made of old films by Ólafsson himself and some old film stock.
Fourteen Years in China
Director
Ólafsson was a poor country boy from Iceland, born in 1895, who at 18 years of age received the call that changed his life. Suddenly he was obsessed with the idea of becoming a missionary in China. In spite of all the obstacles in his way he made it first to Norway, where he got into a missionary school, and then to the land of his dreams, China, through America, Canada and Japan. In China he met his Norwegian wife, who was aslo a missionary, and four of their children were born there. Ólafsson fled with his family to Hong Kong and then to Europe after the city of Shanghai had surrendered to the Japanese in 1937. The documentary is mostly made of old films by Ólafsson himself and some old film stock.