Ayris Alptekin

Forced to leave the comfort of his middle class lifestyle at his father's behest, fourteen-year-old Ahmet is sent to an all-boys religious dormitory where he must navigate familial expectations, his religious obligations, and the childhood to which he so desperately clings.

Yılmaz is the dealer and close friends of famous filmmakers and actors. With the increasing drug operations in Istanbul, Yılmaz is getting paranoid about not being loved by them anymore. This paranoia makes him take bigger risks day by day and he will be destroyed by the desire for being loved.

Yılmaz is the dealer and close friends of famous filmmakers and actors. With the increasing drug operations in Istanbul, Yılmaz is getting paranoid about not being loved by them anymore. This paranoia makes him take bigger risks day by day and he will be destroyed by the desire for being loved.

Set in a rough neighborhood of Istanbul, where hip-hop subculture has become the voice of the youth, When I’m Done Dying follows Fehmi, a 19-year-old aspiring rapper. Fehmi is addicted to bonzai, a cheap and deadly drug that jeopardizes his dreams of making a rap album. When Fehmi crosses paths with Devin, an affluent DJ, they fall hard for each other and find the inspiration they were lacking. But the flaming love of this unlikely duo soon becomes toxic. Fehmi’s rap dreams drift further away but he takes refuge in his passion for music and keeps chasing.

In Istanbul, on the verge of a country-wide power surge, four characters come across in a neighborhood undergoing the process of gentrification for the “New Turkey”: a mother whose son is in prison, a young female dancer, a feminist artist, and a cunning middle man. Their stories intertwine during a drug deal, offering a roaring tale of the contemporary generation.

Ali learns that Derya is a "comfortable" girl and invites Derya to the house by taking advantage of the absence of his family. I’m Not Talking About That, bears witness to a day of these two teenagers trying to build relationships in the height of adolescence.

Orhan is a quiet family man. On the one hand, he takes care of her mother, who is in a coma due to a house accident, and on the other hand, he deals with the debt he has left because his friend disappears. In this process, he gets out of tune with his family and gradually loses his father's role. Orhan, who goes into additional job trials such as interviewer and taxi driver to cover the debt, increasingly becomes another man.

Painter, photographer, jazz-lover, food enthusiast Ali Arif Ersen is suddenly struck down with locked-in syndrome and finds himself bedridden. Orchids in Fire captures the urge to create and explores the passion for life, the power of resilience and rebuilding one’s life after a tragedy.

A none dialogue film about a young woman called Sukran, who has an accident when she is 10 years old and stays crippled for the rest of her life. Throughout the film, she seeks to create a common ground with other people. Despite her hunger to do so, she fails with people of the opposite sex, and so turns to her own gender. Again, she meets with failure; and again, she is knocked sideways. Just like all of us, Şükran keeps looking helplessly for ways to communicate with other people until the bitter end. Her helplessness may not be the exact same to our own helplessness as spectators, but they are indeed in very close proximity.

An art department assistant desperately tries to make the director happy on a challenging day at the set of an Ottoman soap opera.

A brother and sister aged 8 and 14, are forced to leave the place they once called home after the sudden break-up of their parents, and revisit as ‘guests’. The return is to bid farewell to their father before they move out of the city with their mother.

The story of little Kenan, who takes the batteries of his father's azan-playing alarm clock to listen to the tape in the tape-player he found in the woodshed of their house.

Hasret has been seeing the same nightmare for some time, but she keeps living unaware that what she sees is actually remembering. A 30-year-old woman who works in a News Channel, living alone in the flat left by her musician parents who died in a car crash twenty years ago. Is it? The question creeps into her mind, and then (or maybe even before) her life through recurring nightmares: Is it possible that her parents did not die in a car crash?

Müzeyyen is a 22-year-old high school senior living in Antalya who spends most of her time with a posse of misfits. She lives a drug-fuelled, highly troubled life outside the norms of society. When her long-lost brother Ali decides to visit her during winter break, everyone's life is tested, each with different consequences.

대학 입학을 앞둔 데니즈는 종교를 포함한 기성 세대의 생활 방식에 불편함을 느낀다. 데니즈는 친구들과 함께 미래에 대한 걱정을 나누거나, 파티에서 즐거운 시간을 가지며 일상을 보내고, 그때마다 데니즈의 표정은 고민과 희망, 들뜸과 슬픔을 숨김없이 드러낸다. 튀르키예 청년들의 일상과 고민을 여성의 눈을 통해 섬세하게 묘사한 작품. 2014년 베를린영화제 크리스탈베어 부문 상영.