William McMichael

William McMichael

프로필 사진

William McMichael

참여 작품

새벽의 저주: 좀비랜드
Boris
에덴 야생 동물원은 생전 야생동물 보호에 삶을 바쳤던 할아버지의 뜻을 따라 ‘앨런’이 야심 차게 준비한 동물원 겸 복합 놀이공간. 앨런은 개장을 앞두고 대학생 인턴 사원을 채용해 최종 점검에 나서지만 수의 병동에서 치료 중이던 원숭이로부터 알 수 없는 바이러스가 발생해 급속도로 동물원 전체로 퍼져나간다. 사장인 앨런을 비롯한 보안요원과 인턴들의 노력에도 불구하고 바이러스에 감염된 동물들은 미친 듯이 날뛰며 사람들을 공격한다. 신고를 접수 받은 경찰도 질병 통제센터의 허가를 기다려야 한다고만 하고, 그 사이 대부분의 동물들이 감염되어 사상자 수도 점점 늘어만 가는데..
X Confident
Iris is the hot new temp everyone loves, except one co-worker wants "her" secret exposed.
Apocrypha
Jan
Griffith Townsend (Michael Fredianelli) enjoys a successful career as senior editor at the San Francisco Chronicle with only one problem: he is plagued with amnesia. With the help of a washed-up psychologist (Ray Medved), he reluctantly unearths a number of odd habits which can only be described as unnatural and bizarre. Meanwhile, a strange woman, Maggie (Kat Reichmuth), awakens in Golden Gate Park with no recollections of how she arrived. Enlisting the aid of a friendly social worker (William McMichael) and local gypsy (Selenia Mason), she slowly begins to recall her true identity. With an increasing and unexpected desire consuming her, it becomes clear that Griffith and Maggie's new obsessions may be more than just memory loss as they become a dangerous and deadly threat to the city and each other.
A Lower Power
Todd
Thibodeaux, a young gay San Franciscan, yearns to reject his parents' hedonistic ways. But when his emerging sexual desires repeatedly get the better of him, he conjures up twisted, self-repressive rationalizations that threaten to drive away his friends and the hunky, mythic man of his dreams.
An Englishman in New York
Shopper's Boyfriend
Biographical drama based on the last 20 years of Crisp's life. The literary figure and gay iconoclast emigrated to New York in 1981 and lived there until his death. The film observes Crisp in both his public and private lives, from his seemingly cavalier response to the outbreak of AIDS to his tender relationship with his friend Patrick Angus and his own response to growing old.