Walter Leonardi

I Soliti Idioti return to the cinema ten years after the second film and many things have changed in the world. We will see the most beloved characters compete with the contemporary, with the same cynical and amused eye that distinguished the previous episodes. This new adventure focuses on a current and universal theme: the family.

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

Six aspiring comedians tired of the mediocrity of their lives, at the end of an evening stand-up course they prepare to face their first performance in a club. In the audience there is also an examiner, who will choose one of them for a TV show. For everyone this is the great opportunity to change their life, for some it could be the last one. The performances begin and each comedian takes the stage with a great dilemma: to respect the teachings of their master, devoted to intelligent and uncompromising comedy, or to twist their numbers to satisfy the much less refined taste of the examiner? Or maybe look for a third way, one of absolute originality? Through the stories of six comedians, Comedians is a reflection on the very meaning of comedy in our time, facing absolutely topical issues.

Riko is an honest man, who can count on a group of real friends and a wife who, between highs and lows, he loves forever. But he is also a very angry man with his time, which seems to be punctuated only by backlashes and false starts.

1971년, 젊은 주부이자 엄마인 노라는 평범하고 작은 스위스의 마을에서 남편과 두 아들과 함께 살고 있다. 그녀가 사는 이 시골 마을은 68혁명의 격변도 비껴간 곳이다. 노라의 삶 역시 마찬가지로, 그녀는 모두가 좋아하는 조용한 사람이었다. 1971년 2월 7일, 여성 참정권이 국민투표에 부쳐지면서 그녀의 공개적인 투쟁이 시작되기 전까지는... (2017년 제11회 여성인권영화제)

A disgraced copywriter addicted to psychiatric drugs goes through a hell of a weekend to save his marriage.

Hell can't take the new types of sinners.

With humor and wit, Crushed Lives – Sex or Kids? takes on the probing but taboo question: what happens to our sex lives after children? New father Saverio films a documentary to get to the bottom of this matter after an uninspired sex session with his wife. Interviewing couples at various stages of parenthood, Saverio unearths the fear and anxieties that seem to universally plague his peers as they collectively experience the quiet devastation of a dying bedroom. Honing in on this seldom fully explored theme of adulthood, director Alessandro Colizzi brings us on a sincere and funny journey into life encumbered by children and the fainting sexual imagination that seems to go with it. - Vivian Yuen

Three friends live together in the house owned by one of them - and look for happiness

Loose adaptation of Italy's national epic, Alessandro Manzoni's “The Betrothed”. In war-torn 17th century Italy, shady feudal lord Don Rodrigo eyes young and beautiful Lucia, who loves—and is reciprocated by—commoner Renzo. The two lovers plan to marry in secret, but Rodrigo discovers it and they are forced to flee their village, becoming separated and each facing many dangers, includine the Plague.

2차 대전이 막 끝난 1945년, 영국 해안의 외딴 저택. 전쟁에서 남편을 잃은 독실한 천주교도 그레이스(니콜 키드먼)와 빛에 노출되면 안되는 희귀병을 가진 두 아이가 살고 있다. 어느 날, 예전에 이 저택에서 일한 적이 있다는 세 명의 하인들이 들어오게 된다. 그레이스는 두 아이를 빛으로부터 지키기 위해 커튼은 항상 쳐져 있어야 하고, 문은 항상 잠겨있어야 한다는 '절대 규칙'을 하인들에게 가르친다. 이와 때를 같이 해서 저택에는 기괴한 일들이 끊이지 않는다. 아무도 없는 방에서 발자국 소리가 들리고, 피아노가 갑자기 연주된다. 또한 딸 앤은 이상한 남자아이와 할머니가 이 집에 머물고 있다는 얘기를 반복한다. 신에 대한 믿음이 너무나 강한 그레이스는 그런 딸의 말을 인정하지 않지만 두려움은 점점 그 무게를 더해만 간다. 마침내 그레이스는 그들을 위협하는 공포의 실체와 마주하게 되는데...