Nia Dinata
출생 : 1970-03-04, Jakarta, Indonesia
약력
Nurkurniati Aisyah Dewi (born 4 March 1970 in Jakarta, Indonesia), better known as Nia Dinata, is an award-winning Indonesian film director. Her movies are known for tackling subjects controversial or "risky" in Indonesia such as homosexuality, migrant workers, and polygamy.
Dinata began her film career directing video clips and commercials in the mid-1990s until directing the made-for-television Mencari Pelangi in 1998. Three years later, she directed her first feature film, Ca-bau-kan, after founding her own production house. The next film she directed, 2003's Arisan!, was critically acclaimed and one of her most successful works. Her third directorial effort, 2006's Berbagi Suami, was controversial yet successful.
Dinata has faced heavy censorship and controversy in Indonesia because of the subjects she covers. However, she has also won critical acclaim internationally, being called Indonesia's "most talented new filmmaker" in 2006. Two of the films she direct have been submitted to the Academy Award for Best Foreign Language Film.
From Wikipedia, the free encyclopedia
Script Consultant
Stories about mothers and sons striving to appreciate, understand, and accept each other – navigating the twists and turns of today's family life.
Production Design
카리스마 넘치는 리더가 이끄는 은밀한 컬트 집단. 데이트를 금지하는 이곳에 합류한 세 소녀는 그토록 바라던 행복을 찾을 수 있을까.
Producer
카리스마 넘치는 리더가 이끄는 은밀한 컬트 집단. 데이트를 금지하는 이곳에 합류한 세 소녀는 그토록 바라던 행복을 찾을 수 있을까.
Writer
카리스마 넘치는 리더가 이끄는 은밀한 컬트 집단. 데이트를 금지하는 이곳에 합류한 세 소녀는 그토록 바라던 행복을 찾을 수 있을까.
Director
카리스마 넘치는 리더가 이끄는 은밀한 컬트 집단. 데이트를 금지하는 이곳에 합류한 세 소녀는 그토록 바라던 행복을 찾을 수 있을까.
Production Supervisor
Indonesia 1998, Har, a lonesome boy, waiting for his mother who works as a domestic worker in Hong Kong coming back home in a few days. Har life with his jobless father who busy helping the village authorities preparing the first electricity installation in his village. Meanwhile, far from Har village, the big thing happening: chaotic people all around the Capital to depose the dictator president in the era.
Producer
Indonesia 1998, Har, a lonesome boy, waiting for his mother who works as a domestic worker in Hong Kong coming back home in a few days. Har life with his jobless father who busy helping the village authorities preparing the first electricity installation in his village. Meanwhile, far from Har village, the big thing happening: chaotic people all around the Capital to depose the dictator president in the era.
Producer
Elinah (14 years old) is seven months pregnant and learning to be a stay at home wife. While living with her much older husband in a foreign city far away from her village, Elinah often chatted with the baby in her tummy to fight boredom and loneliness. In the midst of an annoying day, Elinah and her baby decide to go home, to each of their respective homes.
Producer
Pipin Kartika is obsessed to get a foreigner / "bule", to be her husband. Frustrated of meeting many jerk bules in Jakarta, Pipin decided to move to Bali to find love.
Producer
A musical drama inspired by the 1956 classic, Tiga Dara.
Screenplay
A musical drama inspired by the 1956 classic, Tiga Dara.
Director
A musical drama inspired by the 1956 classic, Tiga Dara.
Producer
A quirky and insecure woman, MARIA V (17), has a secret before going to sleep, so she can fall asleep. Maria V grew up in a religious environment. Since kindergarten, he has been educated in a Catholic school. Until now he is currently sitting in high school St. Virgin Mary. Maria V was always educated to be a perfect woman, like and in the image of God. One day, Maria V's school held a retreat (Church Camp) which must be attended by all St. High School students. Virgin Mary. In this activity, the students will be taken to a place far from the city environment, in order to find peace while getting closer to God. Therefore, the disciples will spend the night there for two days and are paired in one room. Maria V is paired with MARIA P (17), a model student who is beautiful, smart and religious. In order to maintain her pride, Maria V also tried hard to find a way so that her secret before bedtime habit would not be leaked in front of the number one woman throughout St. Virgin Mary.
Producer
A group of friends reunites for a vacation amid nature, where they laugh about their shared history and bond over difficult truths.
Writer
A group of friends reunites for a vacation amid nature, where they laugh about their shared history and bond over difficult truths.
Director
A group of friends reunites for a vacation amid nature, where they laugh about their shared history and bond over difficult truths.
Producer
Three first year junior high school teenagers lives closely in a housing complex since childhood.
Producer
Threatened by Kanjeng Badai and his militant and homophobic political party, a country's safety depends on Adam, a hairdresser.
Producer
After losing a World Cup bet, two hapless buddies must use their wits to pay off their debt to a big Jakarta bookie.
Producer
This is an omnibus film, directed by 4 females and consists of 4 stories about women.
Director
This is an omnibus film, directed by 4 females and consists of 4 stories about women.
Producer
Jojo is an unemployed. He decides to become a gigolo for an escort company. Everything works smoothly until he falls in love with a medical student.
Story
살마는 산부인과 의사로 일부다처제의 윤리관에 회의적이고 자신은 그런 결혼을 하지 않기를 바라고 있다. 시타이는 자카르타에서의 삶을 동경하지만 슬럼가에 사는 일부다처제 가정의 가장인 삼촌의 그늘에서 벗어날 수 없는 현실을 깨닫게 되면서 산산조각이 난다. 밍은 자카르타 시내 한 노점의 웨이트리스로 아름다운 미모의 생기 넘치는 여성이다. 요리사이자 노점 사장은 그녀가 정기적으로 데이트하는 남자들 중 하나가 되고 그는 밍을 독점하지 못하는 상황을 견디지 못하고 더욱 질투가 심해진다.
Writer
살마는 산부인과 의사로 일부다처제의 윤리관에 회의적이고 자신은 그런 결혼을 하지 않기를 바라고 있다. 시타이는 자카르타에서의 삶을 동경하지만 슬럼가에 사는 일부다처제 가정의 가장인 삼촌의 그늘에서 벗어날 수 없는 현실을 깨닫게 되면서 산산조각이 난다. 밍은 자카르타 시내 한 노점의 웨이트리스로 아름다운 미모의 생기 넘치는 여성이다. 요리사이자 노점 사장은 그녀가 정기적으로 데이트하는 남자들 중 하나가 되고 그는 밍을 독점하지 못하는 상황을 견디지 못하고 더욱 질투가 심해진다.
Director
살마는 산부인과 의사로 일부다처제의 윤리관에 회의적이고 자신은 그런 결혼을 하지 않기를 바라고 있다. 시타이는 자카르타에서의 삶을 동경하지만 슬럼가에 사는 일부다처제 가정의 가장인 삼촌의 그늘에서 벗어날 수 없는 현실을 깨닫게 되면서 산산조각이 난다. 밍은 자카르타 시내 한 노점의 웨이트리스로 아름다운 미모의 생기 넘치는 여성이다. 요리사이자 노점 사장은 그녀가 정기적으로 데이트하는 남자들 중 하나가 되고 그는 밍을 독점하지 못하는 상황을 견디지 못하고 더욱 질투가 심해진다.
Film Critic 1
A film delivery man promises a beautiful young woman to deliver a film to a movie theater. But the whole city seems to conspire against him.
Producer
A film delivery man promises a beautiful young woman to deliver a film to a movie theater. But the whole city seems to conspire against him.
Executive Producer
Between divorce, bad relationships and coming out as gay, a group of affluent friends realize that none of their lives are as easy as they seem.
Screenplay
Between divorce, bad relationships and coming out as gay, a group of affluent friends realize that none of their lives are as easy as they seem.
Story
Between divorce, bad relationships and coming out as gay, a group of affluent friends realize that none of their lives are as easy as they seem.
Director
Between divorce, bad relationships and coming out as gay, a group of affluent friends realize that none of their lives are as easy as they seem.
Co-Producer
A woman with a dark past dedicates herself to taking care of multi-handicapped children. When a young musician comes into her life, she is forced to face her history, or it will destroy her future.
Associate Producer
A woman with a dark past dedicates herself to taking care of multi-handicapped children. When a young musician comes into her life, she is forced to face her history, or it will destroy her future.
Executive Producer
Ca Bau Kan relates the saga of Giok Lan, an Indonesian woman living in the Netherlands, who returns to Indonesia in search of her roots. Her mother, Tinung, a village woman, was known as ‘Ca Bau Kan’ – a word used to describe a courtesan who entertained Chinese men in colonial Indonesia. Giok Lan’s father, Tan Peng Liang (Ferry Salim), was an immigrant Chinese merchant who had a very successful tobacco business in Batavia. She becomes deeply involved with him, and causes a scandal when he has Tinung move in with his family. The film is set between 1930 and 1950, and unfolds the story of Giok Lan and her parents: Tinung and Tan Peng Liang where Tan is eventually ruined when his rivals begin to attack him. This is owing to the significant contrast in socio-economic and cultural background, as the love of these last two characters face a series of difficulties.
Producer
Ca Bau Kan relates the saga of Giok Lan, an Indonesian woman living in the Netherlands, who returns to Indonesia in search of her roots. Her mother, Tinung, a village woman, was known as ‘Ca Bau Kan’ – a word used to describe a courtesan who entertained Chinese men in colonial Indonesia. Giok Lan’s father, Tan Peng Liang (Ferry Salim), was an immigrant Chinese merchant who had a very successful tobacco business in Batavia. She becomes deeply involved with him, and causes a scandal when he has Tinung move in with his family. The film is set between 1930 and 1950, and unfolds the story of Giok Lan and her parents: Tinung and Tan Peng Liang where Tan is eventually ruined when his rivals begin to attack him. This is owing to the significant contrast in socio-economic and cultural background, as the love of these last two characters face a series of difficulties.
Screenplay
Ca Bau Kan relates the saga of Giok Lan, an Indonesian woman living in the Netherlands, who returns to Indonesia in search of her roots. Her mother, Tinung, a village woman, was known as ‘Ca Bau Kan’ – a word used to describe a courtesan who entertained Chinese men in colonial Indonesia. Giok Lan’s father, Tan Peng Liang (Ferry Salim), was an immigrant Chinese merchant who had a very successful tobacco business in Batavia. She becomes deeply involved with him, and causes a scandal when he has Tinung move in with his family. The film is set between 1930 and 1950, and unfolds the story of Giok Lan and her parents: Tinung and Tan Peng Liang where Tan is eventually ruined when his rivals begin to attack him. This is owing to the significant contrast in socio-economic and cultural background, as the love of these last two characters face a series of difficulties.
Director
Ca Bau Kan relates the saga of Giok Lan, an Indonesian woman living in the Netherlands, who returns to Indonesia in search of her roots. Her mother, Tinung, a village woman, was known as ‘Ca Bau Kan’ – a word used to describe a courtesan who entertained Chinese men in colonial Indonesia. Giok Lan’s father, Tan Peng Liang (Ferry Salim), was an immigrant Chinese merchant who had a very successful tobacco business in Batavia. She becomes deeply involved with him, and causes a scandal when he has Tinung move in with his family. The film is set between 1930 and 1950, and unfolds the story of Giok Lan and her parents: Tinung and Tan Peng Liang where Tan is eventually ruined when his rivals begin to attack him. This is owing to the significant contrast in socio-economic and cultural background, as the love of these last two characters face a series of difficulties.
