Maria Roveran
출생 : 1978-09-12, Venezia, Italy
2006, Northern Italy. In a provincial playground, a young mother and her children are waiting for their friends. Their arrival is imminent, the chessboard is ready.
Maria
Civilisation is coming to an end. The death of his only relative gives a feral boy the pretext to journey beyond the confines of his home environment; only by doing this will he be able to decipher his father's journal, the most valuable artefact in his legacy. This singular contribution to the post-apocalyptic sci-fi genre tells of a humanity in crisis, while at the same time conveying the adventurous spirit of adolescence.
Luisa Rampazzo
In a thermal bath town that withstands mass tourism, a builder and his surveyor partner start up an ambitious project: converting twenty abandoned hotels into luxury residences for wealthy retired people. The lack of financial support from the banks and investors triggers a domino effect in their destiny that forever subverts reality.
Commune Member
참전을 눈앞에 둔 1914년의 이탈리아. 카프리섬의 순박한 양치기 소녀 루치아는 카프리에서 이상향을 만들고자 하는 코뮨과 가까워지며 자유와 주체성에 눈을 뜨기 시작한다. 아름다운 카프리의 풍광을 배경으로 중견거장 마리오 마르토네의 카메라에 담긴 20세기 초 격동의 이탈리아.
Ali
Karole and Ali love each other and dream of starting a family together. They soon realize it won't be as simple as they'd hoped, and as their enthusiasm falters their love is challenged. In order to overcome the obstacles, they must believe in the power of their desire and support of their loved ones. If they can do that, miracles will happen…
Maria
Suor Caterina
In the northeast of Italy, the workers of a lingerie factory are about to be fired. Not far away, a handful of nuns, skilled in the art of embroidery and devoted to the Blessed Armida, risk being removed from their beloved convent. To oppose a destiny already marked, workers and nuns join forces and start a "business" outside the rules in the hopes that a miracle will help them keep the convent and the factory.
Liliana
시골에 살고 있는 네 소녀의 삶과 희망을 이야기하고 있다. 그들의 우정은 지 속적인 열정, 서로의 관심, 이상이 아니라 습관이고 간헐적인 열정, 서로에게 유익하지 않는 대립과 감정을 토대로 하고 있다. 감독은 선정적인 사건이나 극단적인 상황을 이 야기하려 하지 않았고, 미리 계획된 이야기를 하려하지 않았다고 한다. 우리에게 일어 나고 있는 모든 일들은 우리가 충분히 인식하지 못한 채 동반할 뿐이라고 말한다. (2018년 제10회 이탈리아 영화제) 유고슬라비아의 베오그라드에 있는 한 호텔에서 일하기로 한 카테리나는 유고슬라비아로 떠난다. 그런데 몇 가지 문제를 갖고 있는 그녀의 세 친구들이 카테리나를 따라가기로 하면서 이들의 삶에 크고 작은 사건들이 연달아 벌어진다. (베니스 인 서울 Venice in Seoul 2016)
Marina a 21 anni
Alberto (Riccardo Rossi) is a local doctor, neat freak, separated by ten years and totally dedicated - emotionally and emotionally - to old daughter, Bianca (Benedetta Gargari). A day like all the others of his life completely organized, methodical and tidy, comes a bolt from the blue: the law of the hidden diary of Bianca that his little girl is going to make love for the first time! Alberto is in a panic, had not imagined it could get that day for her daughter: the angel of his life ...
Sandra
In the harsh snowy landscape of the Italian Alps, a young technician arrives to repair an electric power plant of a village plagued by blackouts. There, he encounters a strange disappearance.
Music
Two young girls, a hot, stifling summer, the desire to run away from a small provincial town. Luisa is full of life, uninhibited, unconventional. Renata is dark, angry and in need of love. The lives of two young women is a tale of blackmail, of a love betrayed, of violence: Luisa uses her Albanian boyfriend, Bilal; Renata uses Luisa’s body to orchestrate her revenge. Both want to leave the small community where they have grown up among village festivals and independence gatherings, helpless families and new generations of migrants targeted by those who feel increasingly threatened. Luisa, Renata and Bilal will risk loosing themselves, loosing a precious part of themselves, of those they love, ultimately loosing their own lives.
Luisa
Two young girls, a hot, stifling summer, the desire to run away from a small provincial town. Luisa is full of life, uninhibited, unconventional. Renata is dark, angry and in need of love. The lives of two young women is a tale of blackmail, of a love betrayed, of violence: Luisa uses her Albanian boyfriend, Bilal; Renata uses Luisa’s body to orchestrate her revenge. Both want to leave the small community where they have grown up among village festivals and independence gatherings, helpless families and new generations of migrants targeted by those who feel increasingly threatened. Luisa, Renata and Bilal will risk loosing themselves, loosing a precious part of themselves, of those they love, ultimately loosing their own lives.