Juan Carlos Gil

Juan Carlos Gil

출생 : 1971-01-01, Cali, Valle del Cauca, Colombia

약력

Juan Carlos Gil was born in Cali in 1971. He is an advertising photographer, cinematographer and director of photography and is considered one of the figures of the new Latin American cinema. One of his most recent works, the feature film ¡Que viva la música! (2015) by Carlos Moreno, won him the award for Best Ibero-American Cinematography at the XXX International Film Festival in Guadalajara, Mexico.

프로필 사진

Juan Carlos Gil

참여 작품

Dogwashers
Director of Photography
When a narco past his prime refuses to pay a debt to an upstart, only a secret stash of money can save his men. But guess what the gardener just found?
Malcriados
Director of Photography
This is a Colombian remake of the Mexican movie "Nosotros los Nobles". Three rich adult children are tricked by their father into believing that they are bankrupt and have to go into hiding in an attempt to get them to become more self-reliant.
Dust on the Tongue
Director of Photography
A grandfather, in the final stage of his existence, asks two of his grandchildren to kill him because he wants to die by the hand of someone who bears his own blood. However, the young children discover a truth that will make them take the opposite decision.
Secreto de Confesión
Cinematography
A homicide detective traumatized by the death of his father has to investigate a series of strange murders, while the hit man responsible for them confesses to a priest that he will be his next victim.
La sociedad del semáforo
Director of Photography
By applying all his knowledge in electricity and electronics, Raúl Tréllez, a bum who lives in the downtown streets of Bogotá, struggles to control the time of a red light so that jugglers, cripples and other homeless people can achieve longer shows in the red light corner.
Blood and Rain
Director of Photography
Taxi driver Jorge begins his night shift bent on revenge after his brother's murder at the hands of a violent gang. But when an accident brings him unexpectedly closer to his party-girl fare Angela, the damaged pair must struggle against forces already set in motion, drawing them inexorably into the rain soaked underworld of Bogota
Alguien mató algo
Cinematography