Danilo Salas III

참여 작품

Hindi Sila Tatanda
Cinematography
A group of friends, prompted by the frequent sightings of Unidentified Flying Objects or U.F.O.'s in Zambales in the mid-nineties, decide to take a trip to the province to retrace the legend of the sightings. They then befriend a local, who they presume is their age group, not knowing exactly who or what he is. Little do they know that the local will become the spark that would threaten to ruin the friendship that has already been strained with many things that have been left unsaid.
Ang Pagbabalat ng Ahas
Cinematography
It is 1989. After losing his home, Allan Borromeo moves back into his mother’s house in Eden Homes, an upper middle class subdivision, with his wife Donna and teenage son Jasper. Here, their lives will change—Allan gets involved in a marijuana grow-op, Donna has an affair with their gardener, and Jasper experiences his first love and heartbreak. But unknown to the homeowners, a half-man, half-snake creature lurks and peers into their lives via home videos secretly recorded by Its creator, Waldo, a mad scientist.
Taglish
Cinematography
At first, there was Tagalog, Gym Lumbera’s short and, to his mind, unfinished narrative about the infidelity that comes between a husband and wife in their twilight years, shot on film and reflecting his own real-life infidelity.. And then there was a storm, a real storm and not a metaphorical one, that flooded his house and submerged, and subsequently damaged, the only copy of Tagalog. This damaged version, entitled English, became the missing piece that completed the film. The new work is named after Taglish, the bastard hybrid, some say corruption, of Tagalog and English, and has become a meditation on love and language and the ways in which we betray and destroy them.