Jan Laskowski

Tadeusz Krzakoski (Krzysztof Kowalewski), the director of a failing state-owned company, is married with problems. His mistress, the daughter of a Communist party bigwig, says she's pregnant and Tadeusz knows he'll have to marry her to save his reputation and his job. But divorce is never simple and Bareja's screwball comedies are never boring.

Two simple men win the lottery and decide to spend the money on their first plane flight and some other pleasures. But all that does not bring enough happiness to their lives.

Falsely accused Warsaw art museum assistant goes into hiding as a woman.

An ambitious, enthusiastic young geologist is entangled in bureaucratic red tape when he tries to drill for oil. Frustrated with the situation, he torches an abandoned mill, ignores his girlfriend, and fights with his friends who do not share his exuberance about the project.

Professionally active, childless, married woman loses her father during a business trip. With an overwhelming sense of transience and the fear of death, she doubts her attachment to her husband. It turns out that in marriage, too, he only plays his part, with greater or lesser conviction.

Marek is a promising athlete sharing affairs with more than one women. One day at masquerade ball his loafing eyes witnessed the most beautiful pair of eyes disguised in black veil of Turkish dress and instantly get him ensnared by her enigma. He follows her, she knows it. She meets him and introduced her as Jowita and told him to wait for her outside the gate. The wait ended in frustration for him and he gets himself obsessed in search of her. Finally at another ball, he meets her again but she said she is Agnieszka and not Jowita, who is her best friend. They became friends and lovers but still those eyes of Jowita remain a mystery. Who is Jowita? An unattainable object of desire or unsolved enigma of subconscious?

한 무리의 청년들이 이상한 의식을 시도하며 사회의 낡은 관습과 기성 세대를 비판한다. 이 중 한 명인 주인공은 마치 연극 무대처럼 텅빈 거리로 나와 이곳저곳을 돌아다닌다. 그러는 동안 주류 사회의 위선과 경직성, 사람들의 공허와 외로움이 초현실적인 분위기 속에서 드러난다. 현실의 문제를 다루면서도 핍진성의 요소를 의도적으로 빗겨가는 실험적 연출이 돋보이는 작품.

The life of the great Bolshevik leader before the Russian revolution is chronicled in this bio-pic. Much of the tale centers on his exile in Poland where Lenin becomes friends with two peasants. The little girl has a strong belief in the nationalist cause. Later Lenin hears she was killed for withholding information about him.

While hiding from the Germans in the forest, young Polish corporal tries hard to fulfill his order to take care of a wounded lieutenant and wait for the doctor and transportation to come.

Jacek is a handsome, charming young Pole who belongs to a drama company. One day, in the streets of Gdansk, he meets Marguerite, a beautiful, charming French girl. He falls for her but the young lady is whimsical...

한정된 야간 기차 객실에 하룻밤을 함께 보내야 하는 낯선 승객들이 가득하고, 이 중 한 명은 살인자일지도 모른다는 전제가 깔려 있는 알프레드 히치콕 스타일의 영화. 카발레로비치 감독이 영화의 장르적 요소를 어떻게 뒤섞었는지 보는 것은 흥미로운 경험이다. 서스펜스가 인물들과 어떻게 결합하는지, 그리고 영화가 진행되면서 인물들 사이의 관계가 전개되는 과정을 지켜보는 것은 살인자를 찾아가는 과정을 지켜보는 것만큼이나 흥미진진하다. 이 영화에는 1950년대와 60년대 폴란드의 대표적인 배우인 즈비그니에프 스불스키가 출연하지만, 영화의 정서적인 중심에 서 있는 배우는 슬픈 눈매를 지닌 루치나 비닛츠카이다.

A subtle, almost quasi-documentary tale of a confrontation between two lonely people — one from which true understanding cannot seemingly result.