나이가 들어도 여전히 자유분방한 아르민은 행복을 느끼지도 못한 채 의미 없이 살아간다. 다음 날도 변한 건 하나도 없다. 단, 그를 빼놓고 모든 인간이 사라져버린 것만 빼놓고. 현대 독일영화를 대표하는 베를린파의 선두주자 울리히 쾰러가‘ 궁극의 자유’에 대해 던지는 질문.
A house. Two couples. Two life concepts. It should be an idyllic afternoon with coffee and cake - in the end, shards, not just the dishes, must be swept together.
Set in your average suburban town, a young girl suddenly disappears after being in contact with a strange boy on a social networking platform, and after being bullied by her former best friend. Some people in town start to get nervous as the facade of suburban perfection crumbles, lifting the shadow to reveal a monstrous intrigue and an appalling truth...
The family of Katharina Krohn is shocked when they learn that she is a member of a Swiss organization that helps people who have decided to leave this life, even though she has no life-threatening disease like many of the other members, but because she has lost the will to face life after the death of her husband.
Jan meets Judith by accident and realizes that she is the woman who was supposed to have shot and killed his father, who worked as a security officer at the bank.
After the death of her mother, Bea Kanter leaves her home in Hesse in order to start her studies in Frankfurt. She leaves her father Norbert and her younger sister Conny behind. Thanks to her fellow student Andrea, the shy student quickly finds a connection. She moves into a WG and is confronted with the left scene, the rebels of the 1970s. This fits in with her inner life, because she has to distract herself mentally from her father - a conservative entrepreneur, for Bea the epitome of the capitalist. So she becomes a radical rebel.
The happening of a ceremonial robing of the youngest daughter as a novice in a Swabian convent screws up the values of a modern family. As if life wasn't complicated enough anyway. And how are you supposed to be happy without new clothes?
