Ján Sedal

A train dispatcher encounters a mute stranger who appears out of nowhere, and finds himself mysteriously involved with a murder in Poland. The end of the eighties in the twentieth century. Alois Nebel works as a dis­patcher at the small railway station in Bílý Potok, a remote village on the Czech–Polish border. He's a loner, who prefers old timetables to people, and he finds the loneliness of the station tranquil – except when the fog rolls in. Then he hallucinates, sees trains from the last hundred years pass through the station. They bring ghosts and shadows from the dark past of Central Eu­rope. Alois can’t get rid of these nightmares and eventually ends up in sanatorium. In the sanatorium, he gets to know The Mute, a man carrying an old photograph who was arrested by the police after crossing the border. No one knows why he came to Bílý Potok or who he’s looking for, but it is his past that propels Alois on his journey…

A WW I veteran still haunted by his time in the trenches settles in a small town to work for the railroad company. His pretty wife attracts the attention of the lonely young gravedigger.

Two half-siblings Jana and Miroslav are ineffectually trying to escape their mutual attraction and break free from their fatal relationship. Two time levels, presence and 1970s, inter-mesh in the film.

A computer programmer and his son are going out of the city for vacation.

A fairy tale based on motifs taken from Josephine tales. Like Josef II, the fictitious emperor Maxmilián often disappears from the castle in disguise in order to find out how his vassals live. On one of these 'trips' he meets a drummer returning home from his stint in the army. They live through various adventures together, meeting bandits as well as human foolishness and perfidiousness which almost leads them to the scaffold.

평범하게 살고 있던 시골 남자 보후스가 갑자기 거액의 유산을 상속받는다. 들뜬 남자는 마을을 떠나 부유한 도시 생활을 시작하고, 이때부터 웃지 못할 소동들이 벌어진다. 소련 붕괴 이후 급격하게 변화하는 공산주의 사회의 단면을 신랄하게 풍자하는 코미디 영화.

A story of a young student of medicine, who arrives in a small mountain village after being accused for carrying out illegal abortion. The film reflects the moral decline of the society, where stealing in secret and making compromises against one's beliefs make up mundane reality. The filmmakers went to perhaps the furthest possible limits in terms of allowed social criticism in the 1980s. The negative picture is enhanced by its rural setting, since the Slovak village had been traditionally associated with strict morals and conservative values.