Associate Producer
Some time after her death, film director Jill Craigie (1911- 99), re-opens an old suitcase, prompting memories of the extraordinary life and loves of this forceful, charismatic woman, whose work has been long neglected. Craigie was one of the first women to direct documentaries. Working outside the British Documentary Movement in the 1940s and early 1950s, her films such as To Be Woman (1951), on equal pay, and Out of Chaos (1944), the first film about artists at work, featuring Henry Moore and Paul Nash, tackled new subjects for the cinema through a unique blend of drama, polemic and humour. Independent Miss Craigie uses the director’s unseen papers, and her films, to reveal her energetic struggles to get her radical projects made and distributed, including her last one, on the Yugoslav conflict, made when she was 83, with her husband, former Labour leader, Michael Foot.
Editor
Observes the mechanisms of construction and assimilation of gender in contemporary Italian society, through a kaleidoscopic mosaic of scenes of daily life: what are the choreographies of bodies, collective rituals, behaviors for each of the genres that condition our identities? Through paintings with a strong visual impact, Normal tells the story of normality making it alien to us, exploring the daily and collective staging of the male and female universe in which we all participate.
Writer
Observes the mechanisms of construction and assimilation of gender in contemporary Italian society, through a kaleidoscopic mosaic of scenes of daily life: what are the choreographies of bodies, collective rituals, behaviors for each of the genres that condition our identities? Through paintings with a strong visual impact, Normal tells the story of normality making it alien to us, exploring the daily and collective staging of the male and female universe in which we all participate.
Director
Observes the mechanisms of construction and assimilation of gender in contemporary Italian society, through a kaleidoscopic mosaic of scenes of daily life: what are the choreographies of bodies, collective rituals, behaviors for each of the genres that condition our identities? Through paintings with a strong visual impact, Normal tells the story of normality making it alien to us, exploring the daily and collective staging of the male and female universe in which we all participate.
Director
An intimate portrait of a strong independent feminist who has witnessed the gradual emancipation of women. Now a pillar of support in her community, 85-year-old Terese is savouring every moment of living, and being a liberated woman.
Director
Imposed under the British colonial rule in 1860, Section 377 of the Indian Penal Code criminalise any sexual acts between consenting adults of the same sex, stigmatising them as 'against the order of nature'. On July 2, 2009 the Delhi High Court passed a landmark judgment scrapping this clause, thus fulfilling the most basic demand of the Indian LGBTQ community, which had been fighting this law for the past 10 years. Three characters, Beena, Pallav and Abheena travel through the city of Bombay heading to the celebrations for the first anniversary of the historic verdict. '365 without 377' is the story of their journey towards freedom.
Screenplay
갑갑한 모든 걸 박차고 나와 짜릿한 사랑 한 번 해봤으면~! 열 여섯 살, 우리에게 허락된 가장 짜릿하고 낭만적인 사흘 첫째 날, 내 친구의 그녀와 키스해버렸다 총각딱지 떼는 것이 최대 과제이며 발산 못한 에너지로 꽉 찬 열여섯살 고등학생 실비오는 연례행사처럼 진행되는 학교점거 투쟁에 동참하던 중 오랫동안 짝사랑하던 친구 마르티노의 애인 발렌티나와 함께 자료실에 둘이 있게 되자 마음을 고백하고 키스한다.
Veronica
갑갑한 모든 걸 박차고 나와 짜릿한 사랑 한 번 해봤으면~! 열 여섯 살, 우리에게 허락된 가장 짜릿하고 낭만적인 사흘 첫째 날, 내 친구의 그녀와 키스해버렸다 총각딱지 떼는 것이 최대 과제이며 발산 못한 에너지로 꽉 찬 열여섯살 고등학생 실비오는 연례행사처럼 진행되는 학교점거 투쟁에 동참하던 중 오랫동안 짝사랑하던 친구 마르티노의 애인 발렌티나와 함께 자료실에 둘이 있게 되자 마음을 고백하고 키스한다.
Director
