Writer
A three-part anthology film. 1) AMSTERDAM: Jovke and his two friends try to make some quick cash before going off to army. At the same time, he tries to establish communication both with his catatonic father and the girl he likes. 2) TIE REQUIRED: While drudging at the docks with two inseparable friends of his, Neša is waiting for a waiter's job at the bar where his mother works. After not being allowed to a birthday party, the trio decides to look for fun somewhere else. 3) ABSOLUTE PITCH: An unemployed paleonthologist spends his nights sewing dresses for his beloved one. When she sets off to countryside for work and doesn't call back, he becomes suspicious and decides to solve this sudden departure on his own.
Makeup Artist
The richest merchant in XIX century Sarajevo and his fellow travelers are captured by a group of bandits. In order to learn more about merchant’s riches, the bandits’ leader investigates the group and discovers that merchant’s wife, who cheated on merchant during one of his travels, later – in fear of his vengeance played to be possessed by “rage”. Looking for the cure, the merchant brings his wife to Ahmed Jusuf – former warrior and man of authority. Jusuf advised the merchant to take his wife and move into another region – having an idea on what was the story behind wife’s rage, bat also in an attempt to protect himself from the feelings that have already stifled.
Makeup Artist
Dubrowsky (Italian: Il vendicatore) is a 1959 Italian- Yugoslav historical period drama film directed by William Dieterle. It is based on the novel Dubrovsky by Alexander Pushkin.
(voice)
Once upon a time there lived a journalist. Eager to spark interest in his boss’s newspaper, he published news of a colourful bird, more like a parrot than a chicken, less like an ostrich than a swan. No one could work out the origin of this strange bird and a web of sensational stories soon spun, but it burst the moment it came out that the witty journalist repainted an ordinary duck. From that moment on every lie journalists tell is called a ‘canard’. Our film leads directly to the nest of one such duck, in Bucharest, where the inform-propaganda spin doctor Pavel Judin, instructed by wise managerial orders and Moscow, overblows this featherless bird to the pleasure of ones and the derision of others.
