Cláudia Varejão
출생 : , Porto, Portugal
약력
Cláudia Varejão was born in Porto and studied at the Creativity and Artistic Creation Program of Calouste Gulbenkian Foundation in partnership with the German Film und Fernsehakademie Berlin and the São Paulo International Film Acadamy.
She also studied Photography at AR.CO in Lisbon. Claúdia is the author of the trilogy of short films Weekend, A Cold Day and Morning Light. Ama-san, a portrait of japanese divers, was her first feature film which received dozens of awards around the world, followed by In The Darkness of the Theater I Take Off My Shoes, a film that shows the intimacy of a group of dancers from a dance company. Amor Fati is her latest film due for release in 2020 and Wolf and Dog, in development, will bring us back her vision of fiction. Cláudia's films have been selected and awarded by the most pretigious film festivais, including Locarno, Rotterdam, Visions du Reel, Cinema du Reel, Karlovy Vary, Art of the Real - Lincoln Center, among many others. Alongside her work as a director, Cláudia develops a career as a photographer ans is a guest professor at AR.CO and Catholic University of Porto. Her work, whether in photography or film, documentary or fiction, lives in close proximity to those portrayed.
Writer
Ana was born in São Miguel, an island in the middle of the Atlantic Ocean ruled by religion and traditions. Growing up as the middle child of a family of three with her mother and grandmother. Early Ana realized that girls and boys were given different tasks. Through her friendship with Luis, her queer best friend who loves dresses as much as pants, Ana questions the world that is promised to her. When her friend Cloé arrives from Canada, bringing with her the glowing days of youth, Ana embarks on a journey that will take her beyond the horizon.
Director
Ana was born in São Miguel, an island in the middle of the Atlantic Ocean ruled by religion and traditions. Growing up as the middle child of a family of three with her mother and grandmother. Early Ana realized that girls and boys were given different tasks. Through her friendship with Luis, her queer best friend who loves dresses as much as pants, Ana questions the world that is promised to her. When her friend Cloé arrives from Canada, bringing with her the glowing days of youth, Ana embarks on a journey that will take her beyond the horizon.
Cinematography
Beatriz (voice)
포르투갈어로 ‘사우다지(saudade)’는 사랑하는 사람의 부재 시 느끼는 상대를 향한 갈망이자, 아픈 기억이 주는 행복한 느낌을 뜻한다. 변신은 섬세한 시각적 아름다움과 함께 이 번역할 수 없는 단어, 사우다지가 가득한 한 가족의 내밀한 이야기를 들려준다. 열일곱에 어머니를 잃은 감독은 서른여섯 살에 갑작스럽게 어머니를 잃은 아버지를 떠올리며, 자신이 만나지 못한 할머니의 형상을 찾아 허구와 실제가 혼합된 영화를 만들었다. 편지를 읽는 목소리들을 통해 전해지는 가족의 연대기는 한 편의 동화같이 사랑하는 이의 상실이라는 불행뿐만 아니라 가족 안에 행복했던 순간을 드러낸다.
Sound
Amor Fati seeks out parts that complete each other. These are portraits of couples, friends, families and pets and their owners. They share the intimacy of daily life, habits, beliefs, tastes and even some physical traits. From their faces, from the choreography of their gestures, we unveil the story that binds them.
Director of Photography
Amor Fati seeks out parts that complete each other. These are portraits of couples, friends, families and pets and their owners. They share the intimacy of daily life, habits, beliefs, tastes and even some physical traits. From their faces, from the choreography of their gestures, we unveil the story that binds them.
Editor
Amor Fati seeks out parts that complete each other. These are portraits of couples, friends, families and pets and their owners. They share the intimacy of daily life, habits, beliefs, tastes and even some physical traits. From their faces, from the choreography of their gestures, we unveil the story that binds them.
Director
Amor Fati seeks out parts that complete each other. These are portraits of couples, friends, families and pets and their owners. They share the intimacy of daily life, habits, beliefs, tastes and even some physical traits. From their faces, from the choreography of their gestures, we unveil the story that binds them.
Editor
The art of delusion is sculpted with images from a family archive from the 70s and 80s and sound clips from films. Madame Bovary is Flaubert's heroine and opens the hosts of this narrative exercise. Based on Ema Paiva's dialogue with her friend and confidant Pedro Luminares in the film Vale Abraão (Manoel de Oliveira, 1993), we understand gender identity as a closed characterisation of social values.
Director
The art of delusion is sculpted with images from a family archive from the 70s and 80s and sound clips from films. Madame Bovary is Flaubert's heroine and opens the hosts of this narrative exercise. Based on Ema Paiva's dialogue with her friend and confidant Pedro Luminares in the film Vale Abraão (Manoel de Oliveira, 1993), we understand gender identity as a closed characterisation of social values.
A digressive quest, through conversations with various people, about the need humanity has always had to tell stories about itself, about the power and enchantment of fiction.
Director of Photography
“Campo de Marte” (The Field of Mars) was in the ancient times Rome’s training arena for war. At the outskirts of Lisbon, “Campo” hosts today Europe’s largest military base. In this place military troops train fictional missions, astronomy aficionados observe the stars and a boy plays the piano for the wild deers lurking in the dark.
Editor
A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.
Screenplay
A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.
Director of Photography
A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.
Director
A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.
Director of Photography
The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.
Editor
The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.
Director
The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.
Cinematography
An essay about disaffection in 7 segments inspired by Stendhal's seven stages of love, "De L'Amour" (1822). Most people are afraid of love because they are afraid of their deepest joy, delight and inner freedom.
Editor
On a summer's day, a mother, daughter and granddaughter's care-free day trip comes to an abrupt end. Beautiful and restrained.
Writer
On a summer's day, a mother, daughter and granddaughter's care-free day trip comes to an abrupt end. Beautiful and restrained.
Director
On a summer's day, a mother, daughter and granddaughter's care-free day trip comes to an abrupt end. Beautiful and restrained.
Director of Photography
Elliot Tittensor (TV's Shameless) stars as Daz in headlining film PROTECT ME FROM WHAT I WANT, a gripping British film debut that sees him woo a young lad in an underpass, only to be threatened with a break-up the following morning. Passive and submissive roles are tackled and tugged in gay graffiti tale VANDALS and Icelandic grapple-fest WRESTLING, while POSTMORTEM, MY NAME IS LOVE, and Iris Prize-winner STEAM look at promising encounters that turn awry. Rounding out the collection are HEIKO, an alternative ode to foot fetishes, BREATH where 12-year-old Erik swims out to sea to make a daring move on his best friend's father, and the crème de la crème from this collection TREVOR, which won multiple prestigious awards from Sundance, Berlinale, and even The Academy Awards (Oscar) for Best Short Film.
Editor
A portrait of a first relationship, previous to the external world, the one of the family. In a winter in Lisbon, father, mother, son and daughter trace the path of a day by themselves. A film that develops through characters who have for their antagonist life itself, with nothing (and everything) heroic about it.
Screenplay
A portrait of a first relationship, previous to the external world, the one of the family. In a winter in Lisbon, father, mother, son and daughter trace the path of a day by themselves. A film that develops through characters who have for their antagonist life itself, with nothing (and everything) heroic about it.
Director
A portrait of a first relationship, previous to the external world, the one of the family. In a winter in Lisbon, father, mother, son and daughter trace the path of a day by themselves. A film that develops through characters who have for their antagonist life itself, with nothing (and everything) heroic about it.
Editor
Documentary about life and work of Fernando Lopes-Graça.
Camera Operator
Documentary about life and work of Fernando Lopes-Graça.
Director of Photography
A 70-year-old man is in a relationship with a young man named Heiko. It is a fetishist relationship taken to extreme exoticism.
Editor
A country house. A weekend. A family. Time goes by. Silence prevails. "But listen to the breath of the unceasing message made of silence."
Screenplay
A country house. A weekend. A family. Time goes by. Silence prevails. "But listen to the breath of the unceasing message made of silence."
Director
A country house. A weekend. A family. Time goes by. Silence prevails. "But listen to the breath of the unceasing message made of silence."
Director
In the turbulence of urban life, we tend to underestimate things we need. This documentary asks seventy inhabitants from various social and age groups in the Lisbon metropolitan area to mention what they need the most, and thus a very particular portrait of contemporary Portuguese society is composed.
Director
The Ø island is composed of several landscapes within a single landscape. They are territories lived and shaped by interior and exterior time. There are no privatized territories on this island. They are landscapes that cannot be accommodated: they expand through encounters, clashes, pressures and frictions. Between silence and intimacy, new islands are sculpted, in a possible encounter between life and death.
