Twelve-year-old son of a divorced parents live in a skyscraper, but the drab of urban living is somewhat improved by the proximity of hippodrome and horse farm. Boy's favorite is a former champion named Evergreen, a stud whom the administration decides to sell to the slaughterhouse. After an unsuccessful attempt to change their mind, children steal the horse and disappear. After realizing what this horse mean to them, they give it as a present to the boy's class.
Two men, who have been fighting on the enemy sides in WWII, meet in the jazz club twenty years after. Mladen, who was a partisan at the time, recognizes a familiar face of a man whom he was supposed to shot, but missed on purpose.
The topic of this routine, romantic drama is a little unusual - it concerns what some prisoners do when they are allowed out of jail for two weeks before their sentences are up. Rather than receiving some special dispensation, it turns out that in Yugoslavia this was the custom. Most of the time, the men here are engaged in pursuits that forward their relationships with the fairer sex, as might be expected after a long and lonely incarceration. There is nothing particularly profound about their two weeks of liberty, and no deep message in the tale.
After one of the pupils lost his pencil in the classroom, the other children accuse Dika that he stole it. Dika decides to fight for the truth, and luckily his teacher is the only one who believes him.
Two concentration camp prisoners are taken by Nazis to disable un exploded bombs in German towns. When they work on the ruins, with their guards safely away, they enjoy a few precious moments of freedom.
A bus and a truck are moving towards each other along a two-way traffic highway on a rainy day. At the very beginning we learn that a reckless driver of another car will cause them to collide while trying to pass the bus; we even learn what seats will spell doom for their occupants. The rest of the movie follows two streams of events on the bus and on the truck, getting us to know and like a wide variety of characters, wondering which ones will end up being casualties and holding breath for our favourites. The epilogue brings some more surprises...
Boris Buzančić plays an idealistic young doctor who is assigned a nearly deserted village. The backwards residents at first resent Buzančić's new-fangled methods. Gradually, he proves his worth and wins their confidence. The clincher comes when Buzančić rids the community of a despotic villain.
