Haymaker
City girl Emma marries the farmer Nicklas but gets involved in a love triangle with his brother Ragnar.
Unit Manager
City girl Emma marries the farmer Nicklas but gets involved in a love triangle with his brother Ragnar.
When silly inventor Svensson gets mistaken for Swedish/American aviator Smith, he is accidentally enlisted in the military and drawn into unexpected romantic affairs.
Baron Baltzar Casimir Von Gahl - after an earlier adventure commonly known as "Baron Olson" - owns an old farm, but has huge debts.
Special Effects
Gösta Berling is a young and attractive minister. Because of his alcoholism and his daring sermons, he is finally defrocked. He becomes a tutor of countess Marta's stepdaughter and they fall in love. But the countess has a plan of her own.
Member of the ships crew
A naval adventure that focuses on the rivalry among the crew, particularly the indignation wrought by the behavior of inplacable Captain Steen. Dick, one of the sailors, is one of the most rebellious and draws up plans to exact vengeance. The opportunity arises, but an incident that may sink the ship changes the focus of attention. The lighting for the film and the composition of the scenes are regarded as the highlights of the movie.
Man at the inn
At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”
Officer
A woman searches for the child she gave up at birth.
Driver
새해 전날 밤, 부인에 대한 증오심으로 자기파괴적 성향을 지니게 된 다비드 홀름은 공동묘지에서 술을 마시며 저승사자에 대한 전설을 떠들다 싸움이 붙어 동료에게 살해당한다. 저승의 규칙에 따라 새로 유령마차를 끌게 된 이 남자는 지난 해의 마부에게 자신의 운명에 얽힌 두 여인의 이야기를 듣게 되는데...
Sailor
About loaner Master Samuel, based on a writings by Hjalmar Bergman
Inspector
Karin Daughter of Ingmar is a 1920 Swedish silent drama film directed by Victor Sjöström. It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception was however unenthusiastic and Sjöström decided to not direct any more parts.
Farmhand
A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.
Raftsman
The son of a wealthy farmer loves a simple maid, for which he's booted out of the house by his father.
Farm-Hand
Part one of an ambitious screen adaptation of Selma Lagerlöf's book Jerusalem.
Driver
Frau Bessie, once a madcap, aristocratic and modern Swedish fraulein, has become now a whimsical and conservative Swedish burgess after her marriage to Herr Thomas Graal. The destabilization of the marriage begins right at the wedding (which contains some hilarious incidents) when Frau Bessie announces the first Graal child must be a girl, creating a terrible conflict with her husband who is hoping for a boy. It takes a scandal to finally end the war between man and wife.
Man at Björn Bergsteinsson
A stranger comes to work at widow Halla's farm. Halla and the stranger fall in love, but when he is revealed as Eyvind, an escaped thief forced into crime by his family's starvation, they flee and become two of the many outlaws of Iceland's mountains.
In a small provincial town there is a hotel run by one of those eccentric cooks of long ago who made generous meals that have nothing in common with the extravagant restaurateurs of nowadays and their meagre menus. The manager is named after Alexander the Great and in his restaurant the town bourgeoisie meet and discuss various issues, especially matters of the heart. Morals are part of the conversations and prove to be complicated issues even for strict and serious Nordics. 28 minutes of runtime are missing and presumed lost.
A 1917 Swedish drama film directed by Victor Sjöström, based on a 1913 novel by Selma Lagerlöf. It was the first in a series of successful Lagerlöf adaptions by Sjöström, made possible by a deal between Lagerlöf and A-B Svenska Biografteatern (later AB Svensk Filmindustri) to adapt at least one Lagerlöf novel each year. Lagerlöf had for many years denied any proposal to let her novels be adapted for film, but after seeing Sjöström's Terje Vigen she finally decided to give her allowance.
Stage worker
Thomas Graal's a screenwriter, is very fond of his secretary Bessie. Overtaken by a kiss by Thomas she runs away. In his misfortune Thomas writes a screenplay inspired by Bessie. But she has not been really honest with him. 31 minutes of runtime are missing and presumed lost.
Lookout
선원 테리예 비겐은 잔인한 남자의 손에 가족을 잃는다. 몇 년 후 운명은 그에게 복수의 기회를 제공하는데...
Two brothers compete for the love of a woman while the impending war threatens to separate them from both sides of the border. Based on the novel "La Débâcle" by Émile Zola.
Man in theater crowd
A motherless child has a tumultuous existence, but she eventually becomes a famous international opera singer. Past and present meet when she performs in her original home town.
