Giuseppe Carbone

In the crypt of the remote castle of the Aguilars lies the recently-deceased body of Maria. Her husband Antonio is a jealous bully, his mute brother Ignazio is in a wheelchair peeping on his caretaker Sol, a novice. Also present are Miria, the couple's virginal daughter, and Isidro, a factotum who fears Satan's power. A frequent visitor is Juan Suarez, a doctor who wants Miria in a sanatorium for a month. She doesn't want to go. Isidro tries to exorcize the castle's evil spirits. Bodies pile up. Is Miria's mother truly dead, and who is Satan's tool?

When Emanuelle (Gemser) arrives in the small Italian village heads start turning and eyes start popping. All males in the town are falling all over themselves trying to get a look (or a feel) of the new doctor. One in particular is the fiancee of the mayor's daughter. A kind of "Hatfield's and McCoy's" feud with a political twist has been going on and the young lovers' families are, unfortunately, on opposite sides. Emanuelle's shower becomes the target of a gang of voyeurs, including the pillars of the community. She uses it as a stage to taunt the watchers to charge into her apartment on the notion that she is showering with the mayor's daughter's fiancee. Instead of what they expected, they find the two young lovers in bed. Can Emanuelle shame them into allowing the marriage that they had been preventing?

A long time ago in Sicilia, there was a common, unwritten law that linked the hereditary rights to unequivocal demonstrations of virility. Because of that traditional law, a middle-age widower whose wife died without begetting him a child, is about to lose an inheritance of a large sum of money. The man marries again, with Nadia, an attractive woman with a daughter from her first marriage, Daniela. But time passes, and Nadia is not getting pregnant, either. Eventually, his beautiful stepdaughter will help him solve his problem.

A long time ago in Sicilia, there was a common, unwritten law that linked the hereditary rights to unequivocal demonstrations of virility. Because of that traditional law, a middle-age widower whose wife died without begetting him a child, is about to lose an inheritance of a large sum of money. The man marries again, with Nadia, an attractive woman with a daughter from her first marriage, Daniela. But time passes, and Nadia is not getting pregnant, either. Eventually, his beautiful stepdaughter will help him solve his problem.

A long time ago in Sicilia, there was a common, unwritten law that linked the hereditary rights to unequivocal demonstrations of virility. Because of that traditional law, a middle-age widower whose wife died without begetting him a child, is about to lose an inheritance of a large sum of money. The man marries again, with Nadia, an attractive woman with a daughter from her first marriage, Daniela. But time passes, and Nadia is not getting pregnant, either. Eventually, his beautiful stepdaughter will help him solve his problem.

An impotent husband is inspired by the bull that he inherited from his father and finds the lost virility.

Franco (Dean Stratford) decides to kill his girlfriend’s pimp, and from there things go bad and he gets beaten up by the henchmen of Gordon Mitchell, who also kidnaps and murders his girlfriend. So Franco buys two Magnum .38’s from a guy called “The Gypsy” and . . . it’s time for revenge.

A baron, nicknamed Paolo il caldo (Paul the Hot One) because of his womanizing, asks his son, on his deathbed, to leave women alone and only think about work. The son tries hard but only gets into trouble.