Producer
At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the great regulative Governor Gungunhana, who had rebelled against Portuguese government and sovereignty
Producer
Some time ago Gerardo knew another man of the same age called Berardo. When he said the name, Berardo expressed his oppinion violently, saying that the «G» was owed him and that Gerardo, since he owned it had somehow stolen something from him. Berardo then tries to get something back which soon goes beyond a baptismal name. Gerardo whitnesses this strange spectacle of himself as a place where, after Berardo, other people try to get something back, something that escapes them about themselves. Three women - Adália, Miranda and Virgínia - are whitnesses to this game
Executive Producer
두 차례의 포르투갈 식민지 전쟁에 참가했던 47살의 아벨은 고향으로 돌아가는 대신 프랑스로 이주해 살고 있다. 어느 날 동생에게 어떤 편지를 받은 뒤 고향으로 돌아갈 결심을 한다. 그리고 자신의 과거 약혼자였던 테레사에게 구혼하는 남자들을 제거하기로 결심한다.
Producer
A newspaper reporter comes across a man and woman arguing on the beach, and after obligingly driving the woman around when she seeks him out, he takes her back to discover that the man has been murdered. The woman takes off, but the reporter, after many twists and turns, runs into her on a train. They start a relationship, but he had better pay closer attention to how he got to know her in the first place.
Producer
1980년대 라울 루이즈의 마스터피스로 꼽히는 작품. 살인을 저지른 한 학생과 그를 설득하여 인생 이야기를 듣는 술 취한 선원의 만남을 그린다. 스토리텔링의 우아한 유희, 바로크적인 시각 양식이 루이즈적인 기운을 만들어낸다.
Producer
A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.
