Helen Woigk

Catrin wants to know it again: With over 40 she dared to jump back to the University of Marburg. The married mother wants to finish her medical studies, which she stopped many years ago because of her pregnancy. The classmates on campus are relaxed in the age of their children. Her husband Frank feels left sitting in Berlin. And after a fierce flirtation with an attractive student, her marriage is finally in crisis. Nevertheless, Catrin is determined to make her dream come true. Better late than never.

Germany, 1967. Ruby & Martin, a young couple, are rehearsing their uprising. The price is high: expulsion from school, parental violence, and ultimately institutionalization. But they are ready to take on the cause of love.

In the late 70s, young Petra Grust begins teaching at the progressive Odenwald School. She is flattered by the trust placed in her by its widely respected headmaster Simon Pistorius. But gradually certain incidents at the boarding school begin to unsettle her. Petra then realizes that Pistorius is abusing Frank, a 13-year-old. When Frank is told that he has to spend school holidays with Pistorius, he tries to commit suicide. Petra tells Frank's father (the chairman of the school's governing body) but he believes Pistorius instead of his own son. Petra fails to convince people of the man's true nature. 30 years later, Frank goes to Petra, who has long since left the school and has stopped teaching altogether. He has never been able to speak about what happened but now, after the suicide of another pupil, he is no longer willing to remain silent. He wants Petra to bear witness at the school's forthcoming anniversary celebrations.

Three loosely connected stories: The relationship between midwife Rosa and therapist Marcel is shaken to the core by a cancer diagnosis. Wandering aimlessly through life, waitress Motte is horrified to discover she’s pregnant – by her best friend Neo, who’s not even sure about his sexual orientation. Finally, cleaning lady Layla refuses to accept that her ex, Navid, has left her for a younger woman. Each situation escalates on one fateful night: A gun is fired, a woman dies, and a child is born. ‘Without you’ – an expression that can be formulated both negatively and positively: ‘I can’t live without you’ also means ‘life is much better with you’. Director Alexandre Powelz maximises this interpretation to its fullest potential. OHNE DICH is a film both about love and its bitter ingredients, and the equally sobering, yet comforting certainty that life goes on.

In the form of an anthology film, travelers and hosts encounter one another in four different places in Europe via an internet-based hosting network called “Couchsurfing”. In Stuttgart, the Swabian publisher Annette meets the Polish master in the art of living Pawel, while her niece Nina is expecting a big fiesta in Spain, but meets only a deaf old man. In parallel Matti, a freshly minted high school graduate, hopes to find a great adventure in Paris, while the two Erasmus students Reka and Alma wander through Frankfurt desperately seeking their hosts. In the quest of adventure, diversion or just an authentic travel experience, encountering people whom one never would have met otherwise and so they are confronted not only with counterparts, but also with themselves.

After the sudden death of his wife, the lives of Markus Färber and his daughter Kim fall into disarray. Markus’ attempt to bring back normality into their everyday lives fails - he can’t let go of the past. 15 year-old Kim feels left alone with her feelings of guilt. But then she falls in love with the cool school dropout Alex. The two of them run off to Denmark to the place of Kim’s carefree childhood. Together with his mother Gerlinde and her cheerful home care Paula, Markus sets off in search of his daughter. A trip full of surprises and a journey back to life.

16세기 루마니아, 아름다운 외모와 막강한 부로 권력의 중심에 있었던 백작부인 엘리자베스 바토리(줄리 델피). 다른 귀족들의 질투로 고립된 삶을 살던 어느 날, 그녀는 파티에서 만난 젊고 매력적인 귀족 청년 이스트반(다니엘 브륄)과 운명 같은 사랑에 빠지게 된다. 그러나 그와의 사랑이 깊어질수록 그녀는 점점 늙고 추해지는 자신이 불안하기만 한데… 한편, 바토리의 숙적인 튜르조 백작(윌리엄 허트)의 계략으로 이스트반은 그녀를 떠나게 되고 그 사실을 모르는 채 그가 떠난 이유가 자신이 더 이상 아름답지 않기 때문이라 생각한 그녀는 깊은 절망에 빠진다. 우연히 하녀의 피로 자신의 얼굴이 더욱 젊어진 것을 느낀 바토리는 처녀의 피만이 자신의 젊음과 아름다움을 유지할 수 있는 유일한 방법으로 여기게 되고 본격적인 처녀 사냥을 시작하는데….