Yunus Pasolang

Yunus Pasolang

출생 : 1975-02-24,

약력

Yunus is an Indonesian cinematographer.

프로필 사진

Yunus Pasolang

참여 작품

Sehidup Semati
Director of Photography
Since childhood, Renata was instilled that the nature of a wife is to serve and maintain the integrity of the household. Problems arise when Edwin, her abusive husband, cheats on her. Renata, who is terrorized by the presence of another woman, is determined to save her household.
7번방의 기적
Director of Photography
선천적인 지능장애에도 불구하고, 도도 로작은 그의 딸 카르티카에게 좋은 아버지가 되고자 노력한다. 아이 같은 행동을 하는 아빠를 돌보는 데 하루를 보내는 딸이지만 자신을 위해 풍선 팔이에 나서는 아버지를 매우 자랑스럽게 생각하며 행복한 삶을 살고 있다. 그러던 어느 날 도도는 소녀를 강간하고 살인했다는 누명을 쓰고 폭력적인 수감자들과 함께 7번 방에 수감되는데… 한국영화 ‘7번방의 선물’의 인도네시아 리메이크 작품
Something Old, New, Borrowed and Blue
Director of Photography
A traditional wedding procession walks along a narrow street towards the home of the bride. Guests and family members are waiting inside the home on this big day, as they listen to prayers from the loudspeakers. The bride, Putri, is getting ready inside her bedroom while her mother is helping with the final touches of her hair and makeup. Tender and frank conversations about marriage are shared between mother and daughter in that intimate space, before Putri leaves to begin a new life with her husband.
Susi Susanti: Love All
Director of Photography
Susi Susanti rises to become Indonesia’s beloved athlete. In time of turmoil, she showed her country & the world that heroism is measured by one’s sacrifice.
Kafir
Director of Photography
After the bizarre death of their father, two siblings must uncover the root cause of their mother's sudden paranormal terror to save her.
Eiffel... I'm in Love 2
Director of Photography
Twelve years into their long-distance relationship, things are about to change for Tita and Adit when Tita and her whole family move to Paris.
Warkop DKI Reborn: Jangkrik Boss! Part 2
Director of Photography
Dono, Kasino, and Indro's adventure continues. They have to search for the treasure to pay their debts. They travel to Malaysia, but the bags with treasure codes was switched with a woman. They ended up at a haunted uninhabited island.
살인자 말리나의 4막극
Director of Photography
모래바람 날리는 사막에 칼을 찬 여자가 말을 탄다. 여자가 벤 남자의 머리가 그녀의 손에 들려 있다. 몰리 수리아 감독은 아름다운 인도네시아 숨바섬의 풍광을 배경으로 가장 남성적인 장르를 비틀어 누구도 무너뜨릴 수 없는 강인한 여성의 서부극 서사를 완성한다. 홀로 사는 말리나는 성폭행의 위협에 시달리고, 경찰과 공권력이 여성에 대한 폭력을 방관하는 동안 그녀는 외로운 카우보이처럼 홀로 복수에 나선다. 사막의 길 위에서 말리나는 만삭인 친구, 친척 결혼식에 가는 아주머니와 소녀를 만나고, 이들이 말리나를 적극적으로 도우며 복수극 서사는 호쾌한 여성 연대의 이야기가 된다. 서부극을 아시아적으로, 또 여성주의적으로 재해석한 영화는 장르적 반전과 함께 황량한 사막의 풍광을 아름답게 포착한 시네마토그라피를 선보인다. (홍소인)
Don't Blink
Director of Photography
A woman has to stay awake.
Warkop DKI Reborn: Jangkrik Boss! Part 1
Director of Photography
Dono, Kasino, and Indro returned to action in the midst of the hustle and bustle of Jakarta. They once again acted as personnels of a private institution named CHIIPS.
헤드샷
Director of Photography
한 의문의 젊은 남자가 몇 달간의 코마에서 깨어난다. 그는 머리에 총상을 입은 채 죽게 방치된 상태로 발견되지만 젊은 인턴 의사 아일린의 보살핌으로 건강을 회복한다. 일종의 부활을 경험한 이 남자가 모든 기억과 정체성을 잃었다는 것을 알게 된 아일린은 그에게 이스마엘이라는 새로운 이름을 지어준다. 찰나의 평화 뒤에 도사리고 있는 위험을 알아채지 못한 채 둘은 금세 가까워진다. 곧 이스마엘과 아일린은 ‘리’라고 불리 우는 미지의 우두머리가 이끄는 가장 잔인한 범죄자 무리와 맞닥뜨리게 된다. 아일린이 이 범죄자들에게 납치되자 이스마엘은 자신이 이 범죄자들과 깊이 관련되어 있음을 직감하게 된다. 자신의 목숨을 살려준 아일린을 반드시 구하기로 마음먹은 이스마엘은 어쩔 수 없이 범죄자들과 자신의 과거를 대면하게 된다. 내용보다는 폭력의 화려함이 강조된 무차별 액션 영화.
Sundul Gan: The Story of Kaskus
Director of Photography
The strugggle experienced by Andrew Dervish (played by Albert Halim) and Ken Dean Lawadinata (played by Dion Wiyoko) in building Kaskus, the no. 1 online discussion forum in Indonesia. Kaskus, which stands for whispered gossips, initially started from college assignments and were made from a free software. In this film, Indonesian film lovers will not only be entertained by the story of the friendship of two friends whose personality contradict each other, but also learn how friendship can be a capital base to build a successful business.
The Wedding & Bebek Betutu
Director of Photography
A group of elite hotel staff named The Crew is given an important mission: save the wedding of the owner's daughter.
Doea Tanda Cinta
Director of Photography
A story about two young man friendship join TNI (The Indonesian National Armed Forces), especially military personnel including the Army (TNI-AD).
Melancholy Is a Movement
Director of Photography
A lost and disillusioned film director finds himself stuck in creative limbo. A way out presents itself in the form of a peculiar film project.
Princess, Bajak Laut & Alien
Director of Photography
The first Indonesian child omnibus film who raise four stories about friendship, family, and courage.
사랑에 대해 이야기할 때 말하지 않는 것들
Director of Photography
장애 청소년들의 아픔과 사랑에 관한 보고서. 자카르타 시각 장애인 고등학교에서 아름다운 시각장애인 피트리는 의사로 가장한 청각장애 펑크 로커인 에도와 사랑에 빠진다. 피트리가 볼 수 있고 에도가 들을 수 있어도 여전히 그들은 사랑할까?
Fresh To Move On
Director of Photography
A girl tries to 'move on' from a devastating break up with her ex, by practicing “7 Steps to Move On” with the help of her best friend.
Pasukan Kapiten
Director of Photography
Yuma never dared to face a group of children who always bullied him, Omar and his friends. He always tried to run and hide from them, until one day Yuma met a reclusive veteran named Sudirman. Yuma asks Sudirman to teach him how to fight his oppressors. Through their friendship, Yuma and Sudirman learn to face their respective fears, Yuma learns to be brave to face their oppressors and Sudirman learns to be brave to face his biggest fear, his past.
Hello Goodbye
Director of Photography
Two people meet by chance in Busan, South Korea. Indah works at the Indonesian Embassy in Busan. Abi, a sailor who suffers heart attack and Indah was assigned as his guardian. Although their backgrounds are different, they learn from each other.
Milli & Nathan
Director of Photography
Milli and Nathan liked each other from high school in Bandung. Nathan is a smart student who likes to help Milli study. Milli is a humorous girl. She always tell Nathan to not being so serious. They were dating. Until high school, Nathan went to his dream university in Jakarta but, Milli still stayed in Bandung. Nathan decided to broke up with her because he wanted to concentrate with his study in college. Milli otherwise, does not like college, she wanted to be a novelist. They still miss each other. Milli until finally really quit college and wrote a book.
Catatan (Harian) Si Boy
Director of Photography
Satrio and Natasha met in an incident. Satrio who is interested in Natasha decides to help her find the owner of a diary of a man named "Boy".
Kabayan Becomes a Billionaire
Director of Photography
A real estate entrepeneur comes to Kabayan's village in West Java making false promises, including marriage to a woman he likes, if he sells the village's land to him. Kabayan tries to save his village and also win the heart of a woman.
Love Junction
Director of Photography
Cundra and Nayla's encounter began at the railway station. Conversation led to their love story without knowing that they cover each other's secret.
픽션
Director of Photography
알리샤는 대저택에 살고 있는 부호의 딸이지만, 외부세상과 격리된 채 자신이 아끼는 인형을 제외하고는 그 누구와도 정서적 교류를 하고 있지 않다. 그녀는 밤마다 자신이 어렸을 때 권총 자살한 어머니가 찾아오는 악몽에 시달리고 있다. 어느 날 저택의 수영장을 청소하러 온 바리의 모습을 보고 한 눈에 사랑에 빠지게 된 그녀는 집을 뛰쳐나와 바리가 살고 있는 아파트의 옆집으로 이사한다. 바리는 애인 렌타와 함께 살고 있으며, 아파트에 살고 있는 다양한 인물들을 소재로 소설을 쓰고 있다. 바리는 이웃들을 세밀하게 관찰하고 이야기를 풀어나가지만 소설의 결말을 맺지 못한다. 소설을 결말이 있지만 삶은 계속된다는 딜레마에 빠져있는 것이다. 바리는 알리샤에게 자신의 미완성 원고를 보여주고, 그 이후로 이웃들의 삶에 변화가 일어나기 시작한다. 영화 속의 아파트는 다양한 인물들이 모여 사는 축소된 세계이며, 이 폐쇄적 공간은 이제 완결된 바리의 소설로 변화된다.
Gue Kapok Jatuh Cinta
Director of Photography
David is just breaking up and seeing his pitiful situation, his four friends - Once, Andi, Eddie, and Piyu - introduce him to the exciting singles life in Jakarta. Once, Andi and Eddie all have bitter romantic experiences so they choose to be single. On the other hand, Piyu, who falls in love and has a fiancee, lives only for love.
Buruan Cium Gue
Director of Photography
Even though senior high schooler Ardi has been dating Desi, a radio announcer, for two years, they never kissed. Ardi doesn't want to - not wanting to confuse romance with lust. Desi, however, yearns for a kiss from Ardi. One day, Desi lied about her first kiss in live radio.
Chasing the Sun
Assistant Camera
Mengejar Matahari is a coming of age tale of four childhood friends in a Jakarta ghetto whose bonds are tested as they grow into adulthood. They share a nightly ritual, "chasing the sun" (mengejar matahari), where they race through the ghetto, symbolically chasing their future. Their friendship becomes strained when Ardi and Damar fall in love with Apin's niece, Rara, just as a neighborhood bully is released from jail and seeks revenge. The film is both about the strength of friendship and a metaphor for the durability of the Indonesian archipelago.
Looking for Love in 30 Days
Assistant Camera
Keke, Gwen and Olin, best friends since high school, live together in Olin’s parent's house. One day they make a pact to find a boyfriend. Their first attempt fails so they make a bet on who would find the right partner within 30 days. In the process, their friendship deteriorates.
Bangsal 13
Director of Photography
Nat and Mina stay overnight in a hospital when they accompany the person who is run over by their car. Dr. Aziz places them in Ward 13, a long-closed ward that contains many mysteries. At midnight, Nat hears a knocking sound on the bathroom floor, and she tells her boyfriend, Devon, about it. The next day, Devon comes to the hospital and makes a joke by knocking on the door from the inside, something that is forbidden. Devon dies and the ghost of the crawling nurse, drags Nat into the bathroom gutter.
A Very Slow Breakfast
Director of Photography
When a boy is too confused to speak with his non-communicative family, words eventually lose their meaning. He decides to communicate with his dandruff and a cup of cold coffee instead. His father ignores these eccentricities, assuming it is just a ploy to get attention. Meanwhile, the boy's sister likes exercising seductively in front of men and is better able to capture her father's attention than her brother. Their mother is oblivious, perpetually talking to people on her mobile phone and the space the family occupies grows narrower and narrower.