Itamar Alcalay

Guy (34) Is taking a little break at his grandfather's house, Eli (92). Spending time together revile beautiful and calm intimacy between two men, that 60 years age difference is between them. This is a poetic and spiritual film that Raises questions of sexuality, gender differences, immigration, belonging, loneliness and love.

In the 1950s, a young British couple go on their honeymoon. They arrive at “the end of the world,” a small desert town, and decide to stay. In faraway Eilat, Israel’s southernmost city, they begin their new lives, while maintaining their British core. This is the story of Dr. Morris and his wife Fay. For decades, Dr. Morris filmed his family – the births and deaths, joys and tragedies, dramas and quiet days spent in the sun – all unfolding in the heat of the Israeli desert. Years after his death, the forgotten film was found and landed in the hands of directors Itamar Alcalay and Meital Zvieli. Together with the Morris family, they created a spectacular work about an extraordinary family, who are just as ordinary as everyone else.

Twenty six Israeli women directors of narrative features are sharing their personal experiences of sitting in the director's chair. From Ellida Geyra - Israel's first female fiction filmmaker, to contemporary female directors, the film weaves together a conglomerate of women's voices, as they echo each other, clash, and come apart, then culminate in a fiery speech by Ronit Elkabetz. Their stories create a diverse and cinematic patchwork quilt of female directors, providing us with a multifaceted reflection of any woman who wishes for her story to be heard. This is a moving documentary, that will motivate you to get up and do something about the glass ceiling, both the real one, as well as the imagined.

For four years (1977-1981) Esaias Baitel documented a violent Parisian neo-Nazi gang. Having gained their trust, he was able to get close to them. Living among the gang members, he witnessed horrific events, and while hiding his real identity, he photographed a one-of-a-kind collection of gripping stills. Over thirty years have passed. Esaias Baitel has laid his camera down. He returns to the dark nights he spent in the City of Lights, the city where he lived a double life, going back and forth from the gang to the young family he had just started.

For four years (1977-1981) Esaias Baitel documented a violent Parisian neo-Nazi gang. Having gained their trust, he was able to get close to them. Living among the gang members, he witnessed horrific events, and while hiding his real identity, he photographed a one-of-a-kind collection of gripping stills. Over thirty years have passed. Esaias Baitel has laid his camera down. He returns to the dark nights he spent in the City of Lights, the city where he lived a double life, going back and forth from the gang to the young family he had just started.

More than 16 years have passed since furrier Stefan Braun passed away, but for Eliezer Rath, his lover and life-partner for 39 years, Stefan's heart is still beating. Day in and day out he sits in Stefan's room which hasn't been touched since Stefan's passed a way, recording himself talking to him. Eliezer has recorded hundreds of tapes in which he tells Stefan about the events of the day, sings to him, and includes him in his thoughts and longings. However, for Stefan's family, the relationship between the two is not an amazing and harmonious love story.They describe Eliezer as someone who rapidly transformed from lover to servant, ready to endure humiliation and betrayal just so he could be near his lover. After Stefan's death, Eliezer Rath was forced to prove his love for his life-partner. He is confronted by Stefan's cohesive family who raise doubts and suspicions about Stefan's last days in light of the will he left behind.