Li Li-Hua

Hong Kong cinemas had a wide range of glamorous female stars during the golden age of the 60's and 70's. The series will take the audience on a sentimental journey to the good old days and once again look at the expansive epic costume dramas and huangmei operas in which actresses played both the male and female roles. Rare interviews with Sir Run Run Shaw, stars Ivy Ling Po, Shaw Yin Yin, Tanny Tie Ni and Cheng Pei Pei are also featured.

Taiwanese huangmei opera film.

Three young martial arts brothers, played by Chi Kuan-chun, Alexander Fu Sheng and Leung Kar-yan, go in search of fellow patriots dissatisfied with Imperialist foreigners and wind up joining a rising sect of the Boxers, led by an opportunistic conman. Named as such for their use of martial arts, these boxers are revolutionaries who believe that spirits protect their bodies from foreign guns. They even dupe the Empress Dowager, who gives them her royal blessing to fight the foreigners.

Mak-Leung is a young woman from the Sung Dynasty era who, from birth, is fated for a great destiny. One day a white dragon emerges from a well in her family's back yard and hands her a wordless book with which she can save the world.

영춘각에서 일하는 여장부는 리 칸이 수행원들과 함께 이곳을 지나간다는 정보를 입수한다. 그녀의 네 명의 정예 협객과 함께 리 칸이 지닌 전쟁 지도를 빼앗기 위해 혈투를 벌인다. 영화의 전반부는 영춘각에 모인 인물에 대한 묘사와 분위기가 중심이 되고, 후반부는 객점과 모래 언덕에서 벌어지는 칼부림을 보여주고 있다. 이 영화는 호금전의 미학적 요소, 움직임과 미장센이 완벽하게 주제의식과 맞아 떨어졌다는 평가를 받았다. 협객, 우국지사 그리고 반역자 리 칸과 수행원들이 영춘각을 찾아온다. 그들은 살의가 흐르는 객점에서 결코 긴장을 풀 수 없다. 이어 피와 살육전이 벌어지면서 휴식을 취할 수 있는 곳에서 쉴 수 없는 검객의 존재나 객점은 삶의 덧없음으로 보여준다. 이와 같은 초우주적인 사고는 모래 언덕의 결투 장면에서도 나타난다. 객점이란 좁은 공간에서 허공을 날으며 싸우는 검객, 영웅들은 하나 같이 초인간적인 힘을 보여주었다. 그러나 무대가 객점에서 모래 사막으로 바뀌며 그 인간적인 존재와 칼부림은 자연 속의 하나의 점에 불과해진다. 이 싸움은 누가이기든 간에 인간의 권력과 욕망의 칼부림은 거대한 자연 앞에서 허무해진다. 호금전이 보여주는 자연과 인간이 조화롭지 못한 산수 풍경화는 현실에서 속되게 산다는 것에 대해 냉소를 담고 있는데, 이것은 세상살이를 초연하는 청풍한 중국의 철학과 무관하지 않다. 원나라 말경, 조정의 악덕 정치에 뜻잇는 청년들이반원복한의 공작을 펼친다. 그러나 배신자가 있어 뜻을 이루지 못한다.원나라 종친인 하남성 이찰한의 계략에 말려든 것이다. 간신히 목숨을건진 몇몇은 주원장 부대배치 지도를 가지고 영춘각으로 숨어든다. 사실영춘각은 원나라에 대항하기 위한 연락장소로 사용돼 왔었다. 이찰한은심복을 위장 잠입시켜 그 가막을 조사하고, 쌍방은 치열한 혈전을 벌이는데....

A Shaw Brothers production that was filmed in Taiwan

Golden Rose, an informant for the resistance groups, kidnaps Miss Takamine, her Japanese counterpart who has received special training. Disguising herself as Miss Takamine, Golden Rose frequents the Japanese army barracks and gets information she needs.

Comedy about five married couples — a pair of parents and their four daughters and sons-in-law. Li Li Hua plays the eldest girl, opposite her real-life husband Yean Chuan.

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Storm over the Yangtze River tells the true story of undercover intelligence agent "Yangtze Number One" and his colleagues in Jianli County of Hubei Province, who risk their lives to carry out the "Dead Bridge Plan" to secure the "Yangtze 180 Blockade". Li Lihua gives an iconic performance as a strong and charming agent of an intelligence unit, engaging in a risky mission to save her unit chief-cum-lover, who is regarded as a traitor but actually is a double-dealing agent against the Japanese occupation. The film garnered four awards at the 1969 Golden Horse Awards, including Best Leading Actor and Best Leading Actress.

Spring Blossoms is a parable about the Chinese youth culture and what's important to the younger generation when it comes to romance. It starred a new wave of seventies, Shaw's beauties, Lily Li, Shu Pei-pei and Essie Lin-chia as single women looking for love. It's a triple-decker romantic bus ride on a road to nowhere speeding toward a low bridge. Only Lily Li became successful via her martial-arts abilities, so awesomely featured in Jackie Chan's The Young Master.

Love knows no limits in the grand period romance, Lady Jade Locket. A young fighter inadvertently falls for the spirit of a beautiful woman, who died years earlier avenging her own father's murder. The beautiful ghost is in fact the sister of his fiancee. Experienced as an actor in many such romances, director Yen Chuan keeps the tone perfect. Plus, with period specialist Li Li-hua in the lead and the attractive and acclaimed Li Ching playing the ghost girl, he really can do no wrong.

Experienced heroine Li Li-Hua plays a swordswoman out to reclaim her murdered husband's "Green Sword," the sharpest blade in the world. The lovely Li Ching plays the role of Li Li-hua's student, who must take up the fight when her teacher falters.

종합병원 간호사 정아는 내과과장 장박사의 죽음에 인생무상을 느껴 속세를 떠나기로 한다. 불문에 입적할 결심으로 전국의 사찰을 떠돌던 정아는 청봉 스님을 만난다. 청봉은 정아의 마음을 돌리려하나 정아의 결심은 더욱 굳어진다. 감동한 청봉은 관세음보살의 전신친견이 얼마나 어려운 것인가를 설법하면서 신라시대의 명승 희정대사의 고행을 소개한다. 정아는 더욱 더 감동하여 비구니의 길을 결심, 득도식에 참석한다. 불교의식 중에서 가장 규모가 큰 득도식과 재를 올리며 마침내 청순한 비구니가 탄생한다. 비구니는 관세음보살의 전신친견을 위하여 기도할 곳을 찾아 홀연히 떠나간다. (임재원) 종합병원 간호사 정아는 내과과장 장박사의 죽음에 인생무상을 느껴 속세를 떠나기로 한다. 불문에 입적할 결심으로 전국의 사찰을 떠돌던 정아는 청봉 스님을 만난다. 청봉은 정아의 마음을 돌리려하나 정아의 결심은 더욱 굳어진다. 감동한 청봉은 관세음보살의 전신친견이 얼마나 어려운 것인가를 설법하면서 신라시대의 명승 희정대사의 고행을 소개한다. 정아는 더욱 더 감동하여 비구니의 길을 결심, 득도식에 참석한다. 불교의식 중에서 가장 규모가 큰 득도식과 재를 올리며 마침내 청순한 비구니가 탄생한다. 비구니는 관세음보살의 전신친견을 위하여 기도할 곳을 찾아 홀연히 떠나간다. (임재원)

Hong Kong musical directed by Lo Chen.

Spy thriller set in occupied Shanghai. Li Lihua stars as the woman who is thrust into the role of nationalist freedom fighter when she discovers that her husband is a collaborator with the Japanese.

The tragic love triangle of early 20th century Peking Opera star Chiu Hai-tang, his beautiful stage partner, and the warlord who forces himself between them, has been a favorite with Chinese audiences for decades.

With China under control of a weak Emperor, two officials compete to steer the future destiny of the land. Chiu believes the people are the future of China, while the diabolical Tu wishes to grind the people beneath an iron heel. Tu decides to take out Chiu's family, but one lone infant escapes.

The Story of Qin Xiang-Lian is a Hong Kong Chinese Opera musical starring Jackie Chan in a child role.

1963 film

Fan Chia-soo is a kind-hearted student whose heart is captured by the sweet song of Shen Feng-hsien. However, he is not the only one who has eyes for Shen. The General's henchmen are also determined to present the songstress to their superior as a gift. Fan received help from an unexpected quarter to save the woman he loves.

9세기 전의 사랑, 배신, 살인, 그리고 구원에 대한 황매조로 고전 명나라 소설 "수호전"의 "세 죄인"의 에피소드를 기반으로 영화화한 작품. 이려화는 세 죄인 하나로 격렬한 구혼자와 그녀의 질투에 불타는 남편 사이에 사로잡힌 여자를 연기한다.

The noted actress Li Li-hua, star of more than sixty films since 1947, beautifully portrays the drugged, then disgraced wife of a peddler in the waning days of the Ching Dynasty. To make matters worse, she’s soon framed for her husband’s murder by her rapist - the son of the local magistrate! And even that isn’t the end of her woes. It’s best to have a box of tissues nearby as two expert directors ratchet up the emotional suspense in this consummate tearjerker.

The renowned Li Li Hua plays Wu Ze Tian, the most famous woman in China's four thousand year history.

Shaw Brothers drama.

The Black Fox (黑狐狸) is a 1962 Hong Kong thriller film directed by Yan Jun. The film was produced under the Shaw Brothers banner in the Mandarin language.

Perhaps the most notorious concubine in Chinese history, Yang Guifei set a pudgy standard of beauty in her days of glory during the Tang dynasty. The Emperor Minghuang was so besotted with the woman that when An Lushan stages his rebellion against the empire, the ruler takes Yang Guifei along with his imperial entourage in an escape to the mountainous area of modern-day Sichuan, and sanctuary of sorts. But the concubine had roused the jealousy of the court and unfortunately for her and to the great sorrow of the king, her brother and others among the king's retainers demanded she be strangled to death while they were still in the mountains. This is the story told in this interesting Taiwanese adaptation by director Li Han-hsiang (Li Hanxiang).

Long unemployed and stone-broke, Shen Jiaguang is dealt a further blow when his wife Lu Xiaoyin has fallen seriously ill and their son Xiaoguang has to quit school.

American pilot Cliff Brandon, fighting the Japanese in China, finds himself the unintentional "owner" of a Chinese housekeeper, Shu-Jen. The unlikely couple falls in love and marries, but not without tragedy brought on by the war.

Jiang Lizhen's husband, Wang Gensheng, went to Nanyang to make a living. After ten years of separation, there was no news. Jane took her daughter to find her husband, but found out that she was born into a wealthy family.

Liu Lizhen is in love with her colleague, Zhang Li'an but marries her wealthy cousin, Lei Yingsun. She later gives birth to a child, who's father is Zhang Li'an which creates complications to her married life.

A woman is fired from her job because she's pregnant. The husband, who's a teacher, needs to get another part-time job as a waiter, to cover the expenses which causes problems at his school. He starts to resent children but there's hope as the husband is able to get another job and start to appreciate his family...

A behind the scenes story of a small time folk opera troupe and other performers in Northern China in the 1930s.

Anatole France's The Man Who Married a Dumb Wife has been adapted into three different Hong Kong films in the 1950s alone. These two adaptations stray from the source material considerably in genre, characterisation and plot, turning a farce about married life into localised romantic comedies that emphasise family values. The Beauty and the Dumb follows the couple from their meet-cute to the misunderstandings they encounter before the inevitable happy ending. The heir of a bank (Huang He) falls in love at first sight with one of the employees' daughter (Li Lihua), but their burgeoning relationship is nearly derailed when the girl's father intervenes to help his dumb daughter land a rich husband.

Anatole France's The Man Who Married a Dumb Wife has been adapted into three different Hong Kong films in the 1950s alone. These two adaptations stray from the source material considerably in genre, characterisation and plot, turning a farce about married life into localised romantic comedies that emphasise family values. The Beauty and the Dumb follows the couple from their meet-cute to the misunderstandings they encounter before the inevitable happy ending. The heir of a bank (Huang He) falls in love at first sight with one of the employees' daughter (Li Lihua), but their burgeoning relationship is nearly derailed when the girl's father intervenes to help his dumb daughter land a rich husband.

Girl on the loose is a 1954 Hong Kong film, directed by Wang Yin.

Xu Ning meets secret agents Bai Ping and Mei Haozi and falls in love with Ping. Bai Ping becomes involved in a plot to steal confidential documents and faces subsequent danger...

Composer Shi Tian Sheng, suffers from an illness and the increased medical expenses prompts his wife, Lin Ying Hua, to sing at a nightclub to cover the expenses. This action creates a misunderstanding between them which leads to a separation. They reunite years later and hope that time heals all wounds...

Xin Shu (judge) is judging a murder case and the prisoner Jia Lan Fang is mentally crazy and can not respond. Xin asks for the doctor's opinion, but the doctor must first understand Fang's past before proceeding. Apparently Judge Xin Shu has loving feelings towards the prisoner Jia Lan Fang because of the enormous resemblance to an ex-girlfriend named Yu Xiaocui.

A Midsummer Night's Love is about a couple, Li Yuqin and Zhang Tianshi, who faked their marriage but the lies became real, unleashing a series of comic situations.

This is a historical drama that was produced by the Shaw Brothers Studio.

Sweet Song For You (勾魂艷曲) aka Song of Romance is a 1952 Hong Kong musical romance film directed by Yin Wang. The film was produced by Runde Shaw for Shaw and Sons and is based on the screenplay by Tan Liu.

This is a 1952 Hong Kong drama film directed by Bu Wancang, Kuang-Chi Tu, Wang Yin and Shankun Zhang. It stars Chou Man-Hua and Li Li-Hua.

This was a HK musical produced by Nanyang Film Company and distributed by Shaw & Sons.

A wedding musician fails to wed his own love: Little Trumpet is raring to marry his childhood sweetheart, but a series of setbacks has prevented them from getting their way. Criticism against social formalities becomes all the more forceful with the clever use of contrast and irony, not to mention the realist and comedic touch a la Zhu Shilin. Of special mention is the famous teahouse scene where dynamic, melodic camerawork creates a hilarity that continues to amaze to this day. A genuine masterpiece with every single detail, down to the minor props, forming an integral part of a whole. Today, young couples are struggling nonetheless to get a roof over their heads, a testimony to the fact that poverty still reigns beneath the facade of harmony and stability after all these years.

A Chinese drama

As China falls into hyperinflation following the end of the war, people fought tooth and nail to get their hands on the only reliable currencies in the world: gold and American dollars. This is a story that shows how seven bars and two thousand US dollars bring together an interesting mix of characters: an opportunistic manager, a materialistic courtesan, a con artist posing as a commissioner of the Treasury, a white-collar worker who will do anything for a promotion, a man who specialises in conning women, a father who marries off his daughter for money and a sorcerer who fakes his magic. In this dog-eat-dog world, the only truth is that everyone is lying for his own gain. Playing the courtesan who longs to be part of high society, Li Lihua steals the film with a feisty performance opposite the amusing Yan Jun, whose con artist character has a tendency to flirt with lyrics from Peking operas.

Li's first directorial work in Hong Kong is adapted, by himself, from the Hollywood movie The Great Lie (1941) starring Bette Davis. When a husband disappears in an accident, the wife is dismayed by a social butterfly pregnant with her husband's child. To preserve the husband's blood line, the wife takes care of the expectant mother and raises the child. Featuring the two ravishing beauties Li Lihua and Sun Jinglu, Our Husband foregoes juicy feuds between the leads and delivers an allegorical message: parents should provide an ideal environment for the next generation. Addressing the rocky times in China, it is equally overt in its remonstration as Yung Hwa's earlier works, The Soul of China and Sorrows of the Forbidden City.

A girl moves into a mansion with her father and falls in love with the painter she tries to evict.

Known as Great China's most charming star at the time, Li Lihua starred as Zhao Lingru, a female Robin Hood-esque hero who fights for the poor. Her brother (Yang Zhiqing), however, is the tyrannical leader of a gang. For the sake of justice, Lingru has no choice but to turn her back on family. Producer Yan Chuntang, who gave Li her start on the silver screen, made good use of Li's Peking opera training and transformed Li into a righteous action heroine. Her sword fight opposite Yang is a highlight of the film, showcasing Li's physical agility. Spending a significant part of the film with part of her face covered as the Lady Thief, Li's fierce glance is already enough to express a myriad of emotions. Also worth noting is the film's costume design, which adds an interesting contemporary flavour to the Republic-era setting of the story.

During the Taiping Rebellion of the mid-19th century, anti-Qing (Manchu) Chinese forces led by Taiping commander Li Xiucheng march on Shanghai. Although the Western powers are officially neutral, the British consul in Shanghai sides with the Qing imperial government, and counter to his own government's policy he retains American adventurer Frederick Townsend Ward to raise a mercenary force of foreigners in Shanghai and oppose the Taipings. Ward's force is routed, with heavy casualties, but since many of the casualties are British, the British army soon is drawn in on the side of the Qings. The only support for the Chinese comes from Japanese in Shanghai and anti-imperialist demonstrations in Japan. A family drama plays out against this historical background. After a Chinese home is destroyed by careless British shelling, killing the father and crippling a daughter, the surviving son vows revenge but begins to see that his true friends may be the Japanese.

During the Republic of China, a Beijing Opera actor named Wu Yuqin specializes in performing in female roles. He takes the stage name Qiu Haitang and is invited to dinner by an admiring warlord Yuan. He later meets Luo Xiangqi, a graduate of a female performance school. The two of them fall in love but it turns out that she is warlord Yuan's wife...