Vagif Mustafayev

In capital city Baku, eminent editor Yusef Abranov (Mustafayev regular Avtandil Makharadze) and director Mehmet (Yashar Nuri) are determined to get their latest movie made by any means necessary, after being shut down by the bankrupt national studio. Following various schemes, the only way left to raise the cash is to marry off Yusef’s son to the daughter of the rich guy who’s bought Yusef’s bizarre, mirror-filled house.

In capital city Baku, eminent editor Yusef Abranov (Mustafayev regular Avtandil Makharadze) and director Mehmet (Yashar Nuri) are determined to get their latest movie made by any means necessary, after being shut down by the bankrupt national studio. Following various schemes, the only way left to raise the cash is to marry off Yusef’s son to the daughter of the rich guy who’s bought Yusef’s bizarre, mirror-filled house.

A film about time and timelessness, about personality and facelessness, about the need for change and the desire to get used to what is - The drama of a man whose fate was predetermined at the moment of birth. "Chekist orphan" - he was obliged to go through his terrible path and could not go through it. He became what he became - a KGB colonel.

A film about time and timelessness, about personality and facelessness, about the need for change and the desire to get used to what is - The drama of a man whose fate was predetermined at the moment of birth. "Chekist orphan" - he was obliged to go through his terrible path and could not go through it. He became what he became - a KGB colonel.

The events occur during the Nagorno-Karabakh War. Because of a corpse in a zinc coffin with an arguable address, two families get excited. Having cut the lid off the coffin to identify the soldier, they find out that he is, in fact, Armenian - former citizen of Baku.

The events occur during the Nagorno-Karabakh War. Because of a corpse in a zinc coffin with an arguable address, two families get excited. Having cut the lid off the coffin to identify the soldier, they find out that he is, in fact, Armenian - former citizen of Baku.

The movie tells about the tragedy of miserable people who turned to dogs. A group of people who desperately seeks for a job is abducted and forced to labor like slaves.

Shot during the Nagorno-Karabakh War, "Fəryad" is only one of its kind. Following the Khojaly Massacre, Ismayil, an officer tasked with collecting the bodies, crosses enemy lines to avenge the brutal murder of a local schoolgirl. There he gets captured by Armenians and waits for the day to be exchanged for an enemy POW.

After the novel of the same name of Yusif Samadoghlu. The film is about three intervals in time: the distant past, yesterday and today, about innocent victims, about repression, and conquest of different countries.

Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.

Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.

Being unable to shoot a film about Azerbaijani wedding customs, hopeless director decide to make a film about real wedding event. Though the stubborn father of bride resists approval the plan.

The heroes of the film could find the way out from the embarrassing situation they were in.

The heroes of the film could find the way out from the embarrassing situation they were in.

The novelette was written by I.Huseynov. In the film, the problem of war is viewed from the perspective of love. Almost all of the men of the village are at the battlefront. The women who stayed in the night and day to support their efforts. Children wake up in the middle of the night, crying for bread. All of the villagers feel anxious for the men to return. Mothers are waiting for their sons; wives, for their husbands and children, for their fathers. When Sayali's husband dies at the front, her husband's friend Jabrayil proposes to her. The people of the village are furious. Jabrayil's brothers leave home, convinced that their family has been disgraced. One brother goesw crazy; the other fall ill and dies. The only person who doesn't blame Jabrayil is the "agsaggal" (the wise old man) of the village - Isfandiyar Kishi. In this film, note single sound of weaponry is heard, not are any battle scenes depicted, yet we still witness the inherent tragedy of war.

The film is about the young people just finishing school.