František Daniel

Young prisoner Jan, nicknamed Roughboy (Petr Cepek), tries to commit suicide. He was imprisoned for a fight in which he injured a functionary of the National Committee and for stealing material but actually by the blame for this crime was pinned on him by the road-builders in whose group he worked. The prison doctor knows that Jan is an emotionally deprived person who never knew his parents and spent all his childhood - except one year with foster-parents - in orphanages, homes for youth and reform schools. He arranges a five-day holiday for Jan, who wants to find his mother's grave.

A young orphan who lives with her grandmother in a large Virginian home infatuates herself with the voices of Joan d'Arc. Her French nanny seeks out the help of a rich suitor to take her and the orphan away when she realizes that the grandmother cannot offer the orphan the love that she needs.

In the Wee Wee Hours... is a 1987 American short documentary film directed by Izak Ben-Meir about homeless people in Los Angeles. It was nominated for an Academy Award for Best Documentary Short.

Miss Nováková reports to Major Tuma (Karel Höger) from the police about the disappearance of her roommate, the model Zuzana. Shortly afterwards, a film director named Konrád (Otomar Krejca) asks Tuma to cooperate on a new cinéma-vérité film describing the story of Zuzana's disappearance.

Kam Cert Nemuze by director Zdenek Podskalsky is a routine farce that slowly builds up steam to some rib-tickling slapstick episodes. (Miroslav Hornicek) is a deluded young man who is convinced he is Faust incarnate. This turn of mind leads to some ludicrous situations, such as when he believes a woman is really a cat. Before he can be rounded up and interned wherever they keep people with this type of a problem, love enters his life and the clouds that obscured his vision begin to dissipate.

Kam Cert Nemuze by director Zdenek Podskalsky is a routine farce that slowly builds up steam to some rib-tickling slapstick episodes. (Miroslav Hornicek) is a deluded young man who is convinced he is Faust incarnate. This turn of mind leads to some ludicrous situations, such as when he believes a woman is really a cat. Before he can be rounded up and interned wherever they keep people with this type of a problem, love enters his life and the clouds that obscured his vision begin to dissipate.

May 1945. On the outskirts of Prague, ordinary people meet Soviet soldiers-liberators with tears of joy in their eyes. In the early days of the lull, someone sadly recalls a pre-war life; someone unexpectedly meets his love; someone is returning from enemy dungeons looking hopefully into the future; and someone, having moved from a tank into a Czech tram, warmly recalls his craft as a car driver... These days, all those who survived the Great War fire swear an oath to keep peace on Earth forever, honoring the memory of those who gave their lives for simple human happiness.

Czech comedy fantasy directed by Jiri Krejcik et al.

Czech comedy fantasy directed by Jiri Krejcik et al.

The title of this highly-regarded Czech drama translates as Wolf Trap. Set in the 1920s, the story revolves around an ambitious young provincial politician (Miroslav Dolozai) who enters into a marriage of convenience with a smotheringly possessive -- and much older -- woman (Jirina Sejbavola). Hoping to temporarily escape his overbearing wife's clutches, the husband strikes up a friendship with her young ward (Jana Brejchova). The relationship blossoms into a deep abiding love, but the jellyfish husband can't bring himself to declare his ardor to the girl. Even after the death of the wife, the husband hasn't the intestinal fortitude to admit his passion, and the results are bleak indeed for the unfortunate ward. Director Jiri Weiss does a masterful job staging his story of frustration and denial against a backdrop of post-WWI bourgeois banality.

A comedy based on the novel of Jaroslav Hašek's The Good Soldier Svejk happens during the World War I. I Dutifully Report: In the introduction to the second part of the film adaptation of Hašek's novel The Good Soldier Švějk presents his main character Josef Švejk. With the distinctive traditional Czech cartoon character of a soldier Svejk, this time you meet on the way to the front and eventually right in the firing line. You can look at his famous train events, and also probably the most famous episode of the novel, Švejk's Budějovice anabasis. Don't miss the scene with the secretly bought cognac, the episode with Svejk as a fake Russian prisoner of war, including the court scene, and the scene in which lieutenant Dub is caught in a brothel. Despite the criticism, Steklý's adaptation is undoubtedly the most famous and memorable at present.

Several bittersweet stories set in a Prague apartment building.

Lost Children (Czech: Ztracenci) is a Czechoslovak war film directed by Miloš Makovec. It was entered into the 1957 Cannes Film Festival.