Robert Jahns

Two men (Don Castle, John Litel) and a woman (June Lang) form a triangle confined by a lighthouse.

A private detective and his assistant are hired to find a missing husband. The seemingly easy case is complicated by a dead body.

Private detective Johnny Fletcher and his sidekick Sam Cragg skip out on their rented room, but when they sneak back to retrieve their luggage, they discover a dead body on the bed, holding a gold coin in its hand. Fletcher is told by a coin collector that the piece is an old and valuable Spanish coin, but Fletcher soon begins to suspect that the man is himself involved in the murder. Fletcher's investigation leads to he and Sam getting caught up in a murder and gold smuggling scheme.

A love triangle occurs between the publisher's daughter Betty Moody. comic book artist Tim Jones, and the company's wily manipulative manager Hilton Payne. In addition, Betty's dad, Phineas Moody suffers from severe melancholy; and an emergency cure of laughter is required to save his health.

A rich society mother hires a male escort, but he falls for her daughter instead. The mother-daughter conflict forces the daughter to run off to stay with a friend who is enslaved by a prostitution ring.

A confidence man pretending to be a mentalist swindles a family.

A hard-working woman trying to support her family and working at a menial, low-paying job falls for a low-life and before she knows it, he has her working as a prostitute in a bordello.

Peterson has a plan to obtain all the ranches in the valley. He gives Carson a phony Spanish land grant and has him pose as the Mexican owner. When Fred and Fuzzy have their cattle stolen by Peterson's men, they quickly become involved in the scheme.

A District Attorney decides to go after a doctor who is targeting young women and talking them into having illegal abortions.

A cowboy helps a pretty young woman find lost gold. Restored by the Academy Film Archive with additional funding from the National Endowment for the Arts.

The arrival of the telegraph put Pony Express riders like John Blair and his pal Smoky out of work. A race will decide whether they or stageline owner Drake get the government mail contract.

While searching for his friend's killer, a former outlaw (Tim McCoy) thwarts a robbery and becomes a lawman.

A middle-aged magician is in love with his beautiful young assistant. She, on the other hand, is in love with the magician's young protege, who turns out to be a bum and a thief.

We Americans was based on the Broadway play of the same name. Returning to the "melting pot" themes that he handled so well, director Edward H. Sloman concentrates on the trials and tribulations of three first-generation American families: The Jewish Levines, the German Schmidts and the Italian Albertinis.