Sjuman Djaya

Sora has to work really hard to support her family, by giving swimming lessons and being a model, as her husband Sony is unreliable. But with the help of an idealist young lawyer, Singgih, and a loyal friend, Devina, Sora manages to survive.

Intertwined stories of Joko, a boxer, and Rum, the daughter of a general.

Intertwined stories of Joko, a boxer, and Rum, the daughter of a general.

Ganjar and Retno plan to marry, but this fails. Then with Inten, Retno looking for jobs but they are trapped by Joko. Retno realises she is going to be used by him and manages to escape.

Ganjar and Retno plan to marry, but this fails. Then with Inten, Retno looking for jobs but they are trapped by Joko. Retno realises she is going to be used by him and manages to escape.

Directed by Sjuman Djaya.

To save her daughter, Fatima agrees to be sent to Malaya to work as a sex slave for Japanese soldiers. There, she joins with the resistance to help destroy a Japanese base, but finds herself taken prisoner and turned into a sex slave a second time after being captured by Dutch Indies officers.

To save her daughter, Fatima agrees to be sent to Malaya to work as a sex slave for Japanese soldiers. There, she joins with the resistance to help destroy a Japanese base, but finds herself taken prisoner and turned into a sex slave a second time after being captured by Dutch Indies officers.

To save her daughter, Fatima agrees to be sent to Malaya to work as a sex slave for Japanese soldiers. There, she joins with the resistance to help destroy a Japanese base, but finds herself taken prisoner and turned into a sex slave a second time after being captured by Dutch Indies officers.

An athlete juggles her career and love life while an internal conflict within the sports organization gets in the way.

Unable to conceive, an Indonesian couple attempt artificial insemination but are given Japanese sperm. The result angers the father, who has a hard time accepting the baby as his own.

Unable to conceive, an Indonesian couple attempt artificial insemination but are given Japanese sperm. The result angers the father, who has a hard time accepting the baby as his own.

Miranti is left a widow after her pilot husband dies in an accident. She forces herself to work independently, despite feeling alienated. She soon learns that her brother-in-law Dimas cares greatly for her. Miranti ultimately realises that his feelings are more than just pity, and the two can unite.

Miranti is left a widow after her pilot husband dies in an accident. She forces herself to work independently, despite feeling alienated. She soon learns that her brother-in-law Dimas cares greatly for her. Miranti ultimately realises that his feelings are more than just pity, and the two can unite.

Miranti is left a widow after her pilot husband dies in an accident. She forces herself to work independently, despite feeling alienated. She soon learns that her brother-in-law Dimas cares greatly for her. Miranti ultimately realises that his feelings are more than just pity, and the two can unite.

Rhoma and Ricky not only have a different taste in music but also differ in the way they live. Rhoma tries to promote Dangdut music and has a religious life, while Ricky likes rock and has a reckless and free lifestyle. Ricky, who is also a good boxer, joins the group, Apache, and becomes the lead. He becomes angry when he hears that Rhoma’s music group has a successful performance in Jakarta. Ani, who was a singer in the Apache group, starts to change. She prefers Rhoma and is getting tired of all the drinking and drunkenness. Rhoma and Ani start dating and get engaged. Conflict between the two groups becomes heated. Rhoma is tortured and his hand crushed so he cannot play guitar anymore. Wounded, Rhoma goes to a teacher in a secluded village. Here, his wound is healed and he is taught martial arts. After returning from the village, he finds that Ricky is raping Ani. So a final fight ensues, and this time it is Rhoma’s turn to crush Ricky’s hand.

The wedding plans of Oma and Ani are shattered due to the presence of Ir. Dana in the plantation where Ani’s father works. As her father is ambitious and wants a higher position, he wants Dana to become Ani’s husband. Ani works in the plantation as a secretary and Dana is interested in her but she does not reciprocate. Ami and Oma are having a long-distance relationship and things start to change when Oma does not come on her birthday. So she goes to Jakarta and finds Oma in the middle of persuading his singing partner, Shanty, who is sulking, to finish a recording. Suspicious and jealous, Ani goes straight home and decides to marry Dana. Oma is shocked to receive the invitation. He goes home and the root of the problem is uncovered.

A rare film that was censored for many years, the story featured protesting university students in the process of self-discovery.

A rare film that was censored for many years, the story featured protesting university students in the process of self-discovery.

A rare film that was censored for many years, the story featured protesting university students in the process of self-discovery.

It tells a life story of Doel, the kampong kid, who is just idle in his village after graduated from a school in the city. Marriage arrangement set by his mother is always refused since he falls in love to Kristin, his friend in the city.

A little boy is told the tale about the development of Jakarta, when a village was divided into two, and causing the people to oppose each other. On one side, there is Anton while the other side is lead by Mahmud. Maulana, the village boy whom Anton has adopted, falls in love with Laila, the sister of Mahmud. This love affair irritates Majid, Mahmud’s right-hand man, because he has loves Laila, long before her meeting with Maulana. Maulana and Laila refuse to take sides between the two opposing sides, and try to reconcile them. But a battle is inevitable. In the end, Mahmud kills Anton; but Mahmud dies at the hand of Maulana, his future brother-in-law. Then Maulana runs to Laila’s house and confesses. Laila forgives him, but Majid cannot. He orders a boy to steal the gun of Sabeni, an informant, and he shoots Maulana with it. While the intention was to make this film a musical, it didn’t work as the “realistic world” and the “musical world” could not blend fully.

A little boy is told the tale about the development of Jakarta, when a village was divided into two, and causing the people to oppose each other. On one side, there is Anton while the other side is lead by Mahmud. Maulana, the village boy whom Anton has adopted, falls in love with Laila, the sister of Mahmud. This love affair irritates Majid, Mahmud’s right-hand man, because he has loves Laila, long before her meeting with Maulana. Maulana and Laila refuse to take sides between the two opposing sides, and try to reconcile them. But a battle is inevitable. In the end, Mahmud kills Anton; but Mahmud dies at the hand of Maulana, his future brother-in-law. Then Maulana runs to Laila’s house and confesses. Laila forgives him, but Majid cannot. He orders a boy to steal the gun of Sabeni, an informant, and he shoots Maulana with it. While the intention was to make this film a musical, it didn’t work as the “realistic world” and the “musical world” could not blend fully.

A little boy is told the tale about the development of Jakarta, when a village was divided into two, and causing the people to oppose each other. On one side, there is Anton while the other side is lead by Mahmud. Maulana, the village boy whom Anton has adopted, falls in love with Laila, the sister of Mahmud. This love affair irritates Majid, Mahmud’s right-hand man, because he has loves Laila, long before her meeting with Maulana. Maulana and Laila refuse to take sides between the two opposing sides, and try to reconcile them. But a battle is inevitable. In the end, Mahmud kills Anton; but Mahmud dies at the hand of Maulana, his future brother-in-law. Then Maulana runs to Laila’s house and confesses. Laila forgives him, but Majid cannot. He orders a boy to steal the gun of Sabeni, an informant, and he shoots Maulana with it. While the intention was to make this film a musical, it didn’t work as the “realistic world” and the “musical world” could not blend fully.

A little boy is told the tale about the development of Jakarta, when a village was divided into two, and causing the people to oppose each other. On one side, there is Anton while the other side is lead by Mahmud. Maulana, the village boy whom Anton has adopted, falls in love with Laila, the sister of Mahmud. This love affair irritates Majid, Mahmud’s right-hand man, because he has loves Laila, long before her meeting with Maulana. Maulana and Laila refuse to take sides between the two opposing sides, and try to reconcile them. But a battle is inevitable. In the end, Mahmud kills Anton; but Mahmud dies at the hand of Maulana, his future brother-in-law. Then Maulana runs to Laila’s house and confesses. Laila forgives him, but Majid cannot. He orders a boy to steal the gun of Sabeni, an informant, and he shoots Maulana with it. While the intention was to make this film a musical, it didn’t work as the “realistic world” and the “musical world” could not blend fully.

Adapted from Achdiat Kartamihardja's novel of the same name. It follows a young Muslim man named Hasan who, through his interactions with others, loses his faith.

Adapted from Achdiat Kartamihardja's novel of the same name. It follows a young Muslim man named Hasan who, through his interactions with others, loses his faith.

Office clerk Mamad breaks his ethics and steals a pack of paper from his office while preparing for his seventh child’s birth. Haunted by guilt, an opportunity to confess seems to always elude him.

Back when urbanization was a new phenomenon, this film captured the aspirations desired by three young men from North Sumatera of Batak ethnicity. As the case with other regional area, people from the rural realm were convinced that their way of live is inadequate, so that they "need" to make it in the city, or bust. So Sabar, Tigor and Sahat went up and down their luck in order to find their desired "gold" in a strange land.

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

Doel, a child growing up in a Betawi society, who is trying to break the pragmatism of the society that considers the Betawi people to be conservative by getting as high an education as possible. After his father's death in an accident, he and his mother becomes a seller to survive.

Doel, a child growing up in a Betawi society, who is trying to break the pragmatism of the society that considers the Betawi people to be conservative by getting as high an education as possible. After his father's death in an accident, he and his mother becomes a seller to survive.

A man is murdered, his wife is kidnapped and their young son is thrown into a ravine. The child grows up with a deformity and is known around the village as Si Bongkok ("The Hunchback"). After receiving martial arts training, he seeks revenge on the man who killed his father.

A man is murdered, his wife is kidnapped and their young son is thrown into a ravine. The child grows up with a deformity and is known around the village as Si Bongkok ("The Hunchback"). After receiving martial arts training, he seeks revenge on the man who killed his father.

Oni is an orphan who is born blind. She is adopted by a cart puller. Despite of his blindness, Oni can cure diseases. So when her adopting parent dies, someone else takes care of her. But ever since her village is pillaged Oni lives on as a wanderer.

Lono is a thief who steals from the corrupt on behalf of the poor.

Lono is a thief who steals from the corrupt on behalf of the poor.

Lono is a thief who steals from the corrupt on behalf of the poor.

Amidst the election rivalry of two villages for the village head post, Cigugur and Cijulang, a troupe of Ronggeng artists, with its prima donna, Sari, arrives at the sub-district center for their regular performance. Sari and Dadang, the son of the Village Elder of Cijulang, are in love with each other. Dadang is also running as a candidate in the village head elections. But Ohim, the son of the Cigugur Village Elder, is also madly in love with Sari. He gets even more daring after a humiliating incident when he tries to touch Sari’s hair bun on the ronggeng stage. The touching of the hair bun is one of the rituals in the traditional art of Ronggeng. Dadang’s father is angered by his son’s relationship with Sari, since it could jeopardize his candidacy as the head of the village.

While it is uncertain, the film is believed to be inspired by the story of Nyai Dasima, about the terrible fate of a rich widow who ends up as a murder victim because of her wealth.