Jaan Tooming

유령과 늑대인간이 공존하는 소박한 에스토니아의 농사공동체. 악마에게 영혼을 팔아 얻는, “크랏”이라는 살아있는 농기구 부품이 돌아다니는 와중에, 성에는 창백한 독일인 귀족과 아름다운 딸이 나타난다. 그녀에게 반해버린 한스를 되찾기 위해 절박해진 리나는 결국 암흑의 마법을 쓰는데…

An up-close look into the life of the often misunderstood movie director Grigori Kromanov through the lens of old friends and colleagues.

Mason Johannes Ööbik flees home to commit suicide. But instead begins a journey through Estonia, accompanied by a deep sense of hopelessness. Johannes is not one bit distinguishable from the surrounding environment and ideals. The main character's quest sends a stunningly realistic view of Estonia at the time, with medium and people.

Jaan Toomings retelling of the novel by A.H. Tammsaare

Jaan Toomings retelling of the novel by A.H. Tammsaare

Jaan Toomings retelling of the novel by A.H. Tammsaare

A three episode film consisting of three short films: "Promenade", "Poacher" and "Tattoo". The action of the films takes place in the 1930s in Estonia.

Little Kati spends her summer at her grandma's. Her playmates are the village boys and the whole countryside - animals, flowers, the wind and stones. Kati conjures up the sun and floats above the fields of flowers and the whole universe. There is no borderline between reality and the magic world. Is it possible to play the same game also at her home in the city?

Little Kati spends her summer at her grandma's. Her playmates are the village boys and the whole countryside - animals, flowers, the wind and stones. Kati conjures up the sun and floats above the fields of flowers and the whole universe. There is no borderline between reality and the magic world. Is it possible to play the same game also at her home in the city?

Among Tooming's filmic works, Endless Day provides perhaps the most eloquent material for investigating the radical renewal of visual and narrative form, as well as the shifting registers of spatio-social portrayals and critiques in Estonian cinema. It was banned in 1971 and ordered to be destroyed. However, the film was retained and restored in the 1990s.

Among Tooming's filmic works, Endless Day provides perhaps the most eloquent material for investigating the radical renewal of visual and narrative form, as well as the shifting registers of spatio-social portrayals and critiques in Estonian cinema. It was banned in 1971 and ordered to be destroyed. However, the film was retained and restored in the 1990s.

The story of Balthasar Russow, an Estonian pastor from the 16th century, his life and life's work - writing The Chronicle of Livonia.