Harnam Singh Rawail

약력

Harnam Singh Rawail (b. 1921) Hindi-Urdu director born in Lyallpur (now Pakistan). Went to Bombay in his teens to join films. Slept on the streets and in the Madhav Baug temple precincts. These experiences were later retold in quasi-autobiographical Pocketmaar. Left for Calcutta where he became assistant to Kidar Sharma. His first script is Banke Sipahi (1937), a version of The Three Musketeers. Wrote several scripts, usually in stunt genre, at Indrapuri Studios where he also received his first break as director. Turned producer in Calcutta (1948), then returned to Bombay (1949) and later established Roshni Pics (1955) and Rahul Theatres (1960). Made comedies (best known is Kishore Kumar’s slapstick Shararat) and love stories. Sangharsh was based on major Bengali novelist Mahashweta Devi’s Laila Aasmaner Aaina. After Mere Mehboob, made period romances and love legends. Last film Deedar-e-Yaar, written by his son Rahul Rawail, was one of the biggest financial disasters of 80s Hindi film. Since then has produced films for his son.

참여 작품

Deedar-E-Yaar
Director
Childhood pals Javed (Rishi Kapoor) and Akhtar (Jeetendra) will do anything for each other, but their loyalties are tested when they fall in love with the same woman. For Javed, it's love at first sight when he meets the beautiful Firdaus. But when her father insists she marry the wealthy Akhtar instead, the loyal young man agrees -- but only to help out Javed by quickly divorcing her. Now that he's seen her, though, that may prove difficult.
Laila-Majnu
Director
Kaish Amari comes from a wealthy arab family. At the tender age of six he is sent to school and gets friendly with a young girl named Laila.
Mehboob Ki Mehndi
Director
Yusuf lives a wealthy lifestyle with his businessman dad, Safdarjang, who is confined to a wheel-chair. When Yusuf's precocious nephew, Khalid alias Phirangi's tutor, Mrs. Albert complains about him and quits, Yusuf hires Shabana, who along with her granny, have come to live with them for a short period of time. He also hires a man named Khairudin as a servant to look after his dad. Yusuf and Shabana are attracted to each other and intend to marry, much to the joy of Safdarjang and the granny. The wedding preparations are on, but there are a couple things Yusuf and his family do not know. One is that Shabana is the daughter of a Courtesan named Najma; and that Khairudin has secured employment in order to kill Yusuf.
Sunghursh
Producer
Bhavani Prasad is a powerful thug, who masquerades as a priest. His son Shankar refused to follow his path so he wants his grandson Kundan to carry on the legacy. When his son protests, in a fit of rage, Bhavani gets Shankar killed and passes the buck to his cousin Naubat Lal. When Naubat Lal spills the beans he gets him killed as well, which deepens the family feud.
Sunghursh
Director
Bhavani Prasad is a powerful thug, who masquerades as a priest. His son Shankar refused to follow his path so he wants his grandson Kundan to carry on the legacy. When his son protests, in a fit of rage, Bhavani gets Shankar killed and passes the buck to his cousin Naubat Lal. When Naubat Lal spills the beans he gets him killed as well, which deepens the family feud.
Mere Mehboob
Producer
While studying in Aligarh Muslim University, Anwar Hussain Anwar falls in love with a veiled woman and is unable to get her out of his mind. En route to Lucknow, they meet with Nawab Buland Akhtar Changezi, and subsequently meet with him a few days later so that he can use his influence to secure an editor's job for Anwar with a magazine. Nawab then asks Anwar to teach his sister, Husna, some poetry, to which he agrees, and eventually finds that she is the very same veiled woman. Both fall in love with each other and the Nawab approves of this alliance, even though Anwar lives a poor lifestyle. The formal engagement ceremony takes place and arrangements are made for the wedding to take place soon. The heavily indebted Nawab does not realize that soon he will find Anwar in the company of a lowly courtesan, Najma; and pressure will be brought on him to get Husna to marry wealthy Munne Raja - who is all set to auction the former's mansion as well as belongings.
Mere Mehboob
Director
While studying in Aligarh Muslim University, Anwar Hussain Anwar falls in love with a veiled woman and is unable to get her out of his mind. En route to Lucknow, they meet with Nawab Buland Akhtar Changezi, and subsequently meet with him a few days later so that he can use his influence to secure an editor's job for Anwar with a magazine. Nawab then asks Anwar to teach his sister, Husna, some poetry, to which he agrees, and eventually finds that she is the very same veiled woman. Both fall in love with each other and the Nawab approves of this alliance, even though Anwar lives a poor lifestyle. The formal engagement ceremony takes place and arrangements are made for the wedding to take place soon. The heavily indebted Nawab does not realize that soon he will find Anwar in the company of a lowly courtesan, Najma; and pressure will be brought on him to get Husna to marry wealthy Munne Raja - who is all set to auction the former's mansion as well as belongings.
Roop Ki Rani Choron Ka Raja
Director
A party of pilgrims voyage to worship at the Shiv Sagar temple during the annual festival with different objectives to accomplish.
Shararat
Producer
1959 Bollywood Drama Comedy
Shararat
Director
1959 Bollywood Drama Comedy
Pocket Maar
Writer
Roshan is a pickpocket whose life changes after a man he steals money from commits suicide. Driven by guilt, he sets out to repay the money to the deceased man's family.
Pocket Maar
Director
Roshan is a pickpocket whose life changes after a man he steals money from commits suicide. Driven by guilt, he sets out to repay the money to the deceased man's family.
Mastana
Director
Director Harnam Singh Rawail Stars MotilalNigar SultanaChandrashekhar Vaidya
Saqi
Director
1952 Indian Film
Patanga
Director
Two movie actors are confronted by startling and hilarious obstacles.