Markus Trebitsch

What hurts more: losing the wife to her younger lover after 21 years of marriage or having to share a lottery win with her after the breakup? The parcel carrier Henry doesn't want to give up half of his unexpected wealth because of the divorce. While his wife Ellen wants to make a clean break with the new beginning, he tries to save the long-hopeful marriage, but only on paper. The disappointment hurts too much to share the cash fairly! Neither his own daughter, who needs money for a journalism school, nor his best friend Mehmet know about the new fortune. His "favorite colleague" Mona either doesn't like the fact that Henry doesn't tell her the truth. She doesn't really recognize Henry anymore, with whom she has fallen in love. Ellen is also surprised that Henry, who is chronically exhausted, can afford an expensive racing horse. But there's a reason for the secrecy, because Henry wants to make his dream come true to win the Grand Prix of Germany. His maxim: Believe in losers too!

In the third film of the successful series, Jan Fedder is back as a Pastor Book with body and soul. To look after human destinies in St. Pauli, he sees as his life's task, no matter what milieu they come from or what confession they belong. The fallen and stranded people challenge him this time especially.

The family of Katharina Krohn is shocked when they learn that she is a member of a Swiss organization that helps people who have decided to leave this life, even though she has no life-threatening disease like many of the other members, but because she has lost the will to face life after the death of her husband.

Robert Wilson and the Civil Wars is an in-depth documentation of Robert Wilson’s ambitious attempt to stage an epic, twelve-hour, multinational opera for the 1984 Summer Olympics. Filmmaker Howard Brookner follows the avant-garde theatre director as he confronts a hectic work schedule, funding difficulties and relentless international travel in attempt to complete his preparations. The film examines Wilson’s unique theatrical style during The Civil Wars: A Tree Is Best Measured When It Is Down, which involves the continual creation of evocative stage sets, owing to a unique juxtaposition of movement, sound, text and image. Known for his precise, painterly images Wilson’s work derives more from visual art than the orthodox literary traditions of theatre. As a result, Wilson often challenges actors to perform in a boldly minimalist style, as well as collaborating with non-actors, such as young autistic poet Christopher Knowles in Einstein on the Beach.