Twinks fuck twinks raw. Bareback Xmas Cum Blizzard comes just in time for Christmas. Over three hours of hot twinks in solo, group sex, and various other kinky pairings. Also featuring an unreleased scene and a behind-the-scenes look at what the boys are doing when the cameras aren't rolling.
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1980년대에 대중적인 성공을 누리기 전, 글램록의 아이콘인 트위스티드 시스터는 뉴욕의 클럽에서 수년간 파격적인 공연을 했었다.
(넷플릭스)
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For the Yamakasi the "Art of Displacement" is a way of life. Racing through the new cities that ring Paris, climbing walls, swinging from balconies and leaping across rooftops, they transform the oppressive concrete architecture into places of fantasy, possibility and play. The heart of our documentary is the story of how the Yamakasi are transforming the youth of the suburbs, and themselves, through discipline, will and desire. Now, as the Art of Displacement is being embraced as an extreme sport and urban pastime, will the social message be transmitted as well? What is it for the new generation?
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An examination of the how television news in the US has covered war from Vietnam to the present day
Director
An examination of the how television news in the US has covered war from Vietnam to the present day
Director of Photography
Looks like an alien, sings like a diva - Klaus Nomi was one of the 1980s' most profoundly bizarre characters to emerge through rock music: a counter tenor who sang pop music like opera and brought opera to club audiences and made them like it. The Nomi Song is a film about fame, death, friendship, betrayal, opera, and the greatest New Wave rock star that never was!
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A history of the racially stereotyped portrayal of African Americans in cinema, hosted by film pioneer Melvin Van Peebles.
Cinematography
A look at Communist musicals that strove to be ideologically correct - and entertaining, besides.
Director of Photography
Mark Rappaport's creative bio-pic about actress Jean Seberg is presented in a first-person, autobiographical format. He seamlessly interweaves cinema, politics, American society and culture, and film theory to inform, entertain, and move the viewer. Seberg's many marriages, as well as her film roles, are discussed extensively. Her involvement with the Black Panther Movement and subsequent investigation by the FBI is covered. Notably, details of French New Wave cinema, Russian Expressionist (silent) films, and the careers of Jane Fonda, Vanessa Redgrave, and Clint Eastwood are also intensively examined. Much of the film is based on conjecture, but Rappaport encourages viewers to re-examine their ideas about women in film with this thought-provoking picture.
Cinematography
이 영화는 콜라주 영화로, 파운드 푸티지가 주인공이다. 이 작품은 우리 모두가 다 알고 있는 사실(그가 동성애자였고 에이즈로 죽었다는)에 비추어 허드슨이 출연한 영화를 재검토해 기존의 영화사를 수정한다.
Director of Photography
Privilege is an intelligently conceived, boldly anarchic, and wickedly insightful exposition on the culturally ingrained and socially divisive malaise of isms that artificially define and characterize empowerment in contemporary society: ageism, sexism, economic elitism, and racism. Yvonne Rainer conveys texture through the intercutting of archival footage, video, and film - as well as compositional layering through the film-within-a-film structure, elliptical (and self-referential) fusion of past and present, and the filmmaker's idiosyncratic penchant for superimposed typed text.
Director of Photography
Agatha is an international lawyer, Jo a filmmaker. The two women are lovers. While Jo is on the road showing her films, Agatha discovers and reads her diaries. Problems ensue as Agatha's transgressions lead to jealousy and a spiraling cycle of sexual obsession.
Gaffer
Cookie is a teen runaway who escapes her abusive stepfather and heads for the Big Apple with her younger brother. When she arrives at the Port Authority bus terminal, Cookie meets a charming but sadistic pimp named Duke. With nowhere to go, Cookie is soon working for Duke, who introduces her to the harsh, brutal life of being a prostitute.
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A Manhattan professor's (William Raymond, Larry Loonin) unseen artist wife mocks his pitiful existence.
Director
Documentary short for Larry Fessenden's 1991 feature film, NO TELLING.
