Milly Sanders

Taken in by a wealthy couple after her sudden divorce, an isolated woman spirals into a surreal nightmare of manipulation, paranoia, and betrayal.

When Raina's child goes missing, she gets help from Holly, a local Detective. However, when they're confronted with Raina's abusive ex, Maurice, she is thrown back into danger as her child becomes a pawn in his latest game of manipulation.

Three women take the law into their own hands when justice isn't served to predatory men.

서커스에 갇힌 부부는 함께 탈출하기 위해 계획을 세운다. 아내는 약속된 시간에 도망치지만 남편은 오지 않는다. 다섯 여성의 모임에서 론다의 남편과 외도 중인 앨리스는 나머지 여성들에게 괴롭힘을 당하다, 마지막 순간 정체를 드러낸다.

Difficult customer Karen gets more than she bargained for when she orders an intimate object from a company called Heavenly Heathens Adult Toys. Emphasis on the Heathens. Now Karen has a bone to pick with Heavenly Heathen’s top Customer Service Representative, Dana.

Difficult customer Karen gets more than she bargained for when she orders an intimate object from a company called Heavenly Heathens Adult Toys. Emphasis on the Heathens. Now Karen has a bone to pick with Heavenly Heathen’s top Customer Service Representative, Dana.

An ancient insatiable casting couch demon feeds on unsuspecting Hollywood hopefuls.

Fun Size Horror Presents "Dark, Deadly & Dreadful", an anthology of short films from Fun Size Horror's community of filmmakers. Each film explores different themes in the horror genre all from the unique perspective of its creator. Featuring work from a diverse group of filmmakers, shorts include submissions to Fun Size Horror, world premiers, and festival winners.

A lonely housewife fears for her life when a women's prayer group meeting turns into a fanatical intervention to rid her soul of evil.

When her neighbor refuses to get into the Christmas spirit, a jolly citizen takes matters into her own hands.

When her neighbor refuses to get into the Christmas spirit, a jolly citizen takes matters into her own hands.

When her neighbor refuses to get into the Christmas spirit, a jolly citizen takes matters into her own hands.

When her neighbor refuses to get into the Christmas spirit, a jolly citizen takes matters into her own hands.

Part-thriller, part-nightmarish examination of the widening gap between originality and technology, The Removals imagines where we go from here. A secretive, nefarious agency seeks to control the culture. They do this by covertly staging reproductions of everyday events, and by so doing, undermining the moment’s originality and currency. Society is then left to puzzle over what might be real, and what is fake. The agency employs symbols—like the fascists, like imperial powers of the past—notably a red cone, to plant their flag upon the moment. Two agents, Kathryn and Mason, exhausted by the toll each removal has taken from them, quietly, and then overtly, set out to undermine the agency. Haunting, engaging, and with a ferocity of vision that calls to mind the cerebral thrillers of Shane Carruth, David Lynch, or Andrei Tarkovsky, Nicholas Rombes’s directorial debut is a spellbinding new work and apt analogy for the wormhole where modern social communication leads.

A bus full of strangers find themselves fighting for their lives when one of them reads from an ancient Gothic tome, bringing six dead serial killers back to life, who proceed to hunt them down one by one.

Two young boys with a brotherly bond are discovering the beauty hidden in their world; in nature, music and language. They soon must battle to retain it when it is threatened by one uncontrollable act of violence, a school shooting.