David Cunningham

David Cunningham

출생 : 1954-12-20, Armagh, Northern Ireland, UK

약력

David Cunningham (born December 20, 1954) is a composer and music producer from Northern Ireland. Well-known for his commercial work under the pseudonym "the Flying Lizards" and for his production of Michael Nyman's music for Peter Greenaway's films including the Draughtsman's Contract and Drowning by Numbers. His work as producer, musician and composer has ranged across many genres of music and includes work for television, film, contemporary dance, and significant collaborations with visual artists and filmmakers. Since the release of his first album 'Grey Scale' in 1976 he has worked as a musician and record producer, engaging with an eclectic range of people and music. In the spring of 1978, David started working as a music producer for the first time, but with a very limited studio situation. His first significant commercial success came with The Flying Lizards' record 'Money', an international hit in 1979. Over the last 20 years Cunningham has recorded everything from jazz bands to solo performers in his L-shaped recording-studio, as well as composing scores for films and adverts. Besides collaborating with artists such as Martin Creed, John Cage, Kathy Acker and Pansonic, Cunningham never stopped creating music of his own. Film and television work has included two long continuing collaborations - with William Raban and with Ken McMullen. Related work has included the production and treatment of sound for installation and broadcast artworks by Susan Hiller, Cerith Wyn Evans, Martin Creed, Amikam Toren, João Penalva, Ceal Floyer, Ian Breakwell, Gillian Wearing, Thomas Demand, Sam Taylor-Wood, John Latham, David Hall, Stephen Partridge, Bruce McLean, Tony Sinden, Brad Butler and Karen Mirza and many others.

프로필 사진

David Cunningham

참여 작품

다크 바이 눈
Music
21세기 중반, 미국 정부는 공간이동 연구를 시작하다 시간이동 가능성도 알아낸다. 연구의 위험성을 간파하고 모든 연구를 중단하고 폐쇄하지만, 몇 명에 의해 이 기술은 악용되기 시작하고, 천재적인 기억력을 지닌 레즈는 그들에 의해 실험에 투입되어 미래로 가서 많은 정보를 그들에게 제공하는데 그 과정에서 미래에 도시가 폭발하게 되는 것을 알게된다. 레즈는 도시에 살고 있는 딸을 위해 미래를 바꾸려고 하지만 폭발은 자신의 시공간 이동이 초래한 부작용임을 나중에 알게된다. 위험을 무릎쓰며 현재, 과거, 미래를 오가며 레즈는 딸과 도시를 구하기 위한 방법을 찾고자 한다.
Sick Film
Sound Recordist
Martin Creed has said that part of living is coming to terms with horrible feelings. 'The problem with horrible feelings is you can't paint them. But horrible vomit – you can film that.' And he has. It's a difficult piece to watch but highlights Creed's ability to provoke psychological reactions from his viewer, whether that be joy, despair, anger or as in this case, utter disgust.
희생의 제물들
Sound Re-Recording Mixer
현대 문명에서 동떨어진 아프리카의 정글 캠프를 여행하던 9명은 알 수 없는 상황에서 한명씩 차례로 죽어간다. 아프리카에서 살고 있는 각양각색의 성격을지닌 인디안들이 비밀스럽고 신비스러운 폭도들에 의해서 죽어가는 것이다. 마침내 3명만이 남은상황에서 죽은 이들의 사망원인을 긴박하게 추적하던 중 놀라운 사실을 발견하게 되는데...
터미너스
Original Music Composer
피도 눈물도 없는 인조인간이 대량으로 생산되는 끔찍한 미래, 메디아를 우두머리로 내세운 악의 무리들은 이 인조인간을 세계정복의 하수인으로 내세운다. 완벽한 살인청부업자로 나선 터미네이터들. 그들의 횡포는 날로 심해지지만 이에 맞서는 정의로운 대결자는 공포의 첨단병기를 갖춘 여인 가스(Gus: 카렌 알렌 분)뿐. 그녀는 컴퓨터에 의해 조종되는 불멸의 트럭을 몰면서 종횡무진 싸워 나간다. 그러나 그녀곁에 다가온 연인 스텀프(Stump: 조니 할리데이 분)와의 사랑이 열매 맺기도 전에 그녀는 죽음을 맞이하는데
Being and Doing
Music
About Performance Art and its historical origins including its links with folk customs. The film includes extracts from the work of many different performance artists from England and abroad collected from 1979 to 1983, amongst them: Tibor Hajas (Hungary), Rasa Todosijevic (Yugoslavia), Iain Robertson (Scotland), Zbigniew Warpechowski (Poland), Milan Knizak (Czechoslovakia), Natalia LL (Poland), Ewa Partum (Poland), Jan Mlcoch (Czechoslovakia), Sonia Knox (Northern Ireland), Jerzy Beres (Poland) and Stuart Brisley (England). The film also records the Haxey Hood and Padstow Hobbyhorse folk dances from Lincolnshire and Cornwall respectively.
Ghost Dance
Music
Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'