Marie Málková

Roman Hlava grew up with his diplomat parents in Latin America where he had been home-schooled by his over doting mother. The over indulgence of affection and praise has given the boy an over confidence. This is quickly squashed by his new peers when the family returns to the Czech Republic. This leads to neurotic tics and the nickname Mrkácek the 'Blinker.' A stay at a children's camp provides new friends, acceptance, an appreciation of nature, a new outlook on life, and loss of the tics.

In an unusual, apolitical approach, director Jaromil Jires has fashioned a standard drama that features an older lawyer with failing health who goes to practice in the countryside. His series of odd court cases reveals more about the human condition than about law. In one of these litigations a wayward nephew has cheated his elderly aunt out of her savings. In court, the nephew insists the money was a gift, but his aunt explains she only gave him the money as a loan. Although the lawyer technically wins the case, everything of value seems lost in the meantime. His services are paid for in rabbits because the aunt has no currency, and in the end, the nephew cons his aunt into parting with her savings anyway. Other cases expose similar types of petty corruption.

A comedy about exchange of 12 apartments , which, its organizer, lawyer Radosta, rightly called Action Ball Lightning. To prepare, organize and execute the exchange of twelve apartments is a work worthy champions. Radosta, who was excellently played by Rudolf Hrušínský, solved all sudden difficulties and complications on the fly and with grace. To be sure that the on the D-day everything goes well he prepares a little rehearsal, which reveals many minor issues caused for example by wedding ordered to inappropriate term or hesitation of some participants. Last but not least a night exercise announced by drunk psychologist Knotků, creates a lot of confusion that nearly sabotaged the whole operation.

A young man seeks freedom and eventually gets conformed. To escape society, he wanders south. After some adventures he returns to his lover, where he expects a civil career.

The town is waking up. The bus driver Josef Král is saying goodbye to his wife Vera who is in a state of advanced pregnancy. At the rolling mill, the master craftsman Mares is preparing for retirement, which is now only two days away. Elderly Simon who grows and sells vegetables at the market has problems with his wife. Their little home has to give way to a new development but the wife Simonka refuses to move out. The chairman of the workers' council has troubles with the miner Adam, who has started drinking. He doesn't know that Adam is getting divorced and fears he may lose his young son to his wife.

It is summer 1944. The war is far away from Slovak mountains for the time being. The head of forest management Borodác brings a new employee to complete the eight woodcutters work team of Czechs, Slovaks and one Pole - the young guy is Martin Uher, a former clerk form Prague. The eight tough men do not trust the newcomer at first, but as time is passing, they got used to him. After some time, Martin gets next to Julika, a young wife of the gamekeeper Tkác (Vlado Müller) and they begin to go out secretly. The gamekeeper knows that Martin had promised to cooperate with German Gestapo, after he had experienced a hard interrogation. In avoiding to be a grass, Martin leaves Prague to hide in Slovak mountains. Tkác wants Martin to inform on his colleagues who hide guns in the forest to ready to use them against Nazis.

Three detective stories, three different views of life and death... Collection of three horror short stories.

1948년, 체코의 모라비아에 위치한 작은 시골 마을. 나라는 급격한 변화를 겪고 있지만 이곳의 사람들은 여전히 순수함을 간직한 채 즐겁게 살아가고 있다. 하지만 결국 변화의 물결이 조금씩 밀려오고, 주민들의 평화로운 일상은 요동치기 시작한다. 1968년 소련이 체코를 침공했을 당시 상영을 금지당하기도 했던 작품. 1969년 칸영화제 최우수감독상 수상. (2014 체코영화제 역사적 순간들)

The work of actors on a stage makes a dreamlike parallelism between artistic immagination and the concreteness of everyday life. Tribute to Prague's Divadlo na zàbradlì, theater that has been a point of reference for Theater of the Absurd in Czechoslovakia in Sixties