Director of Photography
As Carolina's sense of isolation grows so does her anger at her mother for emotionally anchoring her to their apartment.
Electrician
Madeline has become an integral part of a prestigious physical theater troupe. When the workshop's ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women's lives.
Additional Grip
Madeline has become an integral part of a prestigious physical theater troupe. When the workshop's ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women's lives.
Director of Photography
When you drop off a bag of dirty laundry, who's doing the washing and folding? The Washing Society brings us into New York City laundromats and the experiences of the people who work there by observing these disappearing neighborhood spaces and the continual, intimate labor that is performed there.
Director
Segundo has just 60 seconds to shuck as many oysters as he can! Inspired by turn of the century actuality films made by cinema’s early pioneers, we attempt a contemporary version with a high-speed 35mm camera.
First Assistant Camera
캐서린은 아버지의 죽음과, 연인과의 이별을 잊기 위해 가장 친한 친구인 버지니아가 살고 있는 호숫가 집을 찾는다. 하지만 1년 전 그곳에서 남자친구와 함께였던 기억이 자꾸 떠오른다. 버지니아는 캐서린의 위기에 관심을 갖지 않는다. (2015년 제16회 전주국제영화제) 리뷰 은 복잡다단한 인간심리, 상호의존성, 서로에게 독으로 작용하는 인식, 우정과 증오의 인척관계에 대한 기묘한 탐구이다. 수다스럽고 신랄한 유머로 가득했던 알렉스 로스 페리의 전작 에 비교하자면 이 영화는 잉그마르 베리만이나 로만 폴란스키를 연상케하는 편집증적인 실내극에 비견할 만하다. 호젓한 호숫가 저택에서 상처를 치유하려는 캐서린과 버지니아. 아버지의 죽음, 깨어진 연애로 인해 위기를 맞은 캐서린은 회복을 위해 버지니아와 동거를 시작한다. 우정과 화해의 시간이 될 것으로 보였던 두 친구의 만남은 묵혀두었던 구원(舊怨)과 충돌의 악몽으로 변한다. 인간들 사이에서 발생하는 감정의 난기류와 격분에 찬 적의, 아둔한 자기몰입, 나르시시즘에서는 로스 페리의 고유한 색깔을 느낄 수 있다. 원 쇼트로 찍힌 탁월한 독백 장면들에서 배우들의 연기가 볼만한데, 전작 에서부터 알렉스 로스 페리와 협력해온 엘리자베스 모스의 히스테리컬한 캐릭터는 압도적이다. (2015년 제16회 전주국제영화제/장병원)
Director
Poetry watches film. Film reads poetry. Paolo Javier's text is a catalyst for the digital sculpting of an 8mm Kodachrome canvas.
Editor
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.
Cinematography
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.
Director
Springtime along the Mid-Atlantic seaboard, hundreds of thousands of horseshoe crabs spawn on beaches under the glow of the full moon. LIVING FOSSIL is a brief glimpse of a 450 million year old ritual.
Director of Photography
The poetic story of Abby, a young girl trapped in time.
