Herbert Kirkpatrick

출생 : 1900-01-06, Monroe, Michigan, USA

사망 : 1987-12-27

참여 작품

Too Late for Tears
Camera Operator
Through a fluke circumstance, a ruthless woman stumbles across a suitcase filled with $60,000, and is determined to hold onto it even if it means murder
I, Jane Doe
Camera Operator
While stationed in France during World War II, an American fighter pilot marries a French girl but leaves her behind when he returns to the U.S. The French woman follows him to America only to discover he’s already married to a successful lawyer.
The Inside Story
Camera Operator
A collection agent arrives in a small town with $1000 for a local farmer. Whilst waiting for the farmer to arrive the money is put in a safe at a hotel for safe keeping. However, it is removed by mistake and solves a number of financial problems before it is returned.
Madonna of the Desert
Camera Operator
A jeweled Madonna, property of rancher Joe Salinas, attracts two crooks to his ranch, Monica Dell, a smooth operator, and ruthless Nick Julian. Joe believe that the statue has a miraculous power to ward off evil, and Monica, after a narrow escape from injury while trying to steal the statue, is converted to Joe's faith and refuses to go through with the robbery. Nick has no such intentions.
Sandflow
Director of Photography
Director Leslie Selander exhibits the sure-handed expertise that would endear him to latter-day western cultists in his 1937 formula western Sandflow. Buck Jones plays the son of a crooked land dealer. Seeking redemption, Jones rides through the west to compensate every rancher who was cheated by his dad.
Empty Saddles
Director of Photography
Buck runs into trouble when he buys a deserted cattle ranch that he turns into a dude ranch.
The Boss Rider of Gun Creek
Director of Photography
A man impersonates his double to clear himself of a murder conviction.
Ride 'Em Cowboy
Director of Photography
Buck Jones was producing as well as starring in his own western series by the time Ride 'Em Cowboy hit the screen. A heady combination of old and new, this one casts Jones as champeen auto racer Jess Burns, who reverts to his horse when called upon to rout the villains.
The Cattle Thief
Director of Photography
Ken, sent to investigate cattle rustlers, poses as a peddler during the day but the Masked Rider at night.
Heir to Trouble
Director of Photography
Ken Armstrong (Ken Maynard) finds himself a mine owner and a daddy simultaneously when a friend dies and wills him his mine and his baby. The outlaws eying the mine try to frame the hero for the death.
Lawless Riders
Director of Photography
Edith overhears Bart's plan to rob the bank so she informs Ken. But she is also overheard and when Ken goes to investigate, Bart's Henchman Prod frames him for the robbery. Thrown in jail, Ken's pal Pedro arrives with a plan to get him out.
Western Courage
Director of Photography
Wealthy Henry Hanley takes his family to a dude ranch. But his daughter Gloria's boyfriend Eric is waiting and he is after Hanley's money. Ken overhears Eric's plan and abducts Gloria to stop the elopement. The outlaw Lacrosse and his henchman then catch Ken without his guns, take off with Gloria, and leave a tied up Ken in a burning shack.
Western Frontier
Director of Photography
Ken and his sister are separated while young when the Indians attack their wagon train. Ken, now grown, is sent after the outlaw known as the Golden hair Girl only to find that she's his long lost sister.
Motive for Revenge
Director of Photography
Bank teller Barry Webster is driven to stealing bank funds by his mother-in-law who continually nags him about forcing her daughter Muriel to live in poverty...
Law of the Rio Grande
Director of Photography
Escaping from the Sheriff, Jim and Cookie decide to go straight. But when they meet their old cohort, The Blanco Kid, he tells their new boss they are outlaws and they are in trouble again.
The Rampant Age
Director of Photography
Wealthy playboy Sandy Benton falls for pretty but decidedly less wealthy neighbor Doris Lawrence. She rebuffs his attentions, but scheming golddigger Estelle has her own plans for Sandy. When Doris hears about Sandy's wild times with Estelle, she sets out to show him that she, too, can be a "modern" woman.