Ryutaro Ninomiya

Action actor Tateishi Daisuke who struggles with loneliness after suffering a traumatic experience due to an accident during filming. One day, he comes across a senior high school girl Ayumi who is being harassed consistently by Chinese brokers and the local yakuza. He decides to protect her from them. However, after this incident, he comes to develop a mindset of seeing violence as a way to gain the affirmation and approval of others thus gradually loses himself and behaves in an extreme manner.

아버지를 잃고 십 대에 야쿠자가 된 겐지. 그에게 야쿠자는 삶의 방식이었고, 조직은 가족이었다. 1999년, 2005년, 2019년, 일본의 세 시대를 야쿠자로 살아온 한 남자의 이야기.

Tells the story of three bottom-dog boxers who gets used as punching bags. Pro boxer Suenaga Akira fell off the path to greatness but still tries to crawl his way to the top. Omura Ryuta is a youngster who grew up in foster care. Miyagi Shun, a TV celebrity with famous parents, takes a shot at boxing as part of a TV show. Three underdogs with very different back stories put their pride on the line as they exchange blows.

A four-part film done in the unique style of each director, Matusbayashi Urara gives a portrayal of a struggling actress named Machiko who lives in Kamata. Machiko is the central axis of the movie as the film comically depicts what it means to be a "woman" and an "actress" in society through showing the patterns of life as conducted by her and the people that surround her.

All the people surrounding her refuse to express their feelings and emotional boundaries. The resulting everyday life is characterized by ruthlessness: Even friends reduce each other to their appearance and shamelessly take advantage of each other. Minori runs against this by attacking ignorance whenever she encounters it, whatever the consequences might be.

All the people surrounding her refuse to express their feelings and emotional boundaries. The resulting everyday life is characterized by ruthlessness: Even friends reduce each other to their appearance and shamelessly take advantage of each other. Minori runs against this by attacking ignorance whenever she encounters it, whatever the consequences might be.

Ryutaro Ninomiya, 27 years old, lives a fairly simple life. He works at an auto-repair shop, reads books and drinks a few beers. One day, he receives a phone call from Yusuke, his childhood friend whose mother, Ryuko, is dying from Hepatitis C. Despite knowing for a while that Ryuko was sick, Ryutaro hasn’t visited her, but today he decides to go.

Ryutaro Ninomiya, 27 years old, lives a fairly simple life. He works at an auto-repair shop, reads books and drinks a few beers. One day, he receives a phone call from Yusuke, his childhood friend whose mother, Ryuko, is dying from Hepatitis C. Despite knowing for a while that Ryuko was sick, Ryutaro hasn’t visited her, but today he decides to go.

Ryutaro Ninomiya, 27 years old, lives a fairly simple life. He works at an auto-repair shop, reads books and drinks a few beers. One day, he receives a phone call from Yusuke, his childhood friend whose mother, Ryuko, is dying from Hepatitis C. Despite knowing for a while that Ryuko was sick, Ryutaro hasn’t visited her, but today he decides to go.

Ryutaro Ninomiya, 27 years old, lives a fairly simple life. He works at an auto-repair shop, reads books and drinks a few beers. One day, he receives a phone call from Yusuke, his childhood friend whose mother, Ryuko, is dying from Hepatitis C. Despite knowing for a while that Ryuko was sick, Ryutaro hasn’t visited her, but today he decides to go.

Shinji Imaoka, the director of “Waiting for you,” starred Ayane Suzukawa, a popular sexy idol, and a unique sensual drama depicting the struggle of a woman whose husband was kidnapped by a giant Tsuchinoko. The couple, Ichiro and Sonoko, are attacked by a human-sized Tsuchinoko in the mountains, and only Ichiro is taken away. Sonoko rescued by Tsuchinoko Hunter Kurikoma descends alone, but Ichiro's colleague Segawa cannot believe Sonoko's story. Eventually Sonoko goes to find the giant Tsuchinoko's den again to meet Ichiro.

어떤 것에도 흥미가 없이 적당히 살고 있는 대학생 사토 키요타카(노무라 슈헤이)는 여름방학을 맞이하여 운전면허를 취득하려고 한다. 어느 날, 키요타카는 무면허로 운전을 하는 토도로키(카쿠 켄토)에게 치여 그대로 차에 끌려가게 된다. 도착한 곳은 비공인 교습소. 그 곳에서 키요타카와 토도로키가 고등학교 동급생이었다는 것이 밝혀지게 된다. 두 사람은 개성이 특이한 사람들만 모인 교습소에서 한 여름을 보내게 된다.

Hyper-realistic, comic drama about a group of workers in a small Japanese vending-machine factory. The young men gossip in their grubby canteen about women and each other. In order to drive out the boredom, they play soccer on the colourless industrial site. The relationships do not entirely run smoothly: ‘senior’ employee Takahashi enjoys making his colleague Yoda feel every day that he is at the bottom of the ladder. Yoda barely reacts. In the meantime, Sakata, a cheerful kid, tries in vain to make friends with the taciturn Yoda. This ensemble film shows in a dryly comic way the everyday lives of these so very normal Japanese kids, who still have one foot in childhood, but need to make choices as adults. The director himself plays the lead of the charming Sakata, who closely observes his colleagues. As he does in the role of filmmaker: his clear gaze soon reveals how it all fits together.

Hyper-realistic, comic drama about a group of workers in a small Japanese vending-machine factory. The young men gossip in their grubby canteen about women and each other. In order to drive out the boredom, they play soccer on the colourless industrial site. The relationships do not entirely run smoothly: ‘senior’ employee Takahashi enjoys making his colleague Yoda feel every day that he is at the bottom of the ladder. Yoda barely reacts. In the meantime, Sakata, a cheerful kid, tries in vain to make friends with the taciturn Yoda. This ensemble film shows in a dryly comic way the everyday lives of these so very normal Japanese kids, who still have one foot in childhood, but need to make choices as adults. The director himself plays the lead of the charming Sakata, who closely observes his colleagues. As he does in the role of filmmaker: his clear gaze soon reveals how it all fits together.

Hyper-realistic, comic drama about a group of workers in a small Japanese vending-machine factory. The young men gossip in their grubby canteen about women and each other. In order to drive out the boredom, they play soccer on the colourless industrial site. The relationships do not entirely run smoothly: ‘senior’ employee Takahashi enjoys making his colleague Yoda feel every day that he is at the bottom of the ladder. Yoda barely reacts. In the meantime, Sakata, a cheerful kid, tries in vain to make friends with the taciturn Yoda. This ensemble film shows in a dryly comic way the everyday lives of these so very normal Japanese kids, who still have one foot in childhood, but need to make choices as adults. The director himself plays the lead of the charming Sakata, who closely observes his colleagues. As he does in the role of filmmaker: his clear gaze soon reveals how it all fits together.