Yûji Aoki

참여 작품

Shangri-La
Attorney
Shangri-La follows the lives of a group of homeless people in Japan who run into a man who nearly commits suicide and decide to help him out of his financial troubles. Using their various ingenious resources they embark on a complex scheme to blackmail a crooked businessman, whose bankruptcy claim has put people out of work. It’s a fun romp as these seemingly homeless people manage to outsmart the very people who cast them from society.
Shangri-La
Novel
Shangri-La follows the lives of a group of homeless people in Japan who run into a man who nearly commits suicide and decide to help him out of his financial troubles. Using their various ingenious resources they embark on a complex scheme to blackmail a crooked businessman, whose bankruptcy claim has put people out of work. It’s a fun romp as these seemingly homeless people manage to outsmart the very people who cast them from society.
Zoom Up: Graduation Photo
Schoolboy A
Yoko is a young woman who takes a job working as a nude model for a Japanese pornographic magazine. At first, she is ashamed and denies the pictures are of her when her boyfriend sees them. Feeling bad about her decision to model, she tries buying back the picture negatives but is unsuccessful. Embracing her new job, she is introduced to new acts of depravity… shaving, enemas, sex toys, lesbianism and even fruit come into play. In the end, she doesn’t want a banana or a fist. She wants a REAL man, and she’s determined to find one.
15세의 매춘부
Bill
아다치 마사오가 팔레스타인으로 가기 전에 만든 마지막 극영화. 삶을 마감한 젊은이들의 유서와 고등학생 남녀 4인조의 매춘 행위를 소재로, 성 문제 등을 실천적이면서도 관념적으로 풀어내는 작품. 전공투 운동이 퇴조하고 도시가 급격히 변해 가는 시대에, 풍경론 이후 영화의 가능성을 제시하였다.
Sensual Game
Toru
A masterpiece of militant cinema of 1968, filmed on the actual barricades of Adachi's very own Nihon University during the period of social struggles. The film begins in a lengthy free-love session taking the form of a 'play' rape being enacted by a group of aimless, listless and political apathetic students. The subtext intended by Adachi informs the rest of the film – that there is a world of difference between direct action politics, and merely talking the talk.
가라, 가라 두 번째 처녀
After being sexually assaulted on a rooftop, seventeen year old Poppo meets a mysterious boy, and swap their traumas and fears, with fatal consequences.