Kenny Clarke

Kenny Clarke

출생 : 1914-01-09, Pittsburgh, Pennsylvania, USA

사망 : 1985-01-26

약력

Kenneth Clarke Spearman (January 9, 1914 – January 26, 1985), nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents ("dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with the Modern Jazz Quartet and playing on early Miles Davis recordings. He then moved permanently to Paris, where he performed and recorded with European and visiting American musicians and co-led the Kenny Clarke/Francy Boland Big Band between 1961 and 1972. He continued to perform and record until the month before he died of a heart attack in January 1985. Clarke was born in Pittsburgh, Pennsylvania on January 9, 1914 as the youngest of two sons, to Martha Grace Scott, a pianist from Pittsburgh, and Charles Spearman, a trombonist from Waycross, Georgia. The family home was on Wylie Avenue in the Lower Hill District of Pittsburgh. Clarke's father left the household to start a new family in Yakima, Washington, and his mother, who began a relationship with a Baptist preacher shortly afterwards, died suddenly in her late twenties when Clarke was about five, leaving him an orphan. He and his brother were placed in the Coleman Industrial Home for Negro Boys. He played in the orphanage's marching band on the snare drum, which he had taken up on the urging of a teacher at about age eight or nine, after trying a few brass instruments. When he was young he also played the piano, on which his mother had taught him to play simple tunes, along with the pump organ at the parish church, for which he played hymns and composed pieces that were introduced there. At the age of eleven or twelve, he and his brother resumed living with his stepfather, who did not look favorably upon music or associating with those involved with it. He dropped out of Herron Hill Junior High School at the age of fifteen to become a professional musician. Around the same time, his stepfather threw Clarke and his brother out of his house after an argument, and Clarke was placed without his brother in a foster home, where he lived for about a year until his sixteenth birthday. ... Source: Article "Kenny Clarke" from Wikipedia in English, licensed under CC-BY-SA 3.0.

프로필 사진

Kenny Clarke

참여 작품

One Does Not Bury Sunday
Original Music Composer
The hero is a black man from Martinique who feels nostalgic for his island and is on his own in France. He falls in love with an au pair girl but has a love affair with a married woman, Mrs Courtalès. He kills the husband in self-defense. But eight months later, he is arrested by the Police. Philippe's fate depends on a child's birth. It will not be what he's expecting.
사형대의 엘리베이터
Musician
폴로랑스는 기업체 사장인 남편 시몽을 살해하고 정부 줄리앙과 도피하기 위해 완전범죄를 노려 일을 꾸민다. 줄리앙은 토요일 늦은 밤 로프를 이용하여 사장실로 올라가 권총으로 남편을 살해한 뒤 자살로 위장하는 것까지는 성공했다. 그러나 지동차로 현장을 벗어나려 하는 순간, 창문에 걸린 로프를 보고 다시 사장닛로 가서 로프를 처리하고 엘리베이터로 내려오는 그 시간에 사건은 급진전되고 만다. 건물 관리인이 순시를 하다가 밤이 늦어 엘리베이터의 전원을 꺼버린 것이다. 때마침 밖에 세워둔 줄리앙의 시보레 자동차를 훔쳐타고 드라이브를 떠나버린 건달 청년의 살인사건이 겹치면서 영화는 복잡한 전개양상을 보인다. 이때 등장한 파리 경시청의 민완형사 세리에는 이 두 살인사건의 전모를 파헤쳐가면서 시몽의 살인범을 밝혀 내는데….