Štěpánka Řeháková

Kinoautomat was the world's first interactive movie, conceived by Radúz Činčera for the Czechoslovak Pavilion at Expo '67 in Montreal. At nine points during the film the action stops, and a moderator appears on stage to ask the audience to choose between two scenes; following an audience vote, the chosen scene is played.

Diane is married to an architect in this situation comedy. The two met in Czechoslovakia before marrying and moving to France. He becomes extremely jealous when he suspects her of having a lesbian affair with a ballet dancer. His incessant questions and insane jealousy make Diane resentful to the point she considers pushing him off a cliff.

A worker steals bits and pieces of building materials from work to construct a new home for himself and his girlfriend. When he discovers that she’s having an affair with his boss, he devises one elaborate plot after another to murder the rival, each time with pathetic results.

The Stolen Airship (Czech: Ukradená vzducholod) is a 1967 live-action/animated film by Czech filmmaker Karel Zeman. The story is based loosely on Jules Verne's novels Two Years' Vacation and The Mysterious Island. The film in Art Nouveau style consists of live-action scenes, generally shot in black and white, as well as hand-drawn, stop motion, and cutout animation. Various live-action and animated elements are often composited into the same scene.

Eight-year old Dominique has a name-day. Her parents have a gift for her, but only give it to her in the evening, when everybody has come home from work. Then she darts out, where her girlfriends are already waiting for her.

A gifted poet checks into a Gothic hotel in hopes of meeting the woman with whom he has long been enamored. He is surrounded by a variety of offbeat characters like the hefty homosexual cook, shadowy clerks, snooty waiters, and valets prone to violence. He finally meets the woman of his dreams only to lose her and ultimately meet with tragedy.

클라라는 예술학교 조교 클리마의 집으로 거처를 옮겨 함께 생활하고 있다. 어느 날 그녀는 클리마 앞으로 온 편지를 발견하는데, 거기엔 연구자 자투레츠키가 19세기 체코 화가 미콜라시 알레시에 대해 쓴 자신의 논문을 평가해달라는 청이 담겨 있다. 논문이 실린 원고를 찾지 못한 클리마는 적당히 얼버무린 답장을 써서 보내지만 제대로 된 평가를 듣기 위한 자투레츠키의 집념은 생각 이상이다. 집요하게 쫓아다니는 자투레츠키를 떼어내기 위해 클리마는 그가 클라라를 추행했다고 거짓 소문을 낸다. 하지만 이는 클리마를 더 큰 수렁에 빠트릴 뿐이다.