From this world to the next
Additional Photography
A virtual love story set in Vancouver, New York, and the dying world of a massively multiplayer online role playing game.
A virtual love story set in Vancouver, New York, and the dying world of a massively multiplayer online role playing game.
Production Assistant
A virtual love story set in Vancouver, New York, and the dying world of a massively multiplayer online role playing game.
Sound Recordist
A virtual love story set in Vancouver, New York, and the dying world of a massively multiplayer online role playing game.
Editor
Truth & Illusion
Director
Truth & Illusion
Director
Kinet's Halloween Omnibus feature.
Camera Operator
I go to Movieland at least once a week, every week, for the last five years to sink some quarters into the games and the Movieland movie is an accumulation of the friends, lights, textures, and narratives that I have experienced in that time. I love Movieland!
Cinematography
Based on the novel by Leo Perutz, a young man is handcuffed and explores spaces around a universal city.
Producer
Based on the novel by Leo Perutz, a young man is handcuffed and explores spaces around a universal city.
Writer
Based on the novel by Leo Perutz, a young man is handcuffed and explores spaces around a universal city.
Director
Based on the novel by Leo Perutz, a young man is handcuffed and explores spaces around a universal city.
Himself
Two circles move in not-quite unison; a camera tracks a car which, later, tracks a track, all forced contact and slow speed, velocity crying out for inertia like friendship, a time apart in the digital flow of perpetual motion to talk and listen and know, where history sits calmly and speaks slowly as a tangent-you have to pick precisely the right angle, as he picks precisely the right word, and stick with it, and, again, listen-to these online concentricities as it gradually reveals that what from one distance looked sturdy is, from in fact the same distance but different light, a mess in constant need of untangling (And so you see that Walter Benjamin's Angel has no choice but to turn his back to the future.) and that in the face of this monumental facing up, literal project of lifetimes, there is absolutely nothing but love.
Sound Recordist
Two circles move in not-quite unison; a camera tracks a car which, later, tracks a track, all forced contact and slow speed, velocity crying out for inertia like friendship, a time apart in the digital flow of perpetual motion to talk and listen and know, where history sits calmly and speaks slowly as a tangent-you have to pick precisely the right angle, as he picks precisely the right word, and stick with it, and, again, listen-to these online concentricities as it gradually reveals that what from one distance looked sturdy is, from in fact the same distance but different light, a mess in constant need of untangling (And so you see that Walter Benjamin's Angel has no choice but to turn his back to the future.) and that in the face of this monumental facing up, literal project of lifetimes, there is absolutely nothing but love.
Camera Operator
Two circles move in not-quite unison; a camera tracks a car which, later, tracks a track, all forced contact and slow speed, velocity crying out for inertia like friendship, a time apart in the digital flow of perpetual motion to talk and listen and know, where history sits calmly and speaks slowly as a tangent-you have to pick precisely the right angle, as he picks precisely the right word, and stick with it, and, again, listen-to these online concentricities as it gradually reveals that what from one distance looked sturdy is, from in fact the same distance but different light, a mess in constant need of untangling (And so you see that Walter Benjamin's Angel has no choice but to turn his back to the future.) and that in the face of this monumental facing up, literal project of lifetimes, there is absolutely nothing but love.
