photographer
DIE EXPATS explores love, loss and lust, identity and modern relationships. It is a story of four people in search of reclaiming a sense of self while navigating the knotted, overlapping space they occupy. When said space begins closing in around them, they realize the only way to get out, and not be squashed by it, is to examine their own intentions, and be willing to let go of the past, and each other. The saying goes, people come to Berlin to find what they want; but for this group, Berlin is the bearer of disillusionment. Perhaps in finding out what they don't want, Vivian, Nate, Sienna and Andreas finally uncover what it is they each truly need.
Industrial magnate hires the former US Navy Seal Frank Mitchel to find his kidnapped daughter Susan. The only trail leads him to an abandoned factory in Poland. There Frank realizes that it all comes down to more than just a kidnapping.
Uli
The story is set some time in the past, or maybe some time in the future. Given a time-frame, we would say somewhere between the American moonwalk, and Coca- Cola's serious ambition to turn the moon into an advertising logo. Our central character, the young lift operator, is formed by experience into cynicism, detachment, and apathy. The story builds to its crescendo: of public outrage and state crackdown; the banality of commercial interest and the monumental rape of nature. Set in a large newspaper office, the Lift is a place of relative safety. But floor by floor, with each passenger in his or her tableau, the atmosphere of mayhem seeps in. Finally our young character leaves the situation, far-gone in hopelessness and disinterest.
