Eduardo Gomes

Eduardo Gomes

프로필 사진

Eduardo Gomes

참여 작품

The Earth Is Still Blue When I Get Off Work
An employee at a film archive and his character imagine a film to make after work. With the voices of Eduardo Gomes, Gilda Nomacce, Julia Katharine, Juliana Albuquerque, Lucas Wickhaus and Tuna Dwek.
The Father's Shadow
Operário da Obra
When a child is forced to become the house's adult because her father is sick and her mother is dead, there's an inversion in the natural order of things. Childhood becomes a saga. And the frustrated parenthood turns into a conviction.
Friendly Beast
Jura
A restaurant owner going over the edge when an armed robbery is attempted at his establishment. He holds everyone captive at gunpoint – criminals and customers alike – and situations corrode into a nightmare state, guided by manipulation and raw compulsion.
Febre
Marcos returns home after a few years away.
굿 매너스
Professor Edu
상파울루의 빈민가 출신 클라라는 임신한 아나의 가정부로 취직한다. 아나는 전문 유모가 아닌 클라라가 미심쩍었지만 점점 그녀에게 의존하게 되고 급기야 두 사람 사이에 묘한 감정이 싹트기 시작한다. 그리고 보름달이 뜬 어느 날 클라라는 아나의 임신과 관련된 충격적인 비밀을 알게 되고 예정일에 앞서 아이가 태어나면서 겉잡을 수 없는 사건이 벌어지는데…
El Mate
Necropolis Symphony
Deodato
In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.
The Life of Matches Is Not a Piece of Cake, Kitty
Marcos hosts Robert in his house – and falls in love with him. When Michael Jackson dies, Marcos goes sick and Lígia, his sister, comes to help them.
Pinta
Dubbings, stunts, remixes, aesthetic covers. Diffuse, decentralized, peripheral, tipsy. Theme: an extemporaneous choreographic chanchada. Content: artistic nudity, discrete zoophilia and dance.
We Were Born Today, When the Sky Was Heavy with Iron and Poison
Julio
We Were Born Today, When the Sky Was Heavy with Iron and Poison.
A Ópera do Cemitério
Whole Man
'Whole Man' follows the journey of Marcelo, a 25 year-old gay guy, through Sao Paulo's nightlife, in an obsessive search to fulfill his desires. Some love affairs after, he can't feel satisfied. Along his night journey, Marcelo realizes he doesn't even know what he is looking for, therefore revealing his loneliness. Before the night gets over, Marcelo invites a close friend to sleep over and feel less alone.
Meu amigo que trabalhou com Manoel de Oliveira, que fez cem anos
The Comforting Hand
Eduardo
At her only child's 9th birthday, Lucas, Estela, a telemarketing operator, plans a party that has minimal chances of success.
Uma Primavera
Bike Stand Employee
At Lara's 13th birthday, her mother takes her to a picnic in the park. Everything goes well until the girl disappears, leaving the mother in complete despair.
중노동
Dynamic coordinator
중산층의 평범한 주부 헬레나는 자신의 꿈이었던 슈퍼마켓 사업을 시작하지만 남편의 실직과 경기 침체 등 그녀의 원대한 꿈은 시작부터 덜컹거린다. 어느 날 가게 한쪽 벽에 정체를 알 수 없는 검은 얼룩이 발견되고 얼룩이 커져가면서 그녀의 사업과 일상도 흔들리게 되는데... 느슨한 미스터리 플롯에 중산층의 위기감과 미묘한 계급갈등을 능숙하게 엮어내는 수작. (2012년 제16회 부천국제판타스틱영화제)
Eva Nil, Cem Anos Sem Filmes
Essay on Eva Nil, the first star of Brazilian cinema.
O Papel do Manto
The Envoy, a lunar nymph, falls to Earth and has his magical man stolen by Mulhomem, who will only return him in exchange for the message he carries. Free adaptation of Hagoromo (The Cloak of Feathers), classic piece by Motokiyo Zeami (1363-1443).
A Bela P...
The human body in 5 parts.
A Stem
Clóvis
Clarisse notices a small green leaf growing out of her right arm.
Sentimental Memories of a Footstep Sound Editor
His job was to place every little step sound in sync with the video. Looked like it wouldn't take him very far.
Amarelinha
Art Direction
One of the first caused by the radioactive accident that occurred in Goiânia, with cesium-137, was a child. Where are your dreams and games? Leide das Neves didn't have time to play.
Laio
While out with his friends for fun one night in São Paulo, Leandro is confronted with glimpses of his own violence. The film is loosely inspired by the homophobic attack that occurred in the Paulista Avenue area, in which teenagers used fluorescent lamps as a weapon.