Leonardo Henríquez

참여 작품

Free Color
Writer
Carlos Cruz-Diez is one of the most prominent and influential Kinetic-Optic artists of our times. At 94 years of age, Cruz-Diez pursues an avant-garde challenge: to free color from form. This documentary follows the Maestro as he undertakes the most daring project of his creative life in his twilight years.
The 86
Editor
Inspired by true events, "The 86" highlights the activities of a band of 86 street thugs that were famous for their strong presence in the venezuelan capital city during the 1980's.
Cabrujas en el país del disimulo
Screenplay
Beginning with his childhood and covering the many facets that characterized his intellectual universe, this documentary details the different aspects of the most important venezuelan writer of the 60s, 70s and 80s: José Ignacio Cabrujas.
El Malquerido
Editor
The film follows the rise to fame of venezuelan singer Felipe Pirela. From the beginnings when he worked alongside Billo Frometa and his band Billo's Caracas Boys to the days of his death at the hands of a drug dealer.
El Infierno Perfecto
Writer
This is tragic comedy about how Candide was brought up in the best of all possible worlds, and how he was expelled from it; how he lost his beloved Beatrice and his master Azcarate; passing through existential storms and shipwrecks; of faith and encounters with the miseries of the universe; and how Candide wanted, at all times, that this was the last day of the world
El Infierno Perfecto
Director
This is tragic comedy about how Candide was brought up in the best of all possible worlds, and how he was expelled from it; how he lost his beloved Beatrice and his master Azcarate; passing through existential storms and shipwrecks; of faith and encounters with the miseries of the universe; and how Candide wanted, at all times, that this was the last day of the world
Bleeder
Editor
Maximilian was a righteous man, but a member of a fearsome clan of bandits. One day he encounters the destination: the witches of the moors advocate his ascension to the control of the band. From that moment, the man was just what doubts assail, ambition, fear of betrayal and the oath of obedience to the will of the chief Durán, who must kill to take command.
Bleeder
Writer
Maximilian was a righteous man, but a member of a fearsome clan of bandits. One day he encounters the destination: the witches of the moors advocate his ascension to the control of the band. From that moment, the man was just what doubts assail, ambition, fear of betrayal and the oath of obedience to the will of the chief Durán, who must kill to take command.
Bleeder
Director
Maximilian was a righteous man, but a member of a fearsome clan of bandits. One day he encounters the destination: the witches of the moors advocate his ascension to the control of the band. From that moment, the man was just what doubts assail, ambition, fear of betrayal and the oath of obedience to the will of the chief Durán, who must kill to take command.
Tokyo-Paraguaipoa
Editor
Ryuzo, Japanese young man who has committed a crime of passion in Tokyo, is sent by his father to Paraguaipoa to escape justice. In this place, inhabited by the Wayuu ethnic group, meets Princess Campanula. Among them was a love affair, not welcomed by the smuggler Challenger occurs.
Tokyo-Paraguaipoa
Writer
Ryuzo, Japanese young man who has committed a crime of passion in Tokyo, is sent by his father to Paraguaipoa to escape justice. In this place, inhabited by the Wayuu ethnic group, meets Princess Campanula. Among them was a love affair, not welcomed by the smuggler Challenger occurs.
Tokyo-Paraguaipoa
Director
Ryuzo, Japanese young man who has committed a crime of passion in Tokyo, is sent by his father to Paraguaipoa to escape justice. In this place, inhabited by the Wayuu ethnic group, meets Princess Campanula. Among them was a love affair, not welcomed by the smuggler Challenger occurs.
Tierna es la Noche
Director
Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a negro. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.
Tierna es la Noche
Writer
Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a negro. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.
Orinoco, New World
Editor
The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.