'The Shadow of the Sun' draws upon Derek Jarman’s interest with alchemical processes as a metaphor for reprocessing Super-8 film. Jarman once described film’s union of light and matter as “an alchemical conjunction” and experimented throughout his career with creating dream symbolism through the superimposition of image and action. Originally called English Apocalypse, the film’s final title is derived from a 17th Century alchemical text that used the phrase as a synonym for the philosopher’s stone – the highly sought substance that turns base metals into gold and silver. The film was intended as a step toward the idea of an ambient video, that like its musical counterpart, was designed to enhance an environment.
Emperor's Guest
로마 황제의 총애를 받던 젊은 군인 세바스찬은 기독교에 귀의한 후 군사훈련을 거부하다 결국 사형에 처해진다.
데릭 저먼의 이름을 세상에 알리게 한 첫 번째 장편 영화로, 중세 이후 화가들의 꾸준한 관심의 대상이었던 순교자 성 세바스찬에 관한 영화로 화살에 꿰뚫린 누드가 발산하는 에로틱한 매혹이 영화 전편에서 넘실거린다. 이탈리아 사르디니아에서 100% 고대 라틴어로 촬영하였으며 브라이언 이노가 음악을 맡았다.
A filmed record of a bizarre garden party organized to pay a fine incurred by singer Ulla for "liberating a chandelier from Harrods."
The Art of Mirrors is an abstract film made in 1973 by director, Derek Jarman. The film, shot in super 8 features figures moving in the foreground and background of an empty space holding mirrors which occasionally flash in the lens of the camera. The images portrayed in the film are reminiscent of Jarman's Abstract Landscape paintings of the same period. In his diary Jarman wrote of this film, 'this is only something that could only be done on a Super 8 camera, with it's built in meters and effects.' The film's title was reworked in the script for 'Dr Dee The Art Of Mirrors and The Summoning Of Angels' in 1975.
Himself
An experimental short film by Derek Jarman the depicts the crush of flesh at an art-world event.
