The ingenious and uncompromising scientist Pouya and her friend Joro are trying to create the perfect simulation - a new world. In the process, they enter into a battle with the mega-corporation, RenJi. It is a battle Pouya can only win if she merges with the machine, the AI EXIT, and becomes the impulse for the emergence of the new world herself.
Quotas for women, parking spaces for women, online shopping, small talk and gossip. Software developer Erol, porta-potty rep Lars, and commercial pilot Helmut are licking the wounds of their masculinity – a female-free zone is what’s needed! In the boiler room of their recently built housing complex, the three stressed husbands create a secret refuge where they can watch football, eat fast-food, drink beer and curse the opposite sex undisturbed. When Aykut, the complex’s facility manager, discovers their last bastion of masculinity, he threatens to close it down. One thing is for sure, the men are not going to give up their little slice of paradise without a fight. Based on the stage play bearing the same name, director Franziska Meyer Price allows men to return to rebellious ladhood.
마틴 해리스 박사(리암 리슨)는 베를린 출장 중 교통사고를 당하고 72시간 만에 깨어난다. 하지만 부인(재뉴어리 존스)은 자신을 알아보지 못하고 낯선 남자(에이단 퀸)가 그녀의 곁에서 자기 행세를 하고 있다. 주변 사람들 모두 그를 이상하게 몰아가고 급기야 정체를 알 수 없는 괴한들로부터 공격까지 당한다. 사고 당시 택시를 운전했던 여인(다이앤 크루거)의 도움으로 마틴은 이 이상한 일들에 대해 조사하기 시작하지만, 점점 자신의 정체와 자신의 기억마저 의심하게 된다. 그리고 모든 진실을 밝히기 위해서는 거대한 음모에 맞서야 함을 알게 되는데...
The reverse writing of "Medusa" indicates a surreal story of a woman (Yangzom Brauen) in the woods, where she meets Satan experiencing a heavenly vision after consuming hallucinating mushrooms.