Editor
This movie is a remake of Pengantin Remadja 1971 original version which is also one of indonesian legendary love story movie such as Badai Pasti Berlalu, Gita Cinta SMA, etc. This Movie tells the love story among two of teenage kids unfortunately restrained by difference in social status of both family which are diplomat and farmer family.
Some Scenarios have changed compare to original one which ends tragically. In the original 1971 starring by Widyawati and Sophan Sophian while in this remake Pengantin Remaja 1991 replaced by Vivi Samodro and Bucek Depp. The Musical illustrations are also impressive. Both of original Pengantin Remadja 1971 and this remake 1991 are directed by the same person Wim Umboh and music arranger Idris Sardi.
Story
This movie is a remake of Pengantin Remadja 1971 original version which is also one of indonesian legendary love story movie such as Badai Pasti Berlalu, Gita Cinta SMA, etc. This Movie tells the love story among two of teenage kids unfortunately restrained by difference in social status of both family which are diplomat and farmer family.
Some Scenarios have changed compare to original one which ends tragically. In the original 1971 starring by Widyawati and Sophan Sophian while in this remake Pengantin Remaja 1991 replaced by Vivi Samodro and Bucek Depp. The Musical illustrations are also impressive. Both of original Pengantin Remadja 1971 and this remake 1991 are directed by the same person Wim Umboh and music arranger Idris Sardi.
Director
This movie is a remake of Pengantin Remadja 1971 original version which is also one of indonesian legendary love story movie such as Badai Pasti Berlalu, Gita Cinta SMA, etc. This Movie tells the love story among two of teenage kids unfortunately restrained by difference in social status of both family which are diplomat and farmer family.
Some Scenarios have changed compare to original one which ends tragically. In the original 1971 starring by Widyawati and Sophan Sophian while in this remake Pengantin Remaja 1991 replaced by Vivi Samodro and Bucek Depp. The Musical illustrations are also impressive. Both of original Pengantin Remadja 1971 and this remake 1991 are directed by the same person Wim Umboh and music arranger Idris Sardi.
Screenplay
This movie is a remake of Pengantin Remadja 1971 original version which is also one of indonesian legendary love story movie such as Badai Pasti Berlalu, Gita Cinta SMA, etc. This Movie tells the love story among two of teenage kids unfortunately restrained by difference in social status of both family which are diplomat and farmer family.
Some Scenarios have changed compare to original one which ends tragically. In the original 1971 starring by Widyawati and Sophan Sophian while in this remake Pengantin Remaja 1991 replaced by Vivi Samodro and Bucek Depp. The Musical illustrations are also impressive. Both of original Pengantin Remadja 1971 and this remake 1991 are directed by the same person Wim Umboh and music arranger Idris Sardi.
Director
Ryan (Ari Wibowo), a young playboy, makes a bet with his friend, Agus (Tio Pakusadewo), that he can win over the affections of Santi (Sophia Latjuba), whom he has just met at a discotheque. As it turns out, Santi is no easy target and Ryan must go out of his way to prove that he is sincere. Ryan’s father does not approve of their relationship and tries to break them up by offering Santi money to go away. This enrages Santi’s father because there is a long standing feud between the two men. Finally, Ryan and Santi tire of the conflict and elope to a small village where they begin a life together. The fathers continue to blame each other until they finally come to their senses and go in search of Ryan and Santi. The two men find their children dead in pools of blood; the victims of criminals.
Editor
Nick and Arini finally marry despite their big age difference that leads to conflicts. Nick and Arini try to cope, and even decide to see a psychiatrist. Meanwhile, Ella, Arini’s child from Helmy, has a problem after a kidney transplant. She needs a new kidney. Her stepmother, Ira, offers to be the donor, with financial help from Arini. The operation is done in Germany. Upon returning home, Arini finds an upset Nick, who is jealous about a picture of Arini and Helmy together. In fact, Nick’s mother, who has always disapproved of his marriage, funded Helmy’s trip to Germany to set up the situation. Nick suspects that Arini is pregnant and refuses to go home. In frustration, he brings home a prostitute to his mother’s house. Then his mother goes to Arini’s house and finds out that Arini is struggling to give birth. She is then taken to the hospital and has a Caesarean. Meanwhile, Nick finds out the truth of the whole incident and goes to the hospital to apologise. The marriage survives.
Director
Nick and Arini finally marry despite their big age difference that leads to conflicts. Nick and Arini try to cope, and even decide to see a psychiatrist. Meanwhile, Ella, Arini’s child from Helmy, has a problem after a kidney transplant. She needs a new kidney. Her stepmother, Ira, offers to be the donor, with financial help from Arini. The operation is done in Germany. Upon returning home, Arini finds an upset Nick, who is jealous about a picture of Arini and Helmy together. In fact, Nick’s mother, who has always disapproved of his marriage, funded Helmy’s trip to Germany to set up the situation. Nick suspects that Arini is pregnant and refuses to go home. In frustration, he brings home a prostitute to his mother’s house. Then his mother goes to Arini’s house and finds out that Arini is struggling to give birth. She is then taken to the hospital and has a Caesarean. Meanwhile, Nick finds out the truth of the whole incident and goes to the hospital to apologise. The marriage survives.
Director
Aline becomes pregnant by Andre in Paris, where she learns fashion. Their relationship is broken when Andre asks Aline to have an abortion. Aline returns to Indonesia with Prasetyo, a dance choreographer and together, they raise Aline’s child. Years later, Andre returns to Indonesia and causes Aline to be confused between returning to Paris or to remain in Indonesia.
Director
Maria since childhood was directed by her father to become a nun. As a result of her father's cultivation of a rigid appreciation, Maria always feels awkward, including the delinquency that is common for a girl. He also first falls in love with Guntur. Maria finally actually became a nun.
Director
Del’s mother opposes her romance with Iyan, especially when she also gets pregnant.
Director
The movie follows two castaway children who grow up with one of their fathers, but must fend for themselves after they are captured and deified by natives. Adapted from Henry De Vere Stacpoole's novel The Blue Lagoon, via the film of the same name, Pengantin Pantai Biru introduces several differences to the story.
Editor
Hendro, Diana’s father, does not approve of her romance with Bije, and wants to marry Tony. Then Diana runs away with Bije to a small village where Diana’s aunt lives. This infuriates Hendro and he orders his men to capture Bije. Eventually, Bije and Diana return. When Diana is at home, she feels pain in her abdomen, and she is diagnosed of having a malignant cancer in her ulcer and won’t live long. Hendro even apologises to Bije’s father, but the latter refuses him. Bije even begs to his father to apologise to Hendro, but instead, Bije is thrown out of the house. Eventually Bije and Diana get married, but before the honeymoon ends, Diana passes away on Bije’s lap.
Story
Hendro, Diana’s father, does not approve of her romance with Bije, and wants to marry Tony. Then Diana runs away with Bije to a small village where Diana’s aunt lives. This infuriates Hendro and he orders his men to capture Bije. Eventually, Bije and Diana return. When Diana is at home, she feels pain in her abdomen, and she is diagnosed of having a malignant cancer in her ulcer and won’t live long. Hendro even apologises to Bije’s father, but the latter refuses him. Bije even begs to his father to apologise to Hendro, but instead, Bije is thrown out of the house. Eventually Bije and Diana get married, but before the honeymoon ends, Diana passes away on Bije’s lap.
Writer
Hendro, Diana’s father, does not approve of her romance with Bije, and wants to marry Tony. Then Diana runs away with Bije to a small village where Diana’s aunt lives. This infuriates Hendro and he orders his men to capture Bije. Eventually, Bije and Diana return. When Diana is at home, she feels pain in her abdomen, and she is diagnosed of having a malignant cancer in her ulcer and won’t live long. Hendro even apologises to Bije’s father, but the latter refuses him. Bije even begs to his father to apologise to Hendro, but instead, Bije is thrown out of the house. Eventually Bije and Diana get married, but before the honeymoon ends, Diana passes away on Bije’s lap.
Director
Hendro, Diana’s father, does not approve of her romance with Bije, and wants to marry Tony. Then Diana runs away with Bije to a small village where Diana’s aunt lives. This infuriates Hendro and he orders his men to capture Bije. Eventually, Bije and Diana return. When Diana is at home, she feels pain in her abdomen, and she is diagnosed of having a malignant cancer in her ulcer and won’t live long. Hendro even apologises to Bije’s father, but the latter refuses him. Bije even begs to his father to apologise to Hendro, but instead, Bije is thrown out of the house. Eventually Bije and Diana get married, but before the honeymoon ends, Diana passes away on Bije’s lap.
Screenplay
Sri, a beggar who caused a scandal in her helper’s family, tries to escape with with Parto, a rickshaw driver.
Screenplay
Director Wim Umboh experiments again and the first third of the movie is filled with a series of images almost without dialogue relating the work of brothers, Johanes and Leo Mokodompis.
Director
Director Wim Umboh experiments again and the first third of the movie is filled with a series of images almost without dialogue relating the work of brothers, Johanes and Leo Mokodompis.
Editor
Sarah is a lounge singer who works to support her husband, Paul Lasut, a gambler. In an intersection, her car nearly runs into the car of David Panggabean, the director of a bank. The event leads to them falling in love. Lasut is shot and dies on the gambling table. Sarah thinks that Lasut dies because of the money that David gave him. Sarah avoids David, who still persistently visits her place of work. David also has problems with his work, due to his assistant. All the problems are finally resolved when David and Sarah are married.
Story
Sarah is a lounge singer who works to support her husband, Paul Lasut, a gambler. In an intersection, her car nearly runs into the car of David Panggabean, the director of a bank. The event leads to them falling in love. Lasut is shot and dies on the gambling table. Sarah thinks that Lasut dies because of the money that David gave him. Sarah avoids David, who still persistently visits her place of work. David also has problems with his work, due to his assistant. All the problems are finally resolved when David and Sarah are married.
Producer
Sarah is a lounge singer who works to support her husband, Paul Lasut, a gambler. In an intersection, her car nearly runs into the car of David Panggabean, the director of a bank. The event leads to them falling in love. Lasut is shot and dies on the gambling table. Sarah thinks that Lasut dies because of the money that David gave him. Sarah avoids David, who still persistently visits her place of work. David also has problems with his work, due to his assistant. All the problems are finally resolved when David and Sarah are married.
Director
Sarah is a lounge singer who works to support her husband, Paul Lasut, a gambler. In an intersection, her car nearly runs into the car of David Panggabean, the director of a bank. The event leads to them falling in love. Lasut is shot and dies on the gambling table. Sarah thinks that Lasut dies because of the money that David gave him. Sarah avoids David, who still persistently visits her place of work. David also has problems with his work, due to his assistant. All the problems are finally resolved when David and Sarah are married.
Editor
Filled with surrealistic dream scenes, this fairy-tale-like film sees Buang, Bernardus, and Bakar, three prisoners who run away during a prison revolt. They meet Bunga, a small lonely girl whose parents are busy with work, and whose house is secluded from the neighbours. This meeting transforms the prisoners, into normal decent persons. Happy to find new friends, Bunga steals food from her house for the three new friends. The fairy tale ends when the three convicts are recaptured.
Story
Filled with surrealistic dream scenes, this fairy-tale-like film sees Buang, Bernardus, and Bakar, three prisoners who run away during a prison revolt. They meet Bunga, a small lonely girl whose parents are busy with work, and whose house is secluded from the neighbours. This meeting transforms the prisoners, into normal decent persons. Happy to find new friends, Bunga steals food from her house for the three new friends. The fairy tale ends when the three convicts are recaptured.
Producer
Filled with surrealistic dream scenes, this fairy-tale-like film sees Buang, Bernardus, and Bakar, three prisoners who run away during a prison revolt. They meet Bunga, a small lonely girl whose parents are busy with work, and whose house is secluded from the neighbours. This meeting transforms the prisoners, into normal decent persons. Happy to find new friends, Bunga steals food from her house for the three new friends. The fairy tale ends when the three convicts are recaptured.
Director
Filled with surrealistic dream scenes, this fairy-tale-like film sees Buang, Bernardus, and Bakar, three prisoners who run away during a prison revolt. They meet Bunga, a small lonely girl whose parents are busy with work, and whose house is secluded from the neighbours. This meeting transforms the prisoners, into normal decent persons. Happy to find new friends, Bunga steals food from her house for the three new friends. The fairy tale ends when the three convicts are recaptured.
Producer
Three thugs rape a young woman named Yayah in a shack. Immediately afterward, she gets raped by her own boyfriend who's aroused by her naked body. And then her mom dies. And then she loses her job. And then she finds out she's pregnant by one of her rapists. Needless to say, Yayah loses it, goes on a rampage and then has to be put down. However, her vengeful spirit lives on.
Editor
Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.
Story
Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.
Director
Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.
Editor
Mas Tok, son of a rich family, is studying in Holland when he meets Inge, a staff of Nitou travel agency. They marry but cannot have a child due to Mas Tok’s illness. When they return to Indonesia, his parents disapprove of his marriage as they intended him to marry another girl. Mas Tok then returns to Europe to treat his illness. Meanwhile, Inge is made to leave by her parents-in-law when she is found pregnant and thought to be unfaithful. Mas Tok comes home to find his wife gone and blames his parents because the baby is his son. Mas Tok meets Inge again under a snow fall, much like when they first meet, only this time his parents are there to witness.
Story
Mas Tok, son of a rich family, is studying in Holland when he meets Inge, a staff of Nitou travel agency. They marry but cannot have a child due to Mas Tok’s illness. When they return to Indonesia, his parents disapprove of his marriage as they intended him to marry another girl. Mas Tok then returns to Europe to treat his illness. Meanwhile, Inge is made to leave by her parents-in-law when she is found pregnant and thought to be unfaithful. Mas Tok comes home to find his wife gone and blames his parents because the baby is his son. Mas Tok meets Inge again under a snow fall, much like when they first meet, only this time his parents are there to witness.
Screenplay
Mas Tok, son of a rich family, is studying in Holland when he meets Inge, a staff of Nitou travel agency. They marry but cannot have a child due to Mas Tok’s illness. When they return to Indonesia, his parents disapprove of his marriage as they intended him to marry another girl. Mas Tok then returns to Europe to treat his illness. Meanwhile, Inge is made to leave by her parents-in-law when she is found pregnant and thought to be unfaithful. Mas Tok comes home to find his wife gone and blames his parents because the baby is his son. Mas Tok meets Inge again under a snow fall, much like when they first meet, only this time his parents are there to witness.
Director
Mas Tok, son of a rich family, is studying in Holland when he meets Inge, a staff of Nitou travel agency. They marry but cannot have a child due to Mas Tok’s illness. When they return to Indonesia, his parents disapprove of his marriage as they intended him to marry another girl. Mas Tok then returns to Europe to treat his illness. Meanwhile, Inge is made to leave by her parents-in-law when she is found pregnant and thought to be unfaithful. Mas Tok comes home to find his wife gone and blames his parents because the baby is his son. Mas Tok meets Inge again under a snow fall, much like when they first meet, only this time his parents are there to witness.
Editor
Suryani, helps Iskandar find a job and gives him love. But the happiness doesn't last long when Aminah, Iskandar's wife, and child come to see him. Then Suryani disappears while carrying Iskandar's baby in her womb. Six years later, Iskandar, assisted by his secretary Sri, finds Suryani and his daughter, Atik, in a village. Although she is reluctant in the beginning, she finally agrees to go with him to the city. Then Suryani avoids Iskandar and forbids her daughter from seeing Iskandar. When Iskandar's company is about to go bankrupt, Suryani comes to help by selling her house and the shop that Iskandar gave. Then the salvaged company is given to Aminah and her child, while Iskandar goes away to repent.
Screenplay
Suryani, helps Iskandar find a job and gives him love. But the happiness doesn't last long when Aminah, Iskandar's wife, and child come to see him. Then Suryani disappears while carrying Iskandar's baby in her womb. Six years later, Iskandar, assisted by his secretary Sri, finds Suryani and his daughter, Atik, in a village. Although she is reluctant in the beginning, she finally agrees to go with him to the city. Then Suryani avoids Iskandar and forbids her daughter from seeing Iskandar. When Iskandar's company is about to go bankrupt, Suryani comes to help by selling her house and the shop that Iskandar gave. Then the salvaged company is given to Aminah and her child, while Iskandar goes away to repent.
Director
Suryani, helps Iskandar find a job and gives him love. But the happiness doesn't last long when Aminah, Iskandar's wife, and child come to see him. Then Suryani disappears while carrying Iskandar's baby in her womb. Six years later, Iskandar, assisted by his secretary Sri, finds Suryani and his daughter, Atik, in a village. Although she is reluctant in the beginning, she finally agrees to go with him to the city. Then Suryani avoids Iskandar and forbids her daughter from seeing Iskandar. When Iskandar's company is about to go bankrupt, Suryani comes to help by selling her house and the shop that Iskandar gave. Then the salvaged company is given to Aminah and her child, while Iskandar goes away to repent.
Director
It tells about the love story between Romi and Juli, which is opposed by Juli's parents due to Romi's upbringing in the overseas. Romi's father is a diplomat. But Juli's father refusal dampens down when the doctor tells him that Juli suffers from leukemia and she would not live long.
Editor
Two sisters, Hanifah and Latifah/Ipah have different attitudes toward life in Jakarta. While Hanifah is content working as a teacher, Ipah, who works as a shopkeeper, is obsessed with living a high life. She leaves her boyfriend, Adi, feeling that her sister’s way of thinking is too conservative, and changes her name to Eva. Eva then becomes a runway model and gets famous. She has an affair with an older man named Abas, gets pregnant, has an abortion and becomes a high class prostitute. Meanwhile, her ex-boyfriend, Adi, has an affair with Lily, Abas’ wife. One day, she meets again with Adi who is looking for a prostitute for his friend. Offended, Eva stabs Adi. She is then sentenced to 18 years in prison. Her father and her sister, Hanifah, come to the court and give her a mukena (a kind of hijab used by female Muslims for praying) before she goes to prison.
Screenplay
Two sisters, Hanifah and Latifah/Ipah have different attitudes toward life in Jakarta. While Hanifah is content working as a teacher, Ipah, who works as a shopkeeper, is obsessed with living a high life. She leaves her boyfriend, Adi, feeling that her sister’s way of thinking is too conservative, and changes her name to Eva. Eva then becomes a runway model and gets famous. She has an affair with an older man named Abas, gets pregnant, has an abortion and becomes a high class prostitute. Meanwhile, her ex-boyfriend, Adi, has an affair with Lily, Abas’ wife. One day, she meets again with Adi who is looking for a prostitute for his friend. Offended, Eva stabs Adi. She is then sentenced to 18 years in prison. Her father and her sister, Hanifah, come to the court and give her a mukena (a kind of hijab used by female Muslims for praying) before she goes to prison.
Director
Two sisters, Hanifah and Latifah/Ipah have different attitudes toward life in Jakarta. While Hanifah is content working as a teacher, Ipah, who works as a shopkeeper, is obsessed with living a high life. She leaves her boyfriend, Adi, feeling that her sister’s way of thinking is too conservative, and changes her name to Eva. Eva then becomes a runway model and gets famous. She has an affair with an older man named Abas, gets pregnant, has an abortion and becomes a high class prostitute. Meanwhile, her ex-boyfriend, Adi, has an affair with Lily, Abas’ wife. One day, she meets again with Adi who is looking for a prostitute for his friend. Offended, Eva stabs Adi. She is then sentenced to 18 years in prison. Her father and her sister, Hanifah, come to the court and give her a mukena (a kind of hijab used by female Muslims for praying) before she goes to prison.
Story
Screenplay
Director
Editor
Rainang tries to terrorize a corrupt village leader, Ciming, so that he would resign. But Marsan accidentally kills Ciming. As team leader, Rainang is willing to take responsibility (punishment by exile) while Marsan is appointed as the new village leader and Rausin (Rainang’s son) is sent to the Islamic boarding school. When Rausin returns to Kemayoran, the village leader, Marsan, is now a corrupt man. The Dutch reprimand him as the villagers no longer want to sell rice to them. The village leader then assigns Beureum, an assassin, to get rid of Rausin. But Toha and Cicih, the female warrior, support him. Rainang, who is thought to have passed away, appears and intervenes, and in the end, kills Marsan.
Director
Rainang tries to terrorize a corrupt village leader, Ciming, so that he would resign. But Marsan accidentally kills Ciming. As team leader, Rainang is willing to take responsibility (punishment by exile) while Marsan is appointed as the new village leader and Rausin (Rainang’s son) is sent to the Islamic boarding school. When Rausin returns to Kemayoran, the village leader, Marsan, is now a corrupt man. The Dutch reprimand him as the villagers no longer want to sell rice to them. The village leader then assigns Beureum, an assassin, to get rid of Rausin. But Toha and Cicih, the female warrior, support him. Rainang, who is thought to have passed away, appears and intervenes, and in the end, kills Marsan.
Story
When their children fail to come home, their parents start to worry. Due to their own neglect and unfulfilled promises, the children, Maria and Suzy, are getting some help from an old man, their former teacher, to go to the zoo and other entertainment centers by themselves. When the police are called, the kids are quickly found and returned to the parents, but the teacher is so heavily shaken by this experience that he admits himself to a mental asylum.
Screenplay
When their children fail to come home, their parents start to worry. Due to their own neglect and unfulfilled promises, the children, Maria and Suzy, are getting some help from an old man, their former teacher, to go to the zoo and other entertainment centers by themselves. When the police are called, the kids are quickly found and returned to the parents, but the teacher is so heavily shaken by this experience that he admits himself to a mental asylum.
Director
When their children fail to come home, their parents start to worry. Due to their own neglect and unfulfilled promises, the children, Maria and Suzy, are getting some help from an old man, their former teacher, to go to the zoo and other entertainment centers by themselves. When the police are called, the kids are quickly found and returned to the parents, but the teacher is so heavily shaken by this experience that he admits himself to a mental asylum.
Editor
Screenplay
Director
Editor
Hamsah is always preoccupied with his business while his wife is busy with her social life. Their daughters; Tuti and Lina, are neglected by them. Lina suffers the most as she is paralyzed, and the doctor does not think that she will improve. So a private teacher is hired for Lina, a university student named Arman. They get along well as Arman is also suffering from the loss of his mother and sister, who died during the revolution. The seeds of love begin to grow, but it happens that Tuti likes him too. Then Arman resolves problem by reuniting Tuti with her ex-boyfriend, Anwar. In the end, Hamzah and his wife realise their mistakes, while Lina and Arman find their “private palace.”
Director
Hamsah is always preoccupied with his business while his wife is busy with her social life. Their daughters; Tuti and Lina, are neglected by them. Lina suffers the most as she is paralyzed, and the doctor does not think that she will improve. So a private teacher is hired for Lina, a university student named Arman. They get along well as Arman is also suffering from the loss of his mother and sister, who died during the revolution. The seeds of love begin to grow, but it happens that Tuti likes him too. Then Arman resolves problem by reuniting Tuti with her ex-boyfriend, Anwar. In the end, Hamzah and his wife realise their mistakes, while Lina and Arman find their “private palace.”
Editor
Kusumo lives happily with his wife and his two kids; Tati and Toto, in Surabaya. Their happiness is interrupted when Kusumo meets Maryati; a widow from Yogya. They meet when she falls victim to some pickpockets when she is shopping. They decide to marry and Kusumo leaves his family, without telling them anything. Sulaiman; a friend of Kusumo, brings him back to his senses and succeeds in persuading Kusumo to return to Surabaya. On the way, Kusumo crashes his car. When his first wife visits him in hospital, he asks for forgiveness before he dies.
Director
Kusumo lives happily with his wife and his two kids; Tati and Toto, in Surabaya. Their happiness is interrupted when Kusumo meets Maryati; a widow from Yogya. They meet when she falls victim to some pickpockets when she is shopping. They decide to marry and Kusumo leaves his family, without telling them anything. Sulaiman; a friend of Kusumo, brings him back to his senses and succeeds in persuading Kusumo to return to Surabaya. On the way, Kusumo crashes his car. When his first wife visits him in hospital, he asks for forgiveness before he dies.
Story
Through Poppy and her boyfriend, Hasan, Elina meets Abdullah and becomes his lover. Then Elina starts to lead a wayward life. Her older sister, Tuty, tries to stop her but Elina chooses to continue her relationship and gets married. Then Tuty's warning comes true, as Abdullah is irresponsible. After Elina gets a divorce, she tries to find Tuty again but fails. But in the end, the two siblings manage to reunite.
