Vít Petrášek

A twisted gay romance set in the 19th Century picturesque Bohemia telling a tabooed true story of birth of one of the nation's most influential writers, starring Julius Feldmeier. Suspense, laughter, violence, hope, heart, nudity, sex and a happy ending—mostly a happy ending.

Once a hugely popular clown trio, Oskar, Max, and Viktor are now living very different lives. The intense fight that ended their friendship has left them on bad terms for over 40 years. Max is battling colon cancer, Viktor's wife is losing a battle to Alzheimer's, and Oskar, who's never been the best dad, is trying to rescue his daughter from an abusive relationship. The good old days are gone indeed. Despite their situations, each one still tries to maintain a sense of humor. They look fondly on the days when they were slapstick superstars. However, when it comes to the issues that led to their career demise, they just can't seem to let their anger go. As they hesitantly agree to a reunion, they begin to find that the only way back to the top is through forgiveness.

The film's protagonists get an opportunity to make a wish. Consequently, their lives take the path they themselves ordained. Several "coincidences" bring them everything they wanted and they have the chance to experience their wishes. We are not only responsible in our lives for everything that we do, but also for everything we say, we think and desire.

Luisa and Erika are prototypes of young women who plunge into relationships with the "wrong" men. Luisa wants to become an actress, which upsets her husband Igor to no end. Erika is trying to work as much as possible so that she can afford to study and thereby achieve a better outlook on life, but she unfortunately runs up against a boss who doesn't have the best intentions with her. Ultimately Luisa's husband demonstratively commits suicide. Erika accidentally kills her boss in self-defense... The women blame themselves for all these failures, and that has got to change. Both have to grow up and start living again. Perhaps even together.

Romi (Gabriela Mícová), a prostitute, is anything but successful at her job: she is of far too gentle a nature for her clients. The more obstinately she is pushed to the streets by her pimp Franz (Stanislav Majer), the closer she is to a complete breakdown. One day Romi is addressed by a property speculator referring to himself as a "wealthy Jew" (Martin Finger). He does not demand any sexual services of her. He satisfies himself with Romi telling him stories, for which he lavishly rewards her. However, no one shares the sudden happiness with Romi. Her work-mates and current clients turn their backs on her, as does Franz, with whom Romi is in love. The whole story takes place in the setting of a dilapidated city, during the clean-up of which politicians openly split their profit with speculators and lobbyists, all under protection from the police.

새롭게 들어선 정부 때문에 정국이 혼란스럽던 1953년 체코, 2인조 강도가 금고를 뜯고 보석을 훔쳐가는 사건이 벌어진다. 형사인 하클은 간단한 조사 끝에 유력한 범인을 찾아내지만 과거 아우슈비츠에 있었던 유태인 용의자는 완강히 범행을 부인한다. 그리고 이 사건이 단순한 절도가 아님을 눈치챈 하클은 홀로 진실에 조금씩 다가가기 시작한다.

A story about the rise and fall of Zyga - a Polish kid in his early twenties, who wants to take charge of his life after the fall of communism, but in a time of chaos and moral anarchy, unwillingly becomes a gangster.

On New Year's Day, two preteen boys wind up in the apartment of Katerina, a teacher from their school, along with her friends, Stepan and David. As the older trio bickers, drinks and flirts, the boys gain eye-opening insight into the adult world.

Two young technicians, Filos and Kája, come to a small village that is a bit cut off from the rest of the world in order to find the best place to install a new station for the reception of a cell phone signal. Their arrival understandably arouses a feeling of expectation among the locals, especially when they learn of the interesting financial reward for the owner of the land on which the transmitter will stand. A fight flares up in the village over this reward, and all weapons, those permitted and those not, are put into use. Of course, there is also the question of whether Filos and Kája will be able to live up to the expectations that have been placed on them. Maybe they aren't even who they claim to be...