Johan Legraie

Following the journey of fossils from their discovery in remote corners of the earth to laboratories, museums, auction houses and collectors’ living rooms, the film weaves together interlocking stories of eccentric characters caught between the demands of commerce and the basic human drive to unlock the most profound mysteries of life. THE BONES takes us deep into the Gobi, Sahara, and North American badlands, and through laboratories, museums, high-end auction houses, and grungy hotel rooms at the Tucson gem show. Wrapped in elusive questions about the origins of life on earth, and its potential future demise, THE BONES unearths the deep passions at the heart of the dinosaur world.

In a youth correctional facility, Joe is preparing his return to society. But William’s arrival turns his desire for freedom into desire of another kind. Behind fences and cell walls, passions begin to play havoc with the need for liberty.

‘현존하는 화가 중 가장 폭넓은 영향력을 행사하는 작가’ ‘파리 샹젤리제 거리에서 대규모 전시회를 개최한 최초의 살아있는 예술가’ ‘전세계 주요 도시 100여회 이상 대규모 전시’ 관능과 풍만함으로 부풀리는 세상! 남미의 피카소, 색채의 마술사! 행복을 채우는 예술가, 보테로

This film is an African “Boyhood” that gives an insight to the political and historical situation of Burundi throughout the last 24 years through the eyes of six street children that now have become adults.

While Yohan and Julie want to buy a new apartment, they are divided on the proportionate share. Julie earns more than her companion, a former MMA champion. To answer a need of equality, Yohan comes back to competition even to put the equilibrium of their family in danger.

We know what labour wreaks on the body, but what less visible imprint does it leave on the unconscious? The nights of twelve dreamers – sometimes recounted in front of the camera, sometimes with a voice-over that accompanies shots of office buildings or urban worksites – reveal how the capitalist system invades the modern-day psyche. Long shots of edifices with smooth surfaces and sheer edges instil a deceptive gentleness. Zombies, corpses, mummies, ghosts, skulls sliced open like an egg and emptied by spoonfuls… The images follow one after the other, no two alike, but the editing organises a gradation towards the vampirism and an insidious passage from night to day, from dreams to real working life.

This is de facto a film about a film, with the only difference being that the focus is exclusively on the extras. They are filmed while waiting to take their turn, while conversing with others, and thinking about their performances. Although they take their duties very seriously and long to be stars, for the filmmakers, they’re just people that can be coordinated as necessary, nothing more. This film, on the contrary, gives them full consideration, revealing their personalities, what they experience, and what they dream of. The footage comes from many different places where movies are made, involving extras from all different nationalities.

Frans Masereel is one of the most fascinating Belgian artists of the 20th century. His work, essentially composed of black and white engravings, is a cry of rebellion against the tragedies of his time. Forced into exile for his pacifist convictions, he embodied, alongside writers like Stefan Zweig and Romain Rolland, the dream of a cultural and brotherly Europe. Through an imaginary correspondence the director addresses to the artist, the film sketches the portrait of a free, touching man who, throughout his life, attempted to break free of art dealers and put his creations in the hands of all.

A penniless Argentine male escort meets a solitary, lonely Belgian baker who wants to help him leave the world of prostitution, explores intimate gay relationship.

Following nearly 40 years of unrelenting war, peace and reconstruction are slowly arriving to Angola. Huambo, Angola’s second largest city, finds 55 children in the Okutiuka orphanage under the care of Sonia Ferreira. Her boyfriend, Wilker Flores, is a death metal guitarist who uses sounds and rhythms of this hardcore music as a path to healing. Or, as Sonia says, “to clear out the debris from all these years of war.” The feature documentary follows Wilker and Sonia’s attempts to stage Angola’s first-ever national rock concert, bringing together members from different strands of the Angolan hardcore scene from different provinces, as it all unfolds in fits and starts, against the bombed out and mined backdrop of the formerly stately Huambo.

"Beyond the Ararat" is the story of a woman of Turkish origin who embarks on a journey to better understand what makes up her identity. A road movie which brings her from her childhood neighborhood in Brussels to Turkey and Armenia. A quest where each woman she encounters could be the reflection of herself. Entering the land of her ancestors, Anatolia, she questions her cultural heritage. Stopping in her grandmother's village, she discovers the "Agit"; an antique oral tradition where women sing for their dead. The songs open a potential space for mourning, where Turkish, Kurdish but also Armenian women missing from that land, can sing "together". The confrontation with the "missing" from her memory, brings her farther eastward in Anatolia to the foot of the Ararat Mountain, and beyond.