Editor
툴루즈 출신 프랑스인 샤를은 가지고 있던 캠코더를 판다. 프랑스를 방문한 아르헨티나 영화감독 이그나시오는 그 캠코더를 산다. 이그나시오는 샤를이 지우지 않은 캠코더 속 영상들을 보고 세계적 규모의 어드벤처 영화로서 잠재력을 발견한다.
Editor
A father who has lost his memory. A son looking for home movies that his father filmed. And among them, the impossible memory of the missing mother
Director of Photography
A film buff does his generational autobiography by relating the problems of maturity in contemporary cinema to the character of Antoine Doinel. When he learns that the actor who played him is coming to visit his city, he makes a drastic decision.
Editor
A doc-travel log that goes through past and present of the vast Amazon region, the largest hydrographic territory on the planet, in which humid forests and ancestral cultures coexist resisting the advance of the transnational domain,
Director
A film about an institution called "House of Theater", which lodged retired and forgotten artists and is the home of Oscar, a convalescing actor who longs to reunite with his son.
A city department is the scene of confluences of relationships, where the intimacy of a couple and the public sphere of work are confused and converge.
Director
Writer
Mauro roams around the city buying things. Anything, no matter what. Because Mauro is a "pasador", a man who exchanges fake bills.
Director
Mauro roams around the city buying things. Anything, no matter what. Because Mauro is a "pasador", a man who exchanges fake bills.
Director
Editor
Premiered in the framework of Bafici, Seized Files: Film School is the second collective feature sponsored by the Museum of the Cinema of Buenos Aires, this time with propaganda series produced during the fifties, aimed at a young audience also protagonist of them. The more re-concentrated nature of materials, less heterogeneous than events intervened "first project use old newsreel "Sucesos Argentinos"", makes that the movie has a more cohesive character on the back and return of the same images, flowed through various searches of each Director, creating different looks and uses. In this case, the director wanted to out his 'intervention' in all senses of the word, just like Prividera's previous feature films. In fact, in these few minutes is both using the file how in the beginning of Fatherland (2011), and the intertitles deployed on M (2007), in base a quote it reconsiders those old images and words looking for its resonance in our present.
