Klaus Schulze

Live concert by West-German electronic musician and composer Klaus Schulze and the Australian singer Lisa Gerrard. Klaus Schulze is one of the few West-German musicians who is allowed to go on a celebrated tour in Poland 1983, largely due to the instrumental nature of his music, and he was later asked to return and play at the 70th anniversary of the Soviet Assault on Poland September on September 17, 2009 in Warsaw in the courtyard of the Royal Palace. Together with Lisa Gerrard, acclaimed exceptional artist and singer of Dead Can Dance, Klaus Schulze delivered an intensive performance in impressing scenery. The second DVD contains, a full length documentary and encore performances.

They are passionate hackers and are constantly looking for new problems and their solutions. They live in what appears to be an infinitely accelerated state of data and information, to which the young Leipzig filmmaker Alexander Biedermann adapted for the time of the film. In doing so, he managed to gain astonishing insights into a scene that the “common user” would otherwise never get to see.

They are passionate hackers and are constantly looking for new problems and their solutions. They live in what appears to be an infinitely accelerated state of data and information, to which the young Leipzig filmmaker Alexander Biedermann adapted for the time of the film. In doing so, he managed to gain astonishing insights into a scene that the “common user” would otherwise never get to see.

Documentary which looks at how a radical generation of musicians created a new German musical identity out of the cultural ruins of war.

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

Klaus Schulze and Australian singer Lisa Gerrard (formerly of Dead Can Dance) work well together on Rheingold: Live at the Loreley. Gerrard doesn't appear on all of this release's moody, hypnotic material, but when she is featured, her performances add a lot to this two-DVD set -- which is a live album more than anything. All of DVD one is devoted to a July 18, 2008 concert in St. Goarshausen, Germany, while DVD two contains the 65-minute documentary "The Real World of Klaus Schulze" and a 55-minute interview (the interviewer is singer/guitarist Steven Wilson, a member of the British progressive rock band Porcupine Tree). The concert in St. Goarshausen is Rheingold's main attraction -- and Schulze is in very good form on the songs that feature Gerrard (the 14-minute "Wellgunde" and the 39-minute "Loreley") as well as the instrumentals that don't ("Nothung," "Wotan," and the 24-minute opener "Alberich").

Based on the life of French novelist Alphonse Daudet.

This is a tale that has an epic scope in scenery "the northern snow-covered lands of coastal Norway" and is dramatized by moments of tumultuous stormy weather. But the focus is on Heikki (Stein Bjorn) a young man who is inspired by the northern lights to take a horse-drawn sled and make his way to the sea, hoping to come back with abundant fish. He is overtaken by a snowstorm and is forced to find shelter in a small, isolated cabin that is home to a half-crazy widow, her baby, and a blind man. Driven to arson by her internal demons, the woman destroys the cabin. She and the blind man perish, but Heikki manages to save the baby. He is now faced with an even greater challenge as he holds the infant and looks in the direction of the coastline.

노부인을 살해한 죄로 10년간 복역하고 출소한다. 그는 또다시 살인을 저지르려고한다. 택시 드라이버를 죽이는데 실패하고 도망가던 그는 한적한 곳에 자리한 집을 발견하고 침입 하려고 하는데..

September 1943: the Special Court of Oldenburg pronounces a verdict against an office courier. The man was found guilty of absconding two bars of soap and a tin of shoe polish. As a dangerous public enemy, he is sentenced to death. More than 16,000 death sentences were passed by the Special Court and the People's Court during the Nazi era. And the judges and state prosecutors who perpetrated these injustices were back on the bench after 1945. Peggy Parnass, a Jewish journalist and a relative of victims of Nazi injustices, experienced this continuity and described many of its ramifications in more than 10 years as a court reporter. The film follows her radical, subjective viewpoint and her incredible encounters with Nazi jurists in today's courts of law.

In a rest home for elderly people, a daughter reads her mother's diary. Soon events that are mentioned in the mother's diary begin to happen to the daughter.

Little coastal town is being terrorized by deadly Barracudas.

Martine is a spoiled socialite who loves to tease, chasing every thrill and every high. On her 21st birthday she has to make a decision between the love she knows and the lust she is to learn.

Music by Klaus Schulze.